1. Editorial Comment: Theatre, the Digital, and the Analysis and Documentation of Performance
  2. Joanne Tompkins
  3. pp. xi-xiv
  4. DOI: 10.1353/tj.2016.0103
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Essays

  1. Digital Historiography and Performance
  2. Sarah Bay-Cheng
  3. pp. 507-527
  4. DOI: 10.1353/tj.2016.0104
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  1. Average Broadway
  2. Derek Miller
  3. pp. 529-553
  4. DOI: 10.1353/tj.2016.0105
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  1. Reassessing Obscurity: The Case for Big Data in Theatre History
  2. Debra Caplan
  3. pp. 555-573
  4. DOI: 10.1353/tj.2016.0106
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  1. Mapping Movement on the Move: Dance Touring and Digital Methods
  2. Harmony Bench, Kate Elswit
  3. pp. 575-596
  4. DOI: 10.1353/tj.2016.0107
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  1. Archives, Numbers, Meaning: The Eighteenth-Century Playbill at Scale
  2. Mark Vareschi, Mattie Burkert
  3. pp. 597-613
  4. DOI: 10.1353/tj.2016.0108
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  1. Data Models for Theatre Research: People, Places, and Performance
  2. Jonathan Bollen
  3. pp. 615-632
  4. DOI: 10.1353/tj.2016.0109
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Online Only

  1. Aldridge in Action: Building a Visual Digital Interface
  2. Anita Gonzalez
  3. pp. E-1-E-17
  4. DOI: 10.1353/tj.2016.0136
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Performance Reviews

Review Essay

  1. Really Actually Windy: On Environments, Technologies, and Dividual Performances
  2. Johannes Birringer
  3. pp. 633-647
  4. DOI: 10.1353/tj.2016.0110
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  1. Tanya Tagaq in Concert with Nanook of the North by Tanya Tagaq, Robert J. Flaherty (review)
  2. VK Preston
  3. pp. 649-650
  4. DOI: 10.1353/tj.2016.0111
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  1. Samedi Détente by Dorothée Munyaneza (review)
  2. Amy Swanson
  3. pp. 651-652
  4. DOI: 10.1353/tj.2016.0112
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  1. A Beckett Trilogy: Not I / Footfalls / Rockaby by Samuel Beckett (review)
  2. Emily O’Rourke
  3. pp. 652-654
  4. DOI: 10.1353/tj.2016.0113
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  1. El Otro by Compañía El Niño Proletario (review)
  2. Alexandra Ripp
  3. pp. 654-656
  4. DOI: 10.1353/tj.2016.0114
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  1. ULICA 29: Międzynarodowy Festiwal Teatrów Ulicznych [Street 29: International Festival of Street Theatres] by Teatr KTO (review)
  2. Jacob Juntunen
  3. pp. 656-659
  4. DOI: 10.1353/tj.2016.0115
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  1. What Fuels Development? by Los Angeles Poverty Department (review)
  2. Kimberly Chantal Welch
  3. pp. 659-661
  4. DOI: 10.1353/tj.2016.0116
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  1. Les Blancs by Lorraine Hansberry (review)
  2. Isaiah Matthew Wooden
  3. pp. 661-663
  4. DOI: 10.1353/tj.2016.0117
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  1. The Merry Wives by William Shakespeare (review)
  2. Paul Innes
  3. pp. 664-665
  4. DOI: 10.1353/tj.2016.0118
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  1. Stolpersteine Staatstheater (review)
  2. Matt Cornish
  3. pp. 665-667
  4. DOI: 10.1353/tj.2016.0119
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  1. Shuffle Along, or the Making of the Musical Sensation of 1921 and all that Followed dir. by George C. Wolfe (review)
  2. Shane Breaux
  3. pp. 667-668
  4. DOI: 10.1353/tj.2016.0120
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  1. American Psycho dir. by Rupert Goold (review)
  2. Aleksei Grinenko
  3. pp. 669-670
  4. DOI: 10.1353/tj.2016.0121
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  1. Revolt. She Said. Revolt Again by Alice Birch (review)
  2. Elizabeth M. Phillips
  3. pp. 670-672
  4. DOI: 10.1353/tj.2016.0122
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Book Reviews

Review Essay

  1. Getting on with Things: The Currency of Objects in Theatre and Performance Studies
  2. Andrew Sofer
  3. pp. 673-684
  4. DOI: 10.1353/tj.2016.0123
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  1. Transatlantic Broadway: The Infrastructural Politics of Global Performance by Marlis Schweitzer (review)
  2. Kim Marra
  3. pp. 685-686
  4. DOI: 10.1353/tj.2016.0124
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  1. The Racial Mundane: Asian American Performance and the Embodied Everyday by Ju Yon Kim (review)
  2. Rachel Lee
  3. pp. 689-690
  4. DOI: 10.1353/tj.2016.0127
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  1. Seeing Sarah Bernhardt: Performance and Silent Film by Victoria Duckett (review)
  2. Vito Adriaensens
  3. pp. 692-694
  4. DOI: 10.1353/tj.2016.0129
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  1. Working in the Wings: New Perspectives on Theatre History and Labor ed. by Elizabeth A. Osborne, Christine Woodworth (review)
  2. Christin Essin
  3. pp. 694-695
  4. DOI: 10.1353/tj.2016.0130
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  1. Contemporary Black British Playwrights: Margins to Mainstream by Lynette Goddard (review)
  2. Meenakshi Ponnuswami
  3. pp. 695-696
  4. DOI: 10.1353/tj.2016.0131
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  1. Shakespeare’s ‘Whores’: Erotics, Politics, and Poetics by Kay Stanton (review)
  2. Margaret E. Owens
  3. pp. 696-697
  4. DOI: 10.1353/tj.2016.0132
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  1. Books Received
  2. pp. 700-708
  3. DOI: 10.1353/tj.2016.0134
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  1. Index to Volume 68
  2. pp. 715-721
  3. DOI: 10.1353/tj.2016.0135
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