1. “A berd! A berd!”: Chaucer’s Miller and the Poetics of the Pun
  2. Jennifer Bryan
  3. pp. 1-37
  4. DOI: 10.1353/sac.2016.0000
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  1. Vital Property in The Wife of Bath’s Prologue and Tale
  2. Jeanne Provost
  3. pp. 39-74
  4. DOI: 10.1353/sac.2016.0001
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  1. Secular Consolation in Chaucer’s Complaint of Mars
  2. Megan Murton
  3. pp. 75-107
  4. DOI: 10.1353/sac.2016.0002
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  1. “Kek kek”: Translating Birds in Chaucer’s Parliament of Fowls
  2. Michael J. Warren
  3. pp. 109-132
  4. DOI: 10.1353/sac.2016.0003
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  1. Hoccleve’s Poetics of Matter
  2. Taylor Cowdery
  3. pp. 133-164
  4. DOI: 10.1353/sac.2016.0004
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  1. Noise, Soundplay, and Langland’s Poetics of Lolling in the Time of Wyclif
  2. Adin E. Lears
  3. pp. 165-200
  4. DOI: 10.1353/sac.2016.0005
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  1. “ut legi”: Sir John Mandeville’s Audience and Three Late Medieval English Travelers to Italy and Jerusalem
  2. Anthony Bale
  3. pp. 201-237
  4. DOI: 10.1353/sac.2016.0006
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  1. John Shirley, John Lydgate, and the Motives of Compilation
  2. A. S. G. Edwards
  3. pp. 245-254
  4. DOI: 10.1353/sac.2016.0011
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  1. John Shirley’s Early Bureaucratic Career
  2. Kathryn Veeman
  3. pp. 255-263
  4. DOI: 10.1353/sac.2016.0013
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  1. Shirley, Trinity College Cambridge MS R.3.20, and the Circumstances of Lydgate’s Temple of Glass: Coterie Verse over Time
  2. Julia Boffey
  3. pp. 265-273
  4. DOI: 10.1353/sac.2016.0007
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  1. “Je maviseray”: Chaucer’s Anelida, Shirley’s Chaucer, Shirley’s Readers
  2. Kara Doyle
  3. pp. 275-285
  4. DOI: 10.1353/sac.2016.0010
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  1. Minding Shirley’s French
  2. Stephanie Downes
  3. pp. 287-297
  4. DOI: 10.1353/sac.2016.0009
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  1. The Earl of Suffolk’s French Poems and Shirley’s Virtual Coteries
  2. R. D. Perry
  3. pp. 299-308
  4. DOI: 10.1353/sac.2016.0012
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  1. Chaucer, Gower, and the Vernacular Rising: Poetry and the Problem of the Populace after 1381 by Lynn Arner (review)
  2. Jenni Nuttall
  3. pp. 312-315
  4. DOI: 10.1353/sac.2016.0015
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  1. Otherworlds: Fantasy and History in Medieval Literature by Aisling Byrne (review)
  2. Helen Fulton
  3. pp. 315-319
  4. DOI: 10.1353/sac.2016.0016
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  1. Tellers, Tales, and Translation in Chaucer’s "Canterbury Tales" by Warren Ginsberg (review)
  2. Kara Gaston
  3. pp. 319-322
  4. DOI: 10.1353/sac.2016.0017
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  1. Doctors in English: A Study of the Wycliffite Gospel Commentaries by Anne Hudson (review)
  2. Michael P. Kuczynski
  3. pp. 323-326
  4. DOI: 10.1353/sac.2016.0018
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  1. The Medieval New: Ambivalence in an Age of Innovation by Patricia Claire Ingham (review)
  2. Jordan Kirk
  3. pp. 327-330
  4. DOI: 10.1353/sac.2016.0019
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  1. The Art of Vision: Ekphrasis in Medieval Literature and Culture ed. by Andrew James Johnston, Ethan Knapp, Margitta Rouse (review)
  2. Karla Taylor
  3. pp. 330-334
  4. DOI: 10.1353/sac.2016.0020
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  1. In Light of Another’s Word: European Ethnography in the Middle Ages by Shirin A. Khanmohamadi (review)
  2. Matthew Boyd Goldie
  3. pp. 334-338
  4. DOI: 10.1353/sac.2016.0021
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  1. Romancing Treason: The Literature of the Wars of the Roses by Megan Leitch (review)
  2. Matthew Giancarlo
  3. pp. 338-341
  4. DOI: 10.1353/sac.2016.0022
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  1. Tropologies: Ethics and Invention in England, c. 1350–1600 by Ryan McDermott (review)
  2. Taylor Cowdery
  3. pp. 342-346
  4. DOI: 10.1353/sac.2016.0023
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  1. Relics and Writing in Late Medieval England by Robyn Malo (review)
  2. Ellen K. Rentz
  3. pp. 346-349
  4. DOI: 10.1353/sac.2016.0024
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  1. Imagining the Parish in Late Medieval England by Ellen K. Rentz (review)
  2. Nicole R. Rice
  3. pp. 350-353
  4. DOI: 10.1353/sac.2016.0025
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  1. Desire in the "Canterbury Tales" by Elizabeth Scala (review)
  2. Masha Raskolnikov
  3. pp. 354-357
  4. DOI: 10.1353/sac.2016.0026
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  1. Shakespeare’s Medieval Craft: Remnants of the Mysteries on the London Stage by Kurt A. Schreyer (review)
  2. Peggy Knapp
  3. pp. 357-361
  4. DOI: 10.1353/sac.2016.0027
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  1. Feeling Like Saints: Lollard Writings after Wyclif by Fiona Somerset (review)
  2. Ian Christopher Levy
  3. pp. 361-365
  4. DOI: 10.1353/sac.2016.0028
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  1. The Queen’s Dumbshows: John Lydgate and the Making of Early Theater by Claire Sponsler (review)
  2. Jonathan Stavsky
  3. pp. 365-369
  4. DOI: 10.1353/sac.2016.0029
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  1. Fictions of Evidence: Witnessing, Literature, and Community in the Late Middle Ages by Jamie K. Taylor (review)
  2. Kathleen Smith
  3. pp. 369-373
  4. DOI: 10.1353/sac.2016.0030
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  1. Reading Women in Late Medieval Europe: Anne of Bohemia and Chaucer’s Female Audience by Alfred Thomas (review)
  2. Sue Niebrzydowski
  3. pp. 373-377
  4. DOI: 10.1353/sac.2016.0031
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  1. Approaches to Teaching Chaucer’s “Canterbury Tales.” ed. by Peter W. Travis, Frank Grady (review)
  2. David Raybin
  3. pp. 377-381
  4. DOI: 10.1353/sac.2016.0032
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  1. Chaucer and the Death of the Political Animal by Jameson S. Workman (review)
  2. Liam Lewis
  3. pp. 381-384
  4. DOI: 10.1353/sac.2016.0033
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  1. An Annotated Chaucer Bibliography, 2014
  2. Stephanie Amsel
  3. pp. 387-450
  4. DOI: 10.1353/sac.2016.0035
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  1. Index
  2. pp. 455-460
  3. DOI: 10.1353/sac.2016.0037
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  1. Introduction
  2. Megan Cook, Elizaveta Strakhov
  3. pp. 241-244
  4. DOI: 10.1353/sac.2016.0008
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  1. Books Received
  2. pp. 385-386
  3. DOI: 10.1353/sac.2016.0034
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