1. “The Infinite within the Finite”: Victorian Prosody and Orthodox Theories of Mind
  2. Tyson Stolte
  3. pp. 245-274
  4. DOI: 10.1353/vp.2016.0012
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  1. “The Wreck of the Deutschland” and the Birth of the Poet: Literary Form, Performative Utterance, and Hopkins’s “Gift of Tears”
  2. Stephen Tardif
  3. pp. 275-296
  4. DOI: 10.1353/vp.2016.0013
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  1. Evolution and the Struggle of Love in Emily Pfeiffer’s Sonnets
  2. Karen Dieleman
  3. pp. 297-324
  4. DOI: 10.1353/vp.2016.0014
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  1. General Materials
  2. Albert D. Pionke
  3. pp. 325-331
  4. DOI: 10.1353/vp.2016.0015
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  1. Matthew Arnold
  2. Clinton Machann
  3. pp. 331-336
  4. DOI: 10.1353/vp.2016.0016
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  1. Elizabeth Barrett Browning
  2. Beverly Taylor
  3. pp. 337-344
  4. DOI: 10.1353/vp.2016.0017
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  1. Robert Browning
  2. Suzanne Bailey
  3. pp. 344-363
  4. DOI: 10.1353/vp.2016.0018
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  1. Thomas Hardy
  2. Indy Clark
  3. pp. 363-372
  4. DOI: 10.1353/vp.2016.0019
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  1. Gerard Manley Hopkins
  2. Frank Fennell
  3. pp. 372-384
  4. DOI: 10.1353/vp.2016.0020
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  1. The Poets of the Nineties
  2. Benjamin F. Fisher
  3. pp. 385-387
  4. DOI: 10.1353/vp.2016.0021
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  1. Pre-Raphaelitism
  2. Florence Boos
  3. pp. 387-394
  4. DOI: 10.1353/vp.2016.0022
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  1. Swinburne
  2. Orla Polten
  3. pp. 394-397
  4. DOI: 10.1353/vp.2016.0023
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  1. Women Poets
  2. Emily Harrington
  3. pp. 398-406
  4. DOI: 10.1353/vp.2016.0024
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  1. Contributors
  3. pp. 407-409
  4. DOI: 10.1353/vp.2016.0025
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