1. Editorial: Discomfort
  3. pp. 1-9
  4. DOI: 10.1353/sen.2017.0000
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  1. “Total Community Response”: Performing the Avant-garde as a Democratic Gesture in Manila
  2. Patrick D. Flores
  3. pp. 13-38
  4. DOI: 10.1353/sen.2017.0001
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  1. An Exceptional Inclusion: On MoMA’s Exhibition Recent American Prints in Color and the First Exhibition of Southeast Asian Art
  2. Kathleen Ditzig
  3. pp. 39-80
  4. DOI: 10.1353/sen.2017.0002
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  1. Endurance and Overcoming in the Art of Amron Omar and Melati Suryodarmo: Invoking Uncommon Alignments for Contemporary Southeast Asian Art History
  2. Michelle Antoinette
  3. pp. 81-129
  4. DOI: 10.1353/sen.2017.0003
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  1. A Dark Spot on a Royal Space: The Art of the People’s Party and the Politics of Thai (Art) History1
  2. Thanavi Chotpradit
  3. pp. 131-157
  4. DOI: 10.1353/sen.2017.0004
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  1. Of Poems in a Recalcitrant Landscape: An Interview with Stanley J. O’Connor
  2. Pamela N. Corey, Stanley J. O’connor
  3. pp. 161-183
  4. DOI: 10.1353/sen.2017.0005
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  1. Searching for Discomfort
  2. Sharmini Pereira, P. Kirubalini
  3. pp. 187-201
  4. DOI: 10.1353/sen.2017.0006
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  1. Hol Pidan: Cambodian Traditional Pictorial Silk Textile Preservation and Development, at the National Museum of Cambodia, 2016
  2. Joanna Wolfarth
  3. pp. 205-213
  4. DOI: 10.1353/sen.2017.0007
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  1. Towards Figures of Dedication, and a Flood (2015)
  2. Tom Nicholson, Grace Samboh, Edhi Sunarso
  3. pp. 221-230
  4. DOI: 10.1353/sen.2017.0009
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  1. Getah Bening
  2. Shooshie Sulaiman
  3. pp. 231-236
  4. DOI: 10.1353/sen.2017.0010
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  1. Introduction
  2. Vera Mey
  3. pp. 217-219
  4. DOI: 10.1353/sen.2017.0008
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