1. The Utopian Evolutionary Aestheticism of W. K. Clifford, Walter Pater, and Mathilde Blind
  2. Lindsay Wilhelm
  3. pp. 9-34
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  1. Caught in the Act: Photography on the Victorian Stage
  2. Daniel A. Novak
  3. pp. 35-64
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  1. Nobody, Somebody, and Everybody
  2. Elaine Hadley
  3. pp. 65-86
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V21 Forum on Strategic Presentism

  1. Introduction
  2. David Sweeney Coombs, Danielle Coriale
  3. pp. 87-89
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  1. In the Present of No Future
  2. Tanya Agathocleous
  3. pp. 90-93
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  1. Durations of Presents Past: Ruskin and the Accretive Quality of Time
  2. S. Pearl Brilmyer
  3. pp. 94-97
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  1. Present Tense Futures of the Past
  2. Anna Kornbluh
  3. pp. 98-101
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  1. Some Thoughts on Time Travel
  2. Jesse Rosenthal
  3. pp. 102-104
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  1. We Have Always Been Presentist
  2. Emily Steinlight
  3. pp. 105-108
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  1. Scale, Resonance, Presence
  2. Benjamin Morgan
  3. pp. 109-112
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  1. Unquiet Slumbers
  2. Nathan K. Hensley
  3. pp. 113-116
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  1. Response: Strategic Presentism or Partisan Knowledges?
  2. Elaine Freedgood, Michael Sanders
  3. pp. 117-121
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  1. Response: Responsibility to the Present
  2. Andrew H. Miller
  3. pp. 122-126
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Book Reviews

  1. Communities in Fiction by J. Hillis Miller (review)
  2. David Kurnick
  3. pp. 127-129
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  1. English Fiction and the Evolution of Language, 1850–1914 by Will Abberley (review)
  2. Donald S. Hair
  3. pp. 129-131
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  1. Why Literary Periods Mattered: Historical Contrast and the Prestige of English Studies by Ted Underwood (review)
  2. Amanda Anderson
  3. pp. 134-137
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  1. Poetic Force: Poetry After Kant by Kevin McLaughlin (review)
  2. Herbert F. Tucker
  3. pp. 137-139
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  1. Convict Voices: Women, Class, and Writing about Prison in Nineteenth-Century England by Anne Schwan (review)
  2. Seán McConville
  3. pp. 143-145
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  1. Nineteenth-Century Female Poisoners: Three English Women Who Used Arsenic to Kill by Victoria Nagy (review)
  2. Susie L. Steinbach
  3. pp. 145-147
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  1. Addiction and British Visual Culture, 1751–1919: Wasted Looks by Julia Skelly (review)
  2. Jane Lilienfeld
  3. pp. 147-148
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  1. Anti-Social Behaviour in Britain: Victorian and Contemporary Perspectives ed. by Sarah Pickard (review)
  2. William Meier
  3. pp. 149-151
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  1. British Pirates in Print and Performance by Frederick Burwick, Manushag N. Powell (review)
  2. Margarette Lincoln
  3. pp. 151-153
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  1. A Tale of Two Capitalisms: Sacred Economics in Nineteenth-Century Britain by Supritha Rajan (review)
  2. Timothy Alborn
  3. pp. 153-155
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  1. Autobiologies: Charles Darwin and the Natural History of the Self by Alexis Harley (review)
  2. Jessica Straley
  3. pp. 155-157
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  1. Thomas Hardy’s Brains: Psychology, Neurology, and Hardy’s Imagination by Suzanne Keen (review)
  2. Andrew Radford
  3. pp. 157-159
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  1. Dickens and the Business of Death by Claire Wood (review)
  2. Deborah Lutz
  3. pp. 159-160
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  1. The Victorian Geopolitical Aesthetic: Realism, Sovereignty, and Transnational Experience by Lauren M. E. Goodlad (review)
  2. Robert D. Aguirre
  3. pp. 163-165
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  1. Loyalism and the Formation of the British World, 1775–1914 ed. by Allan Blackstock, Frank O’Gorman (review)
  2. Nancy LoPatin-Lummis
  3. pp. 165-167
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  1. Corporate Character: Representing Imperial Power in British India, 1786–1901 by Eddy Kent (review)
  2. Michael D. Leigh
  3. pp. 168-169
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  1. Entanglements of Empire: Missionaries, Maori, and the Question of the Body by Tony Ballantyne (review)
  2. Durba Ghosh
  3. pp. 175-177
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  1. Daughters of the Anglican Clergy: Religion, Gender and Identity in Victorian England by Midori Yamaguchi (review)
  2. Carol Engelhardt Herringer
  3. pp. 177-179
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  1. The Measure of Manliness: Disability and Masculinity in the Mid-Victorian Novel by Karen Bourrier (review)
  2. Bradley Deane
  3. pp. 179-181
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  1. Pre-Raphaelite Masculinities: Constructions of Masculinity in Art and Literature ed. by Amelia Yeates, Serena Trowbridge (review)
  2. Jongwoo Jeremy Kim
  3. pp. 181-184
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  1. Women Writing Art History in the Nineteenth Century: Looking Like a Woman by Hilary Fraser (review)
  2. Anne Helmreich
  3. pp. 184-186
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  1. The Victorian Novel and the Space of Art: Fictional Form on Display by Dehn Gilmore (review)
  2. Rachel Teukolsky
  3. pp. 189-191
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  1. Comments & Queries
  2. Philip Appleman, Donald Gray, George Levine
  3. pp. 192-194
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  1. Reviewers
  2. pp. 195-198
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