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In this Issue

Table of Contents

  1. Editors’ Page
  2. Stephanie G’Schwind, Donald Revell
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/col.2017.0000
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  1. City Light
  2. Michael Byers
  3. pp. 3-18
  4. DOI: https://doi.org/10.1353/col.2017.0001
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  1. Touring
  2. Karin Lin-Greenberg
  3. pp. 19-36
  4. DOI: https://doi.org/10.1353/col.2017.0002
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  1. The Chevrolet Girl
  2. Nancy K. Mays
  3. pp. 37-52
  4. DOI: https://doi.org/10.1353/col.2017.0003
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  1. Lights
  2. Jennifer Stern
  3. pp. 53-66
  4. DOI: https://doi.org/10.1353/col.2017.0004
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  1. Silent Impacts
  2. Michele Finn Johnson
  3. pp. 67-82
  4. DOI: https://doi.org/10.1353/col.2017.0005
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  1. Searching for the Duck Hole
  2. Emily Sinclair
  3. pp. 83-100
  4. DOI: https://doi.org/10.1353/col.2017.0006
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  1. Taxi Sutra
  2. Jennifer Sinor
  3. pp. 101-113
  4. DOI: https://doi.org/10.1353/col.2017.0007
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  1. Green Proofs
  2. Amanda Auerbach
  3. pp. 114-115
  4. DOI: https://doi.org/10.1353/col.2017.0008
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  1. Every Doorframe Holds Tight
  2. Monica Berlin
  3. p. 116
  4. DOI: https://doi.org/10.1353/col.2017.0009
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  1. The Architects: Ohio Valley, 200 CE
  2. Don Bogen
  3. p. 117
  4. DOI: https://doi.org/10.1353/col.2017.0010
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  1. Power
  2. Bruce Bond
  3. pp. 118-119
  4. DOI: https://doi.org/10.1353/col.2017.0011
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  1. Locked in Plasma
  2. Hélène Cardona
  3. p. 120
  4. DOI: https://doi.org/10.1353/col.2017.0012
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  1. The Wonderfully Clear Transition
  2. Jeanette Clough
  3. p. 121
  4. DOI: https://doi.org/10.1353/col.2017.0013
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  1. Sexy Movimiento
  2. Peter Covino
  3. pp. 122-123
  4. DOI: https://doi.org/10.1353/col.2017.0014
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  1. Moon. Kathryn Cowles. Oil on canvas. 2012., and: Clouds. Kathryn Cowles. Acrylic on canvas. 2013
  2. Kathryn Cowles
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/col.2017.0015
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  1. Emergen(ce) of Feeling: for Emily Carr
  2. Mark Cox
  3. p. 127
  4. DOI: https://doi.org/10.1353/col.2017.0016
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  1. Metaphysical Citrus
  2. Kerry James Evans
  3. p. 128
  4. DOI: https://doi.org/10.1353/col.2017.0017
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  1. Untitled
  2. Kevin Goodan
  3. p. 129
  4. DOI: https://doi.org/10.1353/col.2017.0018
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  1. Fog
  2. Eryn Green
  3. pp. 130-132
  4. DOI: https://doi.org/10.1353/col.2017.0019
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  1. First Illustration of the Huttonian Theory of the Earth
  2. Zoë Hitzig
  3. p. 133
  4. DOI: https://doi.org/10.1353/col.2017.0020
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  1. Sonnet
  2. Charlotte Lieberman
  3. p. 134
  4. DOI: https://doi.org/10.1353/col.2017.0021
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  1. The Hummingbird
  2. James Longenbach
  3. p. 135
  4. DOI: https://doi.org/10.1353/col.2017.0022
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  1. Clepsydra
  2. Maja Lukic
  3. p. 136
  4. DOI: https://doi.org/10.1353/col.2017.0023
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  1. Words for Those Who Come After: Fort Belknap Agency, Montana
  2. Rick Lyon
  3. p. 137
  4. DOI: https://doi.org/10.1353/col.2017.0024
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  1. Self Portrait After Francis Bacon
  2. Angelo Mao
  3. p. 138
  4. DOI: https://doi.org/10.1353/col.2017.0025
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  1. Unselved
  2. Joshua McKinney
  3. p. 139
  4. DOI: https://doi.org/10.1353/col.2017.0026
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  1. Genesis, and: Hagar and Sarai, and: Remembering Being Is Birth, and: Natality
  2. E. G. Means
  3. pp. 140-145
  4. DOI: https://doi.org/10.1353/col.2017.0027
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  1. Aphelion
  2. Zackary Medlin
  3. p. 146
  4. DOI: https://doi.org/10.1353/col.2017.0028
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  1. Concave/Convex
  2. Kate Monaghan
  3. p. 147
  4. DOI: https://doi.org/10.1353/col.2017.0029
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  1. Where Are the Words?
  2. Bibhu Padhi
  3. p. 148
  4. DOI: https://doi.org/10.1353/col.2017.0030
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  1. Four Short Essays
  2. Eric Pankey
  3. p. 149
  4. DOI: https://doi.org/10.1353/col.2017.0031
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  1. Door at the End of a Hallway
  2. Amanda Peery
  3. p. 150
  4. DOI: https://doi.org/10.1353/col.2017.0032
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  1. Arroyo
  2. Derek Pollard
  3. pp. 151-152
  4. DOI: https://doi.org/10.1353/col.2017.0033
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  1. In the Far South the Sun of Autumn Is Passing
  2. Bin Ramke
  3. pp. 153-156
  4. DOI: https://doi.org/10.1353/col.2017.0034
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  1. Sanctum, and: Civil Twilight, and: The Great Indoors
  2. Pam Rehm
  3. pp. 157-161
  4. DOI: https://doi.org/10.1353/col.2017.0035
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  1. Let Comfort Come
  2. Jack Ridl
  3. p. 162
  4. DOI: https://doi.org/10.1353/col.2017.0036
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  1. Stadium Lights
  2. Elizabeth Savage
  3. p. 163
  4. DOI: https://doi.org/10.1353/col.2017.0037
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  1. Forest
  2. Alix Anne Shaw
  3. pp. 164-165
  4. DOI: https://doi.org/10.1353/col.2017.0038
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  1. Santa Barbara
  2. Adam Strauss
  3. p. 166
  4. DOI: https://doi.org/10.1353/col.2017.0039
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  1. Chaïm Soutine, Flailing Trees, and: “Chaïm Soutine, Le Vieux Moulin 1922-1923”
  2. Cole Swensen
  3. pp. 167-170
  4. DOI: https://doi.org/10.1353/col.2017.0040
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  1. Take Two: Sidekicks
  2. Susan Terris
  3. p. 171
  4. DOI: https://doi.org/10.1353/col.2017.0041
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  1. Never is Burning, Caught
  2. Amy Jo Trier-Walker
  3. p. 172
  4. DOI: https://doi.org/10.1353/col.2017.0042
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  1. Parable
  2. Jim Whiteside
  3. p. 173
  4. DOI: https://doi.org/10.1353/col.2017.0043
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  1. Contributor Notes
  3. pp. 174-179
  4. DOI: https://doi.org/10.1353/col.2017.0044
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