1. Prisons Within/Prisons Without: Rehabilitation and Abjection Narratives in Mickey B
  2. Andrew Bretz
  3. pp. 577-599
  4. DOI: 10.1353/shb.2016.0053
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  1. “Who Gets to Tell the Story?”: Adaptation and Juxtaposition in Two Dance Versions of Othello
  2. Elizabeth Klett
  3. pp. 601-626
  4. DOI: 10.1353/shb.2016.0054
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  1. Not Making a Movie: The Livecasting of Shakespeare Stage Productions by The Royal National Theatre and The Royal Shakespeare Company
  2. Alison Stone
  3. pp. 627-643
  4. DOI: 10.1353/shb.2016.0055
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  1. “I am not Shakespeare’s Shylock”: The Merchant of Venice on the Dutch stage
  2. Coen Heijes
  3. pp. 645-679
  4. DOI: 10.1353/shb.2016.0056
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  1. Per/forming Memorial: Site-specific Performances of Shakespeare’s All is True: King Henry VIII (2006–2013)
  2. Johanna Schmitz
  3. pp. 681-697
  4. DOI: 10.1353/shb.2016.0057
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  1. Macbeth Presented by The Park Avenue Armory (review)
  2. Jake Claflin
  3. pp. 699-704
  4. DOI: 10.1353/shb.2016.0058
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  1. The Tempest Presented by the Chicago Shakespeare Theater (review)
  2. Elizabeth Bradley Hunter
  3. pp. 713-716
  4. DOI: 10.1353/shb.2016.0061
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  1. Coriolanus Presented by the Shakespeare Theatre of New Jersey (review)
  2. Barbara Ann Lukacs
  3. pp. 716-719
  4. DOI: 10.1353/shb.2016.0062
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  1. The Woman Hater Presented by Edward’s Boys (King Edward VI School) (review)
  2. Harry R. McCarthy
  3. pp. 719-723
  4. DOI: 10.1353/shb.2016.0063
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  1. Tempest Redux A co-production of The Odyssey Theatre Ensemble and The New American Theatre (review)
  2. Linda McJannet
  3. pp. 723-728
  4. DOI: 10.1353/shb.2016.0064
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  1. Romeo and Juliet Presented by the Kenneth Branagh Theatre Company, and: Richard III Presented by the Almeida Theatre (review)
  2. Gemma Miller
  3. pp. 728-735
  4. DOI: 10.1353/shb.2016.0065
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  1. The Alchemist Presented by Resurgens Theatre (review)
  2. Samantha Smith
  3. pp. 736-739
  4. DOI: 10.1353/shb.2016.0066
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  1. The Hand on the Shakespearean Stage: Gesture, Touch, and the Spectacle of Dismemberment by Farah Karim-Cooper (review)
  2. Bailey Sincox
  3. pp. 749-753
  4. DOI: 10.1353/shb.2016.0068
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  1. Shakespeare and the Idea of Apocrypha: Negotiating the Boundaries of the Dramatic Canon by Peter Kirwan (review)
  2. Michael M. Wagoner
  3. pp. 754-758
  4. DOI: 10.1353/shb.2016.0069
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