1. Here Be Sirens: Opera in One Act
  2. Kate Soper
  3. pp. 585-596
  4. DOI: 10.1353/mar.2016.0081
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  1. Lips
  2. Gerald Stern
  3. p. 597
  4. DOI: 10.1353/mar.2016.0082
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  1. What to Take
  2. Barbara Ras
  3. p. 598
  4. DOI: 10.1353/mar.2016.0083
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  1. The Bugler Responds to Mary
  2. Rebecca Foust
  3. p. 599
  4. DOI: 10.1353/mar.2016.0084
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  1. Bird Song
  2. Tony Eprile
  3. p. 600
  4. DOI: 10.1353/mar.2016.0085
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  1. Without Night-Shoes
  2. Jane Hirshfield
  3. p. 601
  4. DOI: 10.1353/mar.2016.0086
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  1. From Caetano Veloso, Walking into the Wind
  2. Igiaba Scego, Frederika Randall
  3. pp. 602-609
  4. DOI: 10.1353/mar.2016.0087
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  1. Mezzo
  2. Tanya Grae
  3. p. 610
  4. DOI: 10.1353/mar.2016.0088
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  1. Muzak
  2. Carol Potter
  3. pp. 611-612
  4. DOI: 10.1353/mar.2016.0089
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  1. Loss
  2. Roger Greenwald
  3. pp. 613-614
  4. DOI: 10.1353/mar.2016.0090
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  1. “And You Know Who I Am”: Paul Robeson Sings America
  2. Shana L. Redmond
  3. pp. 615-619
  4. DOI: 10.1353/mar.2016.0091
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  1. from The Last Bohemian of Avenue A
  2. Yusef Komunyakaa
  3. pp. 620-622
  4. DOI: 10.1353/mar.2016.0092
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  1. The Coming of John, with Apologies to W. E. B. Du Bois and Amus Mor
  2. John H. Bracey Jr.
  3. pp. 623-631
  4. DOI: 10.1353/mar.2016.0093
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  1. Things in the Form of a Prayer in the Form of a Wail
  2. Matt Donovan
  3. pp. 632-644
  4. DOI: 10.1353/mar.2016.0094
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  1. The Blues: Where Love Ends Badly
  2. Gerald Williams
  3. pp. 645-648
  4. DOI: 10.1353/mar.2016.0095
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  1. The Romantic Mode
  2. Jen Jabaily-Blackburn
  3. p. 649
  4. DOI: 10.1353/mar.2016.0096
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  1. Then Elvis Drops to One Knee
  2. David Kirby
  3. pp. 650-651
  4. DOI: 10.1353/mar.2016.0097
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  1. Variable
  2. Mary Peelen
  3. p. 652
  4. DOI: 10.1353/mar.2016.0098
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  1. The Voice Imitator
  2. Anna Schuleit Haber, Yotam Haber
  3. pp. 653-664
  4. DOI: 10.1353/mar.2016.0099
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  1. Untitled, and: Marvin Gaye Sings the National Anthem, 1983
  2. Bruce Smith
  3. pp. 665-667
  4. DOI: 10.1353/mar.2016.0100
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  1. Desert Suite #5: Cactus Music
  2. Kimberly White
  3. p. 668
  4. DOI: 10.1353/mar.2016.0101
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  1. In their own time
  2. Casey Fitzsimons
  3. p. 669
  4. DOI: 10.1353/mar.2016.0102
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  1. National Anthem
  2. Ilya Kaminsky
  3. p. 670
  4. DOI: 10.1353/mar.2016.0103
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  1. From Radio Imagination
  2. Seiko Ito, Hart Larrabee
  3. pp. 671-691
  4. DOI: 10.1353/mar.2016.0104
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  1. Found Music
  2. T.J. McLemore
  3. pp. 692-693
  4. DOI: 10.1353/mar.2016.0105
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  1. Cloud Hands
  2. Arthur Sze
  3. p. 694
  4. DOI: 10.1353/mar.2016.0106
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  1. Randy Weston’s African Rhythms, the Day After
  2. Randall Horton
  3. p. 695
  4. DOI: 10.1353/mar.2016.0107
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  1. Ornithology
  2. Peter Fiore
  3. p. 696
  4. DOI: 10.1353/mar.2016.0108
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  1. Goldberg Variations
  2. Jim Whiteside
  3. p. 697
  4. DOI: 10.1353/mar.2016.0109
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  1. from The Scarlet Professor
  2. Harley Erdman, Eric Sawyer, Barry Werth
  3. pp. 698-707
  4. DOI: 10.1353/mar.2016.0110
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  1. Charles Ives at the Spinet
  2. Donald Revell
  3. p. 708
  4. DOI: 10.1353/mar.2016.0111
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  1. Music in the Kingdom of the Heart
  2. Laura McCullough
  3. pp. 709-710
  4. DOI: 10.1353/mar.2016.0112
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  1. Dear Enya and Dear Sinéad
  2. Abe Louise Young
  3. pp. 711-713
  4. DOI: 10.1353/mar.2016.0113
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  1. Twilight on Kool Darkness
  2. Bonita Lee Penn
  3. pp. 714-715
  4. DOI: 10.1353/mar.2016.0114
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  1. Bassoon
  2. Ken Waldman
  3. p. 716
  4. DOI: 10.1353/mar.2016.0115
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  1. from Perfect Pitch
  2. Marcelo Cohen, Judith Filc
  3. pp. 717-720
  4. DOI: 10.1353/mar.2016.0116
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  1. Silent Swan
  2. Bianca Stone, Ben Pease
  3. pp. 721-728
  4. DOI: 10.1353/mar.2016.0117
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  1. Fantaisie Impromptu
  2. Chen Li, Ting Wang
  3. pp. 729-733
  4. DOI: 10.1353/mar.2016.0118
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  1. The Page Turner
  2. Amanda Anastasi
  3. p. 734
  4. DOI: 10.1353/mar.2016.0119
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  1. The Fidelity of Music
  2. Geffrey Davis
  3. p. 735
  4. DOI: 10.1353/mar.2016.0120
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  1. Trying to Write a Music Poem
  2. Diamond Forde
  3. pp. 736-737
  4. DOI: 10.1353/mar.2016.0121
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  1. My Crying Towel
  2. Laura Kasischke
  3. p. 738
  4. DOI: 10.1353/mar.2016.0122
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  1. Music from a Farther Room
  2. Gary J. Whitehead
  3. pp. 739-740
  4. DOI: 10.1353/mar.2016.0123
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  1. For a Fistful of Sitars
  2. Gabriele Ferraris, Laurence de Richemont
  3. pp. 741-749
  4. DOI: 10.1353/mar.2016.0124
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  1. Race Music, and: Interview with Berry Gordy
  2. Meredith Nnoka
  3. pp. 750-751
  4. DOI: 10.1353/mar.2016.0125
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  1. from This Side of the Sea
  2. Gianmaria Testa, Jim Hicks
  3. pp. 752-759
  4. DOI: 10.1353/mar.2016.0126
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  1. The Rolling Deep
  2. Anne Marie Macari
  3. p. 760
  4. DOI: 10.1353/mar.2016.0127
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  1. Country Music II
  2. Helen Wickes
  3. p. 761
  4. DOI: 10.1353/mar.2016.0128
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  1. Song of Eleven Consonants and Thirteen Vowels, for G. Stein
  2. Katie Farris
  3. pp. 762-763
  4. DOI: 10.1353/mar.2016.0129
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  1. Poetic Art
  2. Paul Verlaine, Laure-Anne Bosselaar
  3. pp. 764-765
  4. DOI: 10.1353/mar.2016.0130
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  1. Mozart’s Magic Coach
  2. Slavko Mihalić, Dasha C. Nisula
  3. p. 766
  4. DOI: 10.1353/mar.2016.0131
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  1. Mozart’s Starling
  2. Leslie Stainton
  3. pp. 767-769
  4. DOI: 10.1353/mar.2016.0132
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  1. The Tabla Player
  2. Farah Ahamed
  3. pp. 770-772
  4. DOI: 10.1353/mar.2016.0133
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  1. Crypto-Animist Introvert Activism: A haibun
  2. Brenda Hillman
  3. pp. 782-783
  4. DOI: 10.1353/mar.2016.0135
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  1. Writing the Life of the Concert Promoter
  2. Steve Waksman
  3. pp. 784-793
  4. DOI: 10.1353/mar.2016.0136
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  1. Saved by Soul
  2. Rashod Ollison
  3. pp. 794-798
  4. DOI: 10.1353/mar.2016.0137
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  1. For Adrienne
  2. Julia Conrad
  3. pp. 799-804
  4. DOI: 10.1353/mar.2016.0138
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  1. The Persistence of Music
  2. A. Molotkov
  3. pp. 805-806
  4. DOI: 10.1353/mar.2016.0139
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  1. Author Index, Volume LVII
  2. James Hicks
  3. pp. 813-816
  4. DOI: 10.1353/mar.2016.0141
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  1. Introduction
  2. Jim Hicks
  3. pp. 582-583
  4. DOI: 10.1353/mar.2016.0080
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  1. Notes on Contributors
  2. pp. 807-812
  3. DOI: 10.1353/mar.2016.0140
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