1. Editorial
  2. Drake Stutesman
  3. pp. 89-90
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  1. When the Movie Is Better Than the Book: Fight Club, Consumption, and Vital Signs
  2. Teresa Heffernan
  3. pp. 91-103
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  1. The Film That Almost Was: John Fowles’s “The Black Thumb” and His Collaboration with David Tringham
  2. Michelle Phillips Buchberger
  3. pp. 104-115
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  1. Orpheus of Nitrate: The Emergence of Bill Morrison
  2. Scott MacDonald
  3. pp. 116-137
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  1. Jean-Louis Comolli’s Secret Life as a Free Jazz Critic/Thinking Free Jazz as an Avant-Garde of the Masses
  2. Matthias Mushinski
  3. pp. 138-160
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  1. Criminalizing Dissent: Western State Repression, Video Activism, and Counter-Summit Protests1
  2. Chris Robé
  3. pp. 161-188
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