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In this Issue

Table of Contents

  1. A River in Egypt, and: What the Trees Said
  2. Chase Twichell
  3. pp. 8-9
  4. DOI: https://doi.org/10.1353/mar.2017.0001
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  1. Why I Get Lost
  2. Vince Granata
  3. pp. 10-21
  4. DOI: https://doi.org/10.1353/mar.2017.0002
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  1. Silence
  2. Gerald Stern
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/mar.2017.0003
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  1. The Christian Girl
  2. Edie Meidav
  3. pp. 24-34
  4. DOI: https://doi.org/10.1353/mar.2017.0004
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  1. Mennonite Forest
  2. Terese Svoboda
  3. pp. 35-37
  4. DOI: https://doi.org/10.1353/mar.2017.0005
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  1. Blur
  2. Doug Ramspeck
  3. p. 38
  4. DOI: https://doi.org/10.1353/mar.2017.0006
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  1. Igloo
  2. Owen McLeod
  3. pp. 39-40
  4. DOI: https://doi.org/10.1353/mar.2017.0007
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  1. Shipwreck with Painting
  2. Daniele Del Giudice, Anne Milano Appel
  3. pp. 41-43
  4. DOI: https://doi.org/10.1353/mar.2017.0008
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  1. Feed
  2. Laura McCullough
  3. pp. 44-45
  4. DOI: https://doi.org/10.1353/mar.2017.0009
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  1. The American Dream Writes to Orpheus
  2. Cynthia Dewi Oka
  3. pp. 46-47
  4. DOI: https://doi.org/10.1353/mar.2017.0010
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  1. Flourishing
  2. Joy Ladin
  3. p. 48
  4. DOI: https://doi.org/10.1353/mar.2017.0011
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  1. Art
  2. Jacqueline de Jong
  3. pp. 49-64
  4. DOI: https://doi.org/10.1353/mar.2017.0012
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  1. Oranges
  2. David Zellnik
  3. pp. 65-80
  4. DOI: https://doi.org/10.1353/mar.2017.0013
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  1. Of No Consequence
  2. William Fargason
  3. p. 81
  4. DOI: https://doi.org/10.1353/mar.2017.0014
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  1. Runner
  2. Tom Cantwell
  3. pp. 82-94
  4. DOI: https://doi.org/10.1353/mar.2017.0015
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  1. Deconstruct, and: Peanuts
  2. Ruth Madievsky
  3. pp. 95-98
  4. DOI: https://doi.org/10.1353/mar.2017.0016
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  1. Godsblood
  2. Matthew Westbrook
  3. p. 99
  4. DOI: https://doi.org/10.1353/mar.2017.0017
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  1. Anna's House
  2. Mhani Alaoui
  3. pp. 100-109
  4. DOI: https://doi.org/10.1353/mar.2017.0018
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  1. Subject: Subject
  2. Ben Dolan
  3. pp. 110-123
  4. DOI: https://doi.org/10.1353/mar.2017.0019
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  1. Zero Gravity
  2. Peter Leight
  3. pp. 124-125
  4. DOI: https://doi.org/10.1353/mar.2017.0020
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  1. This Is Autumn, My Dear: Talking With Yunna Morits
  2. Philip Metres
  3. pp. 126-134
  4. DOI: https://doi.org/10.1353/mar.2017.0021
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  1. Nocturne
  2. Adam Dressler
  3. p. 135
  4. DOI: https://doi.org/10.1353/mar.2017.0022
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  1. The Unprotected Females of the Women's Rest Tour Association
  2. Jodie Noel Vinson
  3. pp. 136-147
  4. DOI: https://doi.org/10.1353/mar.2017.0023
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  1. What They Were
  2. Jane Gillette
  3. pp. 148-161
  4. DOI: https://doi.org/10.1353/mar.2017.0024
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  1. Music: At Elmwood Men's Correctional Facility
  2. Casey Fitzsimons
  3. p. 162
  4. DOI: https://doi.org/10.1353/mar.2017.0025
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  1. Auroras
  2. L. A. Johnson
  3. p. 163
  4. DOI: https://doi.org/10.1353/mar.2017.0026
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  1. Data Driven
  2. Jeannie Tseng
  3. pp. 164-174
  4. DOI: https://doi.org/10.1353/mar.2017.0027
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  1. The Short Happy Life
  2. Steffan Hruby
  3. pp. 175-186
  4. DOI: https://doi.org/10.1353/mar.2017.0028
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  1. paper cone
  2. Ulrike Draesner, Bernadette Geyer
  3. p. 187
  4. DOI: https://doi.org/10.1353/mar.2017.0029
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  1. Introduction
  2. Jim Hicks
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/mar.2017.0000
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  1. Notes on Contributors
  2. pp. 188-190
  3. DOI: https://doi.org/10.1353/mar.2017.0030
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