1. The Shakespearean Phonograph
  2. Barbara Hodgdon
  3. pp. 1-14
  4. DOI: 10.1353/shb.2017.0000
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  1. Joss Whedon’s Much Ado About Nothing and the Voyeuristic Audience
  2. Eileen Sperry
  3. pp. 15-35
  4. DOI: 10.1353/shb.2017.0001
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  1. Signing Shakespeare: Staging American Sign Language in Cymbeline
  2. Maureen McDonnell
  3. pp. 37-63
  4. DOI: 10.1353/shb.2017.0002
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  1. Original Gesture: Hand Eloquence on the Early Modern Stage
  2. John Wesley
  3. pp. 65-96
  4. DOI: 10.1353/shb.2017.0003
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  1. The Dramaturgical Space of Solo Scenes in Fletcher and Shakespeare, Or a Study of the Jailer’s Daughter
  2. Michael M. Wagoner
  3. pp. 97-118
  4. DOI: 10.1353/shb.2017.0004
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  1. Seattle Shakespeare Company 2014–15 Season
  2. Michael W. Shurgot
  3. pp. 119-133
  4. DOI: 10.1353/shb.2017.0005
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  1. Measure for Measure by Sainokuni Shakespeare Company at Saitama Arts Theatre (review)
  2. Todd Andrew Borlik
  3. pp. 135-142
  4. DOI: 10.1353/shb.2017.0006
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  1. Macbeth by Shakespeare’s Globe, and: The Taming of the Shrew by Shakespeare’s Globe (review)
  2. Eric Brinkman
  3. pp. 142-147
  4. DOI: 10.1353/shb.2017.0007
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  1. A Midsummer Night’s Dream by The Royal Shakespeare Company with Poulton Drama at the Royal Shakespeare Theatre, and: A Midsummer Night’s Dream by Shakespeare’s Globe at Shakespeare’s Globe, and: A Midsummer Night’s Dream by Pendley Shakespeare Festival at Pendley Manor (review)
  2. Katherine Steele Brokaw
  3. pp. 148-156
  4. DOI: 10.1353/shb.2017.0008
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  1. Romeo and Juliet by Synetic Theater at the Crystal City Theater, and: The Two Noble Kinsmen by Royal Shakespeare Company at the Swan Theatre (review)
  2. Justin B. Hopkins
  3. pp. 156-163
  4. DOI: 10.1353/shb.2017.0009
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  1. Richard III by Shakespeare Theatre of New Jersey at the F. M. Kirby Shakespeare Theatre (review)
  2. Barbara Ann Lukacs
  3. pp. 163-166
  4. DOI: 10.1353/shb.2017.0010
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  1. Shakespeare, Revenge Tragedy and Early Modern Law: Vindictive Justice by Derek Dunne, and: Unsettled Toleration: Religious Difference on the Shakespearean Stage by Brian Walsh, and: Staging the Revolution: Drama, Reinvention, and History, 1647–72 by Rachel Willie (review)
  2. Andrew Bretz
  3. pp. 167-172
  4. DOI: 10.1353/shb.2017.0011
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