1. The “Overcoat” of Nabokov’s Luzhin: Defense as Self-Destruction
  2. Irene Masing-Delic
  3. pp. 1-21
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  1. Romain Gary and the Aesthetics of Survival: From Genghis Cohn to King Solomon
  2. Nourit Melcer-Padon
  3. pp. 47-60
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  1. New Modes of Listening: The Mediality of Musical Novels
  2. Emily Petermann
  3. pp. 69-79
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  1. Musical Macrostructures in The Gold Bug Variations and Orfeo by Richard Powers; or, Toward a Media-Conscious Audionarratology
  2. A. Elisabeth Reichel
  3. pp. 81-98
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  1. Being Silent, Doing Nothing: Silence as a Symbol of Peace in Ivan Goncharov’s Oblomov and Ha Jin’s Waiting
  2. Agatha Frischmuth
  3. pp. 99-115
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  1. Singing Thomas Pynchon’s Gravity’s Rainbow: Interfaces of Song, Narrative, and Sonic Performance
  2. Anahita Rouyan
  3. pp. 117-133
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  1. Non-Sovereign Voices in Friederike Mayröcker’s Aural Texts
  2. Inge Arteel
  3. pp. 135-150
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  1. Narrativity and Sound in German Radio Play Adaptations of Paul Auster’s The New York Trilogy
  2. Till Kinzel
  3. pp. 151-165
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  1. Sounding Postmodernity: Narrative Voices in the Radio Adaptation of Alasdair Gray’s Lanark
  2. Jarmila Mildorf
  3. pp. 167-188
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  1. Female Gothic Histories: Gender, History and the Gothic by Diana Wallace (review)
  2. Yael Shapira
  3. pp. 189-192
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  1. Kazuo Ishiguro and Memory by Yugin Teo (review)
  2. Amit Marcus
  3. pp. 193-196
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  1. British Women and the Intellectual World in the Long Eighteenth Century ed. by Teresa Barnard (review)
  2. Angela Escott
  3. pp. 197-200
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  1. Narrating Sounds: Introduction to the Forum
  2. Jarmila Mildorf, Till Kinzel
  3. pp. 61-67
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