In this Issue

Table of Contents

The Shakespearean Phonograph

Barbara Hodgdon
pp. 1-14
DOI: https://doi.org/10.1353/shb.2017.0000
restricted access

Joss Whedon’s Much Ado About Nothing and the Voyeuristic Audience

Eileen Sperry
pp. 15-35
DOI: https://doi.org/10.1353/shb.2017.0001
restricted access

Signing Shakespeare: Staging American Sign Language in Cymbeline

Maureen McDonnell
pp. 37-63
DOI: https://doi.org/10.1353/shb.2017.0002
restricted access

Original Gesture: Hand Eloquence on the Early Modern Stage

John Wesley
pp. 65-96
DOI: https://doi.org/10.1353/shb.2017.0003
restricted access

The Dramaturgical Space of Solo Scenes in Fletcher and Shakespeare, Or a Study of the Jailer’s Daughter

Michael M. Wagoner
pp. 97-118
DOI: https://doi.org/10.1353/shb.2017.0004
restricted access

Seattle Shakespeare Company 2014–15 Season

Michael W. Shurgot
pp. 119-133
DOI: https://doi.org/10.1353/shb.2017.0005
restricted access

Measure for Measure by Sainokuni Shakespeare Company at Saitama Arts Theatre (review)

Todd Andrew Borlik
pp. 135-142
DOI: https://doi.org/10.1353/shb.2017.0006
restricted access

Macbeth by Shakespeare’s Globe, and: The Taming of the Shrew by Shakespeare’s Globe (review)

Eric Brinkman
pp. 142-147
DOI: https://doi.org/10.1353/shb.2017.0007
restricted access

A Midsummer Night’s Dream by The Royal Shakespeare Company with Poulton Drama at the Royal Shakespeare Theatre, and: A Midsummer Night’s Dream by Shakespeare’s Globe at Shakespeare’s Globe, and: A Midsummer Night’s Dream by Pendley Shakespeare Festival at Pendley Manor (review)

Katherine Steele Brokaw
pp. 148-156
DOI: https://doi.org/10.1353/shb.2017.0008
restricted access

Romeo and Juliet by Synetic Theater at the Crystal City Theater, and: The Two Noble Kinsmen by Royal Shakespeare Company at the Swan Theatre (review)

Justin B. Hopkins
pp. 156-163
DOI: https://doi.org/10.1353/shb.2017.0009
restricted access

Richard III by Shakespeare Theatre of New Jersey at the F. M. Kirby Shakespeare Theatre (review)

Barbara Ann Lukacs
pp. 163-166
DOI: https://doi.org/10.1353/shb.2017.0010
restricted access

Shakespeare, Revenge Tragedy and Early Modern Law: Vindictive Justice by Derek Dunne, and: Unsettled Toleration: Religious Difference on the Shakespearean Stage by Brian Walsh, and: Staging the Revolution: Drama, Reinvention, and History, 1647–72 by Rachel Willie (review)

Andrew Bretz
pp. 167-172
DOI: https://doi.org/10.1353/shb.2017.0011
restricted access