1. The Ambiguous Aura of Hollywood Stars in Avant-Garde Found-Footage Films
  2. William C. Wees
  3. pp. 3-18
  4. DOI: 10.1353/cj.2002.0006
  5. restricted access
    • View HTML View
    • Download PDF Download
  1. The Staging of the Bourgeois Imaginary in The Cook, the Thief, His Wife, and Her Lover (1990)
  2. Ruth D. Johnston
  3. pp. 19-40
  4. DOI: 10.1353/cj.2002.0003
  5. restricted access
    • View HTML View
    • Download PDF Download
  1. Kieślowski and the Antipolitics of Color: A Reading of the "Three Colors" Trilogy
  2. Paul Coates
  3. pp. 41-66
  4. DOI: 10.1353/cj.2002.0001
  5. restricted access
    • View HTML View
    • Download PDF Download
  1. Godard's Comment Ça Va (1976): From Information Theory to Genetics
  2. Kevin J. Hayes
  3. pp. 67-83
  4. DOI: 10.1353/cj.2002.0002
  5. restricted access
    • View HTML View
    • Download PDF Download
  1. An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937
  2. Peter Stanfield
  3. pp. 84-108
  4. DOI: 10.1353/cj.2002.0004
  5. restricted access
    • View HTML View
    • Download PDF Download
  1. An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937
  2. Peter Stanfield
  3. pp. 84-108
  4. DOI: 10.1353/cj.2002.0005
  5. restricted access
    • View HTML View
    • Download PDF Download