1. Clive Hart (1931-2016)
  2. Fritz Senn
  3. pp. 7-9
  4. DOI: 10.1353/jjq.2014.0021
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  1. “Obstructing the thoroughfare”: A Report on the Dublin James Joyce Summer School, 3-9 July 2016
  2. Niels Caul
  3. pp. 9-12
  4. DOI: 10.1353/jjq.2014.0030
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  1. “Real Adventures Must Be Sought Abroad”: Swedish Students Encounter Dublin and the Dubliners
  2. Angelica Granqvist
  3. pp. 12-15
  4. DOI: 10.1353/jjq.2014.0031
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  1. Milly Bloom as Blind Spot in Ulysses
  2. Katherine Ryan
  3. pp. 17-35
  4. DOI: 10.1353/jjq.2014.0032
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  1. An Abode of Bliss: Plumtree’s Potted Meat and the Allegory of the Theologians
  2. Blake Leland
  3. pp. 37-53
  4. DOI: 10.1353/jjq.2014.0033
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  1. The Stability of Laughter in A Portrait of the Artist as a Young Man, or Quis est in malo humore … ego aut vos?
  2. James Nikopoulos
  3. pp. 55-74
  4. DOI: 10.1353/jjq.2014.0034
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  1. “Ordovico or viricordo”: Joyce’s Road from Newman to Vico
  2. John D. Schaeffer
  3. pp. 75-87
  4. DOI: 10.1353/jjq.2014.0035
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  1. Credible Resonance, or Believable Euphony in the Joyce Oeuvre
  2. Jefferey Simons
  3. pp. 89-104
  4. DOI: 10.1353/jjq.2014.0036
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  1. Reviews and Notices of James Joyce in the United States, 1916-1920
  2. George Monteiro
  3. pp. 105-128
  4. DOI: 10.1353/jjq.2014.0037
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  1. With Joyce in Saint Gérand-le-Puy: Maria Jolas’s “Joyce en 1939-1940” in Translation
  2. Neil R. Davison
  3. pp. 129-142
  4. DOI: 10.1353/jjq.2014.0038
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  1. Current JJ Checklist (125)
  2. William S. Brockman
  3. pp. 143-156
  4. DOI: 10.1353/jjq.2014.0039
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  1. Exhuming the Monks of Mount Melleray from “The Dead”
  2. Kieran Quinlan
  3. pp. 157-164
  4. DOI: 10.1353/jjq.2014.0040
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  1. A Source for the “Most Profound Sentence” in A Portrait of the Artist as a Young Man
  2. Daniel Aureliano Newman
  3. pp. 165-168
  4. DOI: 10.1353/jjq.2014.0041
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  1. Two Gallants
  2. Robert Berry
  3. pp. 169-179
  4. DOI: 10.1353/jjq.2014.0042
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  1. Joyce Smithy: A Curated Review of Joyce in Visual Art, Music, and Performance
  2. Ollie Evans, Christa-Maria Lerm Hayes, Derek Pyle
  3. pp. 181-191
  4. DOI: 10.1353/jjq.2014.0043
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  1. Medieval Invasions in Modern Irish Literature by Julieann Veronica Ulin (review)
  2. Joseph Kelly
  3. pp. 193-197
  4. DOI: 10.1353/jjq.2014.0044
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  1. Conspicuous Bodies: Provincial Belief and the Making of Joyce and Rushdie by Jean Kane (review)
  2. Marcia K. Farrell
  3. pp. 197-201
  4. DOI: 10.1353/jjq.2014.0045
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  1. Translatin Joyce: Global Transmissions in Ibero-American Literature ed. by Brian L. Price (review)
  2. Jesús Isaías Gómez-López
  3. pp. 201-205
  4. DOI: 10.1353/jjq.2014.0046
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  1. Haunted Historiographies: the Rhetoric of Ideology in Postcolonial Irish Fiction by Matthew Schultz (review)
  2. Emer Nolan
  3. pp. 205-208
  4. DOI: 10.1353/jjq.2014.0047
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  1. YEATS AND AFTERWORDS ed. by Joseph Valente and Marjorie Howes (review)
  2. Anna Finn
  3. pp. 208-212
  4. DOI: 10.1353/jjq.2014.0048
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  1. The Disappointed Bridge: Ireland and the Post-Colonial World by Richard Pine (review)
  2. Bruce Stewart
  3. pp. 212-217
  4. DOI: 10.1353/jjq.2014.0049
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  1. Flann O’Brien & Modernism ed. by Julian Murphet, Rónán McDonald, and Sascha Morrell (review)
  2. Paul Fagan
  3. pp. 218-223
  4. DOI: 10.1353/jjq.2014.0050
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  1. Modernism and Christianity by Erik Tonning (review)
  2. Jack Dudley
  3. pp. 224-226
  4. DOI: 10.1353/jjq.2014.0051
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  1. Waywords and Meansigns: Recreating “Finnegans Wake” (In Its Whole Wholume) dir. by Derek Pyle (review)
  2. Aodhán Kelly, Tom De Keyser
  3. pp. 230-233
  4. DOI: 10.1353/jjq.2014.0053
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  1. Letters
  2. Sidney Feshbach, Richard Barlow
  3. p. 239
  4. DOI: 10.1353/jjq.2014.0055
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  1. Modernism, Middlebrow and the Literary Canon: the Modern Library Series, 1917-1955 by Lise Jaillant (review)
  2. Hannah McGregor
  3. pp. 227-229
  4. DOI: 10.1353/jjq.2014.0052
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  1. Contributors
  2. pp. 241-244
  3. DOI: 10.1353/jjq.2014.0056
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