In this Issue
Founded in 1963 at the University of Tulsa by Thomas F. Staley, the James Joyce Quarterly has been the flagship journal of international Joyce studies ever since. In each issue, the JJQ brings together a wide array of critical and theoretical work focusing on the life, writing, and reception of James Joyce. We encourage submissions of all types, welcoming archival, historical, biographical, and critical research. Each issue of the JJQ provides a selection of peer-reviewed essays representing the very best in contemporary Joyce scholarship. In addition, the journal publishes notes, reviews, letters, a comprehensive checklist of recent Joyce-related publications, and the editor's "Raising the Wind" comments. The goal of the JJQ is simple: to provide an open, lively, and multidisciplinary forum for the international community of Joyce scholars, students, and enthusiasts.
published by
The University of Tulsaviewing issue
Volume 52, Number 1, Fall 2014Table of Contents

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View “Obstructing the thoroughfare”: A Report on the Dublin James Joyce Summer School, 3-9 July 2016
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View The Stability of Laughter in A Portrait of the Artist as a Young Man, or Quis est in malo humore … ego aut vos?
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View Conspicuous Bodies: Provincial Belief and the Making of Joyce and Rushdie by Jean Kane (review)
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View Translatin Joyce: Global Transmissions in Ibero-American Literature ed. by Brian L. Price (review)
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View Haunted Historiographies: the Rhetoric of Ideology in Postcolonial Irish Fiction by Matthew Schultz (review)
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View Waywords and Meansigns: Recreating “Finnegans Wake” (In Its Whole Wholume) dir. by Derek Pyle (review)
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View Beckett in Brooklyn: The Brooklyn Academy of Music’s Next Wave Festival Revival of Three One-Act Plays, “Not I,” “Footfalls,” and “Rockaby,” by Samuel Beckett (review)
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View Modernism, Middlebrow and the Literary Canon: the Modern Library Series, 1917-1955 by Lise Jaillant (review)
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ISSN | 1938-6036 |
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Print ISSN | 0021-4183 |
Launched on MUSE | 2017-01-21 |
Open Access | No |