In this Issue

Table of Contents

Special Section:

Joyce/World/Joyce

Esperantic Modernism: Joyce, Universal Language, and Political Gesture

Nico Israel
pp. 1-21
DOI: https://doi.org/10.1353/mod.2017.0000
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“Addicted to the lubric a little”: Spectacle, Speculation, and the Language of Flow in Ulysses

Christopher Kempf
pp. 23-43
DOI: https://doi.org/10.1353/mod.2017.0001
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Becoming “James Overman”: Joyce, Nietzsche, and the Uncreated Conscience of the Irish

Patrick Bixby
pp. 45-66
DOI: https://doi.org/10.1353/mod.2017.0002
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Planetary Parallax: Ulysses, the Stars, and South Africa

Cóilín Parsons
pp. 67-85
DOI: https://doi.org/10.1353/mod.2017.0003
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Robert Rauschenberg’s “Red Show”: Theater, Painting, and Queerness in 1950s Modernism

Thomas Folland
pp. 87-115
DOI: https://doi.org/10.1353/mod.2017.0004
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Modernism’s Anti-Advice

Beth Blum
pp. 117-139
DOI: https://doi.org/10.1353/mod.2017.0005
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Mallarmé’s Madness: Poetry, Pedagogy, and Translation

Alexandra Lukes
pp. 141-160
DOI: https://doi.org/10.1353/mod.2017.0006
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Osip and Nadezhda Mandel’shtam and Soviet Utopianism

Joshua Kotin
pp. 161-183
DOI: https://doi.org/10.1353/mod.2017.0007
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Gallery

Fernand Léger’s Filmic Architecture

Christopher Townsend
pp. 185-191
DOI: https://doi.org/10.1353/mod.2017.0008
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Book Reviews

The Ethnic Avant-Garde: Minority Cultures and World Revolution by Stephen S. Lee (review)

Jill Richards
pp. 193-195
DOI: https://doi.org/10.1353/mod.2017.0009
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Behind the Masks of Modernism: Global and Transnational Perspectives ed. by Andrew Reynolds, Bonnie Roos (review)

María del Pilar Blanco
pp. 195-198
DOI: https://doi.org/10.1353/mod.2017.0010
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Edge of Irony: Modernism in the Shadow of the Habsburg Empire by Marjorie Perloff (review)

Scott W. Klein
pp. 198-200
DOI: https://doi.org/10.1353/mod.2017.0011
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“Women Artists and Futurism.” Special Issue, International Yearbook of Futurism Studies ed. by Günter Berghaus (review)

Luca Somigli
pp. 200-203
DOI: https://doi.org/10.1353/mod.2017.0012
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Disaster Drawn: Visual Witness, Comics, and Documentary Form by Hillary Chute (review)

Eric Bulson
pp. 203-206
DOI: https://doi.org/10.1353/mod.2017.0013
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Adjusted Margin: Xerography, Art, and Activism in the Late Twentieth Century by Kate Eichhorn (review)

Chelsea Jennings
pp. 206-208
DOI: https://doi.org/10.1353/mod.2017.0014
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The Pathos of Distance: Affects of the Moderns by Jean-Michel Rabaté (review)

Rochelle Rives
pp. 208-210
DOI: https://doi.org/10.1353/mod.2017.0015
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History of a Shiver: The Sublime Impudence of Modernism by Jed Rasula (review)

Nicholas Vazsonyi
pp. 211-212
DOI: https://doi.org/10.1353/mod.2017.0016
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The Sky of Our Manufacture: The London Fog in British Fiction from Dickens to Woolf by Jesse Oak Taylor (review)

Michael Rubenstein
pp. 213-214
DOI: https://doi.org/10.1353/mod.2017.0017
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Recent Books of Interest

pp. 215-216
DOI: https://doi.org/10.1353/mod.2017.0018
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