+ MUSE Alert

In this Issue

Table of Contents

  1. Wayang Kulit Kelantan: A Study of Characterization and Puppets
  2. Ghulam-Sarwar Yousof, Kheng-Kia Khor
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/atj.2017.0002
  5. restricted access
  1. Dramatizing Romance of the Three Kingdoms in Japanese Puppet Theatre: Zhuge Liang’s Military Talk on the Three Kingdoms
  2. Kai Xie
  3. pp. 26-47
  4. DOI: https://doi.org/10.1353/atj.2017.0003
  5. restricted access
  1. The Development of Indonesian Modern Theatre: Four Periods of Creativity from 1970 to 2015
  2. Benny Yohanes Timmerman
  3. pp. 48-74
  4. DOI: https://doi.org/10.1353/atj.2017.0004
  5. restricted access
  1. The Hilarity of Unhappiness in Oh Tae-suk’s Tempest: Cross-Cultural Access and Precolonial/Indigenous Aesthetics
  2. Kyounghye Kwon
  3. pp. 75-96
  4. DOI: https://doi.org/10.1353/atj.2017.0005
  5. restricted access
  1. Gender and Ethnicity in Indian Classical Dance in Malaysia
  2. Premalatha Thiagarajan
  3. pp. 97-121
  4. DOI: https://doi.org/10.1353/atj.2017.0006
  5. restricted access
  1. Ma Xianglan and Wang Zhideng Onstage and Offstage: Rethinking the Romance of a Courtesan Theatre in Ming-Qing China
  2. Mi Zhao
  3. pp. 122-151
  4. DOI: https://doi.org/10.1353/atj.2017.0007
  5. restricted access
  1. Murder in the Royal Palace: A Four-Act Play by Younghill Kang
  2. Wook-Dong Kim
  3. pp. 152-168
  4. DOI: https://doi.org/10.1353/atj.2017.0008
  5. restricted access
  1. Rachel Cooper
  2. Cobina Gillitt
  3. pp. 169-187
  4. DOI: https://doi.org/10.1353/atj.2017.0009
  5. restricted access
  1. Kathy Foley
  2. Margaret J. Coldiron
  3. pp. 188-205
  4. DOI: https://doi.org/10.1353/atj.2017.0010
  5. restricted access
  1. Carol Fisher Sorgenfrei
  2. David Jortner
  3. pp. 206-219
  4. DOI: https://doi.org/10.1353/atj.2017.0011
  5. restricted access
  1. Teater Atas Pokok (Theatre atop the Tree) by Dinsman (Shamsudin Osman) (review)
  2. Kathy Foley
  3. pp. 220-225
  4. DOI: https://doi.org/10.1353/atj.2017.0012
  5. restricted access
  1. God Bless Baseball by Okada Toshiki (review)
  2. Kee-Yoon Nahm
  3. pp. 226-230
  4. DOI: https://doi.org/10.1353/atj.2017.0013
  5. restricted access
  1. A Midsummer Night’s Dream by Wu Hsing-kuo (review)
  2. Iris Hsin-chun Tuan
  3. pp. 231-235
  4. DOI: https://doi.org/10.1353/atj.2017.0014
  5. restricted access
  1. Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era by Denise Varney, et al. (review)
  2. Kevin J. Wetmore
  3. pp. 236-238
  4. DOI: https://doi.org/10.1353/atj.2017.0015
  5. restricted access
  1. Gao Xingjian’s Post-Exile Plays: Transnationalism and Postdramatic Theatre by Mary Mazzilli (review)
  2. Tarryn Li-Min Chun
  3. pp. 239-242
  4. DOI: https://doi.org/10.1353/atj.2017.0016
  5. restricted access
  1. Street Performers and Society in Urban Japan, 1600–1900: The Beggar’s Gift by Gerald Groemer (review)
  2. Stanca Scholz-Cionca
  3. pp. 243-246
  4. DOI: https://doi.org/10.1353/atj.2017.0017
  5. restricted access
  1. Onnagata: A Labyrinth of Gendering In Kabuki Theatre by Mari Isaka (review)
  2. Colleen Lanki
  3. pp. 247-249
  4. DOI: https://doi.org/10.1353/atj.2017.0018
  5. restricted access
  1. Javaphilia: American Love Affairs with Javanese Music and Dance by Henry Spiller (review)
  2. Kathy Foley
  3. pp. 250-252
  4. DOI: https://doi.org/10.1353/atj.2017.0019
  5. restricted access
  1. From the Editor
  2. Kathy Foley
  3. pp. iii-iv
  4. DOI: https://doi.org/10.1353/atj.2017.0000
  5. restricted access
  1. Errata
  3. p. iv
  4. DOI: https://doi.org/10.1353/atj.2017.0001
  5. restricted access
  1. Books Received
  2. Kathy Foley
  3. pp. 253-257
  4. DOI: https://doi.org/10.1353/atj.2017.0020
  5. restricted access
  1. Color Insert
  3. pp. Color Insert 1-Color Insert 7
  4. DOI: https://doi.org/10.1353/atj.2017.0021
  5. restricted access