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In this Issue

Table of Contents

  1. Digital Historiography and Performance
  2. Sarah Bay-Cheng
  3. pp. 507-527
  4. DOI: https://doi.org/10.1353/tj.2016.0104
  5. restricted access
  1. Average Broadway
  2. Derek Miller
  3. pp. 529-553
  4. DOI: https://doi.org/10.1353/tj.2016.0105
  5. restricted access
  1. Reassessing Obscurity: The Case for Big Data in Theatre History
  2. Debra Caplan
  3. pp. 555-573
  4. DOI: https://doi.org/10.1353/tj.2016.0106
  5. restricted access
  1. Mapping Movement on the Move: Dance Touring and Digital Methods
  2. Harmony Bench, Kate Elswit
  3. pp. 575-596
  4. DOI: https://doi.org/10.1353/tj.2016.0107
  5. open access
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  1. Archives, Numbers, Meaning: The Eighteenth-Century Playbill at Scale
  2. Mark Vareschi, Mattie Burkert
  3. pp. 597-613
  4. DOI: https://doi.org/10.1353/tj.2016.0108
  5. restricted access
  1. Data Models for Theatre Research: People, Places, and Performance
  2. Jonathan Bollen
  3. pp. 615-632
  4. DOI: https://doi.org/10.1353/tj.2016.0109
  5. restricted access
  1. Really Actually Windy: On Environments, Technologies, and Dividual Performances
  2. Johannes Birringer
  3. pp. 633-647
  4. DOI: https://doi.org/10.1353/tj.2016.0110
  5. restricted access
  1. Tanya Tagaq in Concert with Nanook of the North by Tanya Tagaq, Robert J. Flaherty (review)
  2. VK Preston
  3. pp. 649-650
  4. DOI: https://doi.org/10.1353/tj.2016.0111
  5. restricted access
  1. Samedi Détente by Dorothée Munyaneza (review)
  2. Amy Swanson
  3. pp. 651-652
  4. DOI: https://doi.org/10.1353/tj.2016.0112
  5. restricted access
  1. A Beckett Trilogy: Not I / Footfalls / Rockaby by Samuel Beckett (review)
  2. Emily O’Rourke
  3. pp. 652-654
  4. DOI: https://doi.org/10.1353/tj.2016.0113
  5. restricted access
  1. El Otro by Compañía El Niño Proletario (review)
  2. Alexandra Ripp
  3. pp. 654-656
  4. DOI: https://doi.org/10.1353/tj.2016.0114
  5. restricted access
  1. ULICA 29: Międzynarodowy Festiwal Teatrów Ulicznych [Street 29: International Festival of Street Theatres] by Teatr KTO (review)
  2. Jacob Juntunen
  3. pp. 656-659
  4. DOI: https://doi.org/10.1353/tj.2016.0115
  5. restricted access
  1. What Fuels Development? by Los Angeles Poverty Department (review)
  2. Kimberly Chantal Welch
  3. pp. 659-661
  4. DOI: https://doi.org/10.1353/tj.2016.0116
  5. restricted access
  1. Les Blancs by Lorraine Hansberry (review)
  2. Isaiah Matthew Wooden
  3. pp. 661-663
  4. DOI: https://doi.org/10.1353/tj.2016.0117
  5. restricted access
  1. The Merry Wives by William Shakespeare (review)
  2. Paul Innes
  3. pp. 664-665
  4. DOI: https://doi.org/10.1353/tj.2016.0118
  5. restricted access
  1. Stolpersteine Staatstheater (review)
  2. Matt Cornish
  3. pp. 665-667
  4. DOI: https://doi.org/10.1353/tj.2016.0119
  5. restricted access
  1. Shuffle Along, or the Making of the Musical Sensation of 1921 and all that Followed dir. by George C. Wolfe (review)
  2. Shane Breaux
  3. pp. 667-668
  4. DOI: https://doi.org/10.1353/tj.2016.0120
  5. restricted access
  1. American Psycho dir. by Rupert Goold (review)
  2. Aleksei Grinenko
  3. pp. 669-670
  4. DOI: https://doi.org/10.1353/tj.2016.0121
  5. restricted access
  1. Revolt. She Said. Revolt Again by Alice Birch (review)
  2. Elizabeth M. Phillips
  3. pp. 670-672
  4. DOI: https://doi.org/10.1353/tj.2016.0122
  5. restricted access
  1. Getting on with Things: The Currency of Objects in Theatre and Performance Studies
  2. Andrew Sofer
  3. pp. 673-684
  4. DOI: https://doi.org/10.1353/tj.2016.0123
  5. restricted access
  1. Transatlantic Broadway: The Infrastructural Politics of Global Performance by Marlis Schweitzer (review)
  2. Kim Marra
  3. pp. 685-686
  4. DOI: https://doi.org/10.1353/tj.2016.0124
  5. restricted access
  1. The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real ed. by Matthew Causey, Emma Meehan, Néill O’Dwyer (review)
  2. Sarah Bay-Cheng
  3. pp. 686-687
  4. DOI: https://doi.org/10.1353/tj.2016.0125
  5. restricted access
  1. Theatre, Performance and Cognition: Languages, Bodies and Ecologies ed. by Rhonda Blair, Amy Cook, and: Theatre and Cognitive Neuroscience ed. by Clelia Falletti, Gabriele Sofia, Victor Jacono (review)
  2. Stanton B. Garner Jr.
  3. pp. 687-689
  4. DOI: https://doi.org/10.1353/tj.2016.0126
  5. restricted access
  1. The Racial Mundane: Asian American Performance and the Embodied Everyday by Ju Yon Kim (review)
  2. Rachel Lee
  3. pp. 689-690
  4. DOI: https://doi.org/10.1353/tj.2016.0127
  5. restricted access
  1. Dramaturgy of Sound in the Avant-Garde and Postdramatic Theatre by Mladen Ovadija, and: Negotiated Moments: Improvisation, Sound, and Subjectivity ed. by Gillian Siddall, Ellen Waterman (review)
  2. Susan Bennett
  3. pp. 691-692
  4. DOI: https://doi.org/10.1353/tj.2016.0128
  5. restricted access
  1. Seeing Sarah Bernhardt: Performance and Silent Film by Victoria Duckett (review)
  2. Vito Adriaensens
  3. pp. 692-694
  4. DOI: https://doi.org/10.1353/tj.2016.0129
  5. restricted access
  1. Working in the Wings: New Perspectives on Theatre History and Labor ed. by Elizabeth A. Osborne, Christine Woodworth (review)
  2. Christin Essin
  3. pp. 694-695
  4. DOI: https://doi.org/10.1353/tj.2016.0130
  5. restricted access
  1. Contemporary Black British Playwrights: Margins to Mainstream by Lynette Goddard (review)
  2. Meenakshi Ponnuswami
  3. pp. 695-696
  4. DOI: https://doi.org/10.1353/tj.2016.0131
  5. restricted access
  1. Shakespeare’s ‘Whores’: Erotics, Politics, and Poetics by Kay Stanton (review)
  2. Margaret E. Owens
  3. pp. 696-697
  4. DOI: https://doi.org/10.1353/tj.2016.0132
  5. restricted access
  1. Staging Power in Tudor and Stuart English History Plays: History, Political Thought, and the Redefinition of Sovereignty by Kirstin M. S. Bezio (review)
  2. Meg Pearson
  3. pp. 698-699
  4. DOI: https://doi.org/10.1353/tj.2016.0133
  5. restricted access
  1. Index to Volume 68
  3. pp. 715-721
  4. DOI: https://doi.org/10.1353/tj.2016.0135
  5. restricted access
  1. Editorial Comment: Theatre, the Digital, and the Analysis and Documentation of Performance
  2. Joanne Tompkins
  3. pp. xi-xiv
  4. DOI: https://doi.org/10.1353/tj.2016.0103
  5. restricted access
  1. Books Received
  3. pp. 700-708
  4. DOI: https://doi.org/10.1353/tj.2016.0134
  5. restricted access
  1. Aldridge in Action: Building a Visual Digital Interface
  2. Anita Gonzalez
  3. pp. E-1-E-17
  4. DOI: https://doi.org/10.1353/tj.2016.0136
  5. restricted access