We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 49, Number 4, Winter 2016

Table of Contents


Forgotten Manuscripts

Lawrence Gellert, Negro Songs of Protest

pp. 297-311


Any Other Age: Vampires and Oceanic Lifespans

pp. 313-327

Contested Lineages: Fred Moten, Terrance Hayes, and the Legacy of Amiri Baraka

pp. 329-342

For Those “Who Could Not Bear to Look Directly at the Slaughter”: Morrison’s Home and the Novels of Faulkner and Woolf

pp. 343-359

The Satyr, the Goddess, and the Oriental Cast: Subversive Classicism in Charles W. Chesnutt’s “The Goophered Grapevine” and “Po’ Sandy”

pp. 361-383


The Black Slave

p. 385

The Jazz Farmer and: Flared

pp. 386-388

A Blues and: Dark Milk: After Basquiat’s Painting

pp. 389-390

Book Reviews

Measuring Manhood: Race and the Science of Masculinity, 1830–1934 by Melissa N. Stein (review)

pp. 391-393

Kongo across the Waters ed. by Susan Cooksey, Robin Poynor, and Hein Vanhee (review)

pp. 393-394

Being Apart: Theoretical and Existential Resistance in Africana Literature by Larose T. Parris (review)

pp. 395-397

The Black Pacific Narrative: Geographic Imaginings of Race and Empire Between the World Wars by Etsuko Taketani (review)

pp. 397-399

Enduring Truths: Sojourner’s Shadows and Substance by Darcy Grimaldo Grigsby (review)

pp. 399-401


pp. 403-404