1. Calvarium
  2. Rodney Gomez
  3. pp. 1-2
  4. DOI: 10.1353/plc.2017.0001
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  1. The Musician’s Complete Guide to Underground Touring
  2. Michael Kardos
  3. pp. 3-12
  4. DOI: 10.1353/plc.2017.0002
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  1. Kenobi
  2. Eric Bliman
  3. p. 13
  4. DOI: 10.1353/plc.2017.0003
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  1. The Kiss
  2. Sarah Rose Nordgren
  3. p. 14
  4. DOI: 10.1353/plc.2017.0004
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  1. Race
  2. Shara McCallum
  3. p. 15
  4. DOI: 10.1353/plc.2017.0005
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  1. Bird Call Association
  2. Mikko Harvey
  3. p. 16
  4. DOI: 10.1353/plc.2017.0006
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  1. Parachute
  2. Maggie Smith
  3. pp. 17-18
  4. DOI: 10.1353/plc.2017.0007
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  1. Star Stuff
  2. Samantha Edmonds
  3. pp. 19-21
  4. DOI: 10.1353/plc.2017.0008
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  1. orphan song (vigia)
  2. G. C. Waldrep
  3. pp. 22-23
  4. DOI: 10.1353/plc.2017.0009
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  1. Dream Study, and: We Sat Grown Quiet
  2. Kay Cosgrove
  3. pp. 24-25
  4. DOI: 10.1353/plc.2017.0010
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  1. Inca Street, and: I Am So Sad, and: So What, and: Joy, and: The Eye
  2. Idea Vilariño, Jesse Lee Kercheval
  3. pp. 26-30
  4. DOI: 10.1353/plc.2017.0011
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  1. Notes on the Nude
  2. Emma Carlisle
  3. pp. 31-37
  4. DOI: 10.1353/plc.2017.0012
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  1. Mother
  2. Doug Ramspeck
  3. p. 38
  4. DOI: 10.1353/plc.2017.0013
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  1. Makeshift Cathedral
  2. Peter LaBerge
  3. p. 39
  4. DOI: 10.1353/plc.2017.0014
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  1. The Horror
  2. Caitlin Pryor
  3. pp. 40-42
  4. DOI: 10.1353/plc.2017.0015
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  1. No Longer Will We Be Spooky-Eyed Motherfuckers
  2. Alex Lemon
  3. pp. 43-44
  4. DOI: 10.1353/plc.2017.0016
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  1. Confessions
  2. Michael Bazzett
  3. p. 45
  4. DOI: 10.1353/plc.2017.0017
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  1. The Whipping
  2. Anand Prahlad
  3. p. 46
  4. DOI: 10.1353/plc.2017.0018
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  1. Sanitary Engineering
  2. Tanya Bomsta
  3. pp. 47-48
  4. DOI: 10.1353/plc.2017.0019
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  1. P.S. Assault
  2. Alessandra Lynch
  3. pp. 49-54
  4. DOI: 10.1353/plc.2017.0020
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  1. Case Study of a Haircut at Home
  2. Mary Angelino
  3. p. 55
  4. DOI: 10.1353/plc.2017.0021
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  1. The Minstrel’s Death, and: The Execution, and: Hats Off, and: Epistle to Friends
  2. Vintilă Ivănceanu, Victor Pambuccian
  3. pp. 58-62
  4. DOI: 10.1353/plc.2017.0023
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  1. “Oomph-Making Machines”: An Interview with George Saunders
  2. Alexander Weinstein
  3. pp. 66-70
  4. DOI: 10.1353/plc.2017.0025
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  1. Lightning Fodder
  2. Anna Short
  3. pp. 71-72
  4. DOI: 10.1353/plc.2017.0026
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  1. The Disappointing Earth
  2. Megan Giddings
  3. pp. 73-79
  4. DOI: 10.1353/plc.2017.0027
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  1. The Sins of Man
  2. Michael Nye
  3. pp. 80-90
  4. DOI: 10.1353/plc.2017.0028
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  1. The Tool Factory
  2. Brenda Peynado
  3. pp. 91-92
  4. DOI: 10.1353/plc.2017.0029
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  1. Fall Line
  2. Alexander Weinstein
  3. pp. 93-100
  4. DOI: 10.1353/plc.2017.0030
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  1. The Only Sound Is the Wind
  2. Pascha Sotolongo
  3. pp. 101-112
  4. DOI: 10.1353/plc.2017.0031
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  1. The Kind of Muscles Runners Get
  2. John Gallaher
  3. p. 113
  4. DOI: 10.1353/plc.2017.0032
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  1. The Sibilant, and: Horse
  2. David Keplinger
  3. pp. 114-115
  4. DOI: 10.1353/plc.2017.0033
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  1. Notes to the Name and Its Translation, and: Let There Be
  2. Cintia Santana
  3. pp. 116-117
  4. DOI: 10.1353/plc.2017.0034
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  1. The Iceberg, and: On Work
  2. Katy Rossing
  3. pp. 118-119
  4. DOI: 10.1353/plc.2017.0035
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  1. Sharing Secrets
  2. Noelani Piters
  3. p. 120
  4. DOI: 10.1353/plc.2017.0036
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  1. Bosses of Light and Sound
  2. Nickalus Rupert
  3. pp. 121-127
  4. DOI: 10.1353/plc.2017.0037
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  1. Divorce
  2. Jeanine Walker
  3. p. 128
  4. DOI: 10.1353/plc.2017.0038
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  1. Authority, and: We Have Grown
  2. Shira Stav, Daniel Ginsburg, Rutie Eckdish
  3. pp. 129-130
  4. DOI: 10.1353/plc.2017.0039
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  1. In Juvie
  2. Erin Jones
  3. p. 131
  4. DOI: 10.1353/plc.2017.0040
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  1. To the Evening
  2. Sebastian Hasani Paramo
  3. pp. 132-133
  4. DOI: 10.1353/plc.2017.0041
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  1. The Floating World
  2. Erica X Eisen
  3. pp. 134-139
  4. DOI: 10.1353/plc.2017.0042
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  1. Examination of Conscience
  2. Jim Daniels
  3. p. 140
  4. DOI: 10.1353/plc.2017.0043
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  1. Elephant Bones
  2. Tara Tatum
  3. p. 141
  4. DOI: 10.1353/plc.2017.0044
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  1. Sea Star Wasting Syndrome
  2. Scott Beal
  3. pp. 142-143
  4. DOI: 10.1353/plc.2017.0045
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  1. We Were Never Here
  2. Catherine Prescott
  3. p. 144
  4. DOI: 10.1353/plc.2017.0046
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  1. Report on the Hadleyburg Renaissance
  2. J. M. Ferguson
  3. pp. 145-151
  4. DOI: 10.1353/plc.2017.0047
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  1. Heart Attack, and: Dawn of Freedom (1947)
  2. Faiz Ahmed Faiz, Umair Kazi
  3. pp. 152-154
  4. DOI: 10.1353/plc.2017.0048
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  1. Day of No Dead
  2. Tina V. Cabrera
  3. pp. 155-159
  4. DOI: 10.1353/plc.2017.0049
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  1. Introducing Judith G. Levy
  2. Hadara Bar-Nadav
  3. p. 160
  4. DOI: 10.1353/plc.2017.0050
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  1. from Family Memoir
  2. Judith G. Levy
  3. pp. 161-168
  4. DOI: 10.1353/plc.2017.0051
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  1. The Department of Education Comes of Age
  2. B.J. Best
  3. p. 169
  4. DOI: 10.1353/plc.2017.0052
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  1. Nightfall in the Prefectural Capital
  2. Paul Christiansen
  3. p. 170
  4. DOI: 10.1353/plc.2017.0053
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  1. Apocalypse: Nevada
  2. Andrew Reeves
  3. p. 171
  4. DOI: 10.1353/plc.2017.0054
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  1. Day After
  2. Wyatt Townley
  3. p. 172
  4. DOI: 10.1353/plc.2017.0055
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  1. Editor’s Note: The Matter of Language
  2. Jenny Molberg
  3. p. ii
  4. DOI: 10.1353/plc.2017.0000
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  1. Introduction
  2. Victor Pambuccian
  3. pp. 56-57
  4. DOI: 10.1353/plc.2017.0022
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  1. Introduction
  2. Phong Nguyen
  3. p. 65
  4. DOI: 10.1353/plc.2017.0024
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