1. The Shakespearean Phonograph
  2. Barbara Hodgdon
  3. pp. 1-14
  4. DOI: 10.1353/shb.2017.0000
  5. free access View | Download |
  1. Joss Whedon’s Much Ado About Nothing and the Voyeuristic Audience
  2. Eileen Sperry
  3. pp. 15-35
  4. DOI: 10.1353/shb.2017.0001
  5. free access View | Download |
  1. Signing Shakespeare: Staging American Sign Language in Cymbeline
  2. Maureen McDonnell
  3. pp. 37-63
  4. DOI: 10.1353/shb.2017.0002
  5. free access View | Download |
  1. Original Gesture: Hand Eloquence on the Early Modern Stage
  2. John Wesley
  3. pp. 65-96
  4. DOI: 10.1353/shb.2017.0003
  5. free access View | Download |
  1. The Dramaturgical Space of Solo Scenes in Fletcher and Shakespeare, Or a Study of the Jailer’s Daughter
  2. Michael M. Wagoner
  3. pp. 97-118
  4. DOI: 10.1353/shb.2017.0004
  5. free access View | Download |
  1. Seattle Shakespeare Company 2014–15 Season
  2. Michael W. Shurgot
  3. pp. 119-133
  4. DOI: 10.1353/shb.2017.0005
  5. free access View | Download |
  1. Measure for Measure by Sainokuni Shakespeare Company at Saitama Arts Theatre (review)
  2. Todd Andrew Borlik
  3. pp. 135-142
  4. DOI: 10.1353/shb.2017.0006
  5. free access View | Download |
  1. Macbeth by Shakespeare’s Globe, and: The Taming of the Shrew by Shakespeare’s Globe (review)
  2. Eric Brinkman
  3. pp. 142-147
  4. DOI: 10.1353/shb.2017.0007
  5. free access View | Download |
  1. Richard III by Shakespeare Theatre of New Jersey at the F. M. Kirby Shakespeare Theatre (review)
  2. Barbara Ann Lukacs
  3. pp. 163-166
  4. DOI: 10.1353/shb.2017.0010
  5. free access View | Download |