1. Representing Russia: Luxury and Diplomacy at the Razumovsky Palace in Vienna, 1803–1815
  2. Mark Ferraguto
  3. pp. 383-408
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  1. Mendelssohn’s Performances of the ‘Matthäus-Passion’: Considerations of the Documentary Evidence
  2. Peter Ward Jones
  3. pp. 409-464
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  1. Music, Lyrics, and the Bengali Book: Hindustani Musicology in Calcutta, 1818–1905
  2. Richard David Williams
  3. pp. 465-495
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  1. The Musica of Hermannus Contractus ed. by Leonard Ellinwood (review)
  2. John Caldwell
  3. pp. 496-500
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  1. The Monstrous New Art: Divided Forms in the Late Medieval Motet by Anna Zayaruznaya (review)
  2. Lawrence Earp
  3. pp. 500-502
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  1. Verse and Voice in Byrd’s Song Collections of 1588 and 1589 by Jeremy L. Smith (review)
  2. Kerry McCarthy
  3. pp. 502-504
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  1. Manuscript Inscriptions in Early English Printed Music by David Greer (review)
  2. Kirsten Gibson
  3. pp. 504-506
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  1. Bach’s Numbers: Compositional Proportion and Significance by Ruth Tatlow (review)
  2. Yo Tomita
  3. pp. 506-507
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  1. The Lives of George Frideric Handel by David Hunter (review)
  2. Matthew Gardner
  3. pp. 507-509
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  1. Venanzio Rauzzini in Britain: Castrato, Composer, and Cultural Leader by Paul F. Rice (review)
  2. Ingeborg Zechner
  3. pp. 509-510
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  1. George Smart and Nineteenth-Century Concert Life by John Carnelley (review)
  2. Michael Musgrave
  3. pp. 510-512
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  1. Wagner, Schumann and the Lessons of Beethoven’s Ninth by Christopher Alan Reynolds (review)
  2. Roger Allen
  3. pp. 512-514
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  1. Emil František Burian a jeho cesty za operou by Helena Spurná (review)
  2. John Tyrrell
  3. pp. 514-515
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  1. Savoy Curtain-Raisers ed. by Christopher O’Brien (review)
  2. David Russell Hulme
  3. pp. 516-517
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  1. Virginia Woolf and Music ed. by Adriana Varga (review)
  2. Lei Zhang
  3. pp. 518-519
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  1. Masculinity in Opera: Gender, History, and New Musicology ed. by Philip Purvis (review)
  2. Amanda Hsieh
  3. pp. 519-521
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  1. French Music and Jazz in Conversation: From Debussy to Brubeck by Deborah Mawer (review)
  2. Jeremy F. Lane
  3. pp. 521-523
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  1. Zur Rezeption Georg Friedrich Händels in den deutschen Diktaturen:Quellen in Kontext ed. by Katrin Gerlach, et al. (review)
  2. Toby Thacker
  3. pp. 523-524
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  1. Composing the Canon in the German Democratic Republic: Narratives of Nineteenth-Century Music by Elaine Kelly (review)
  2. Mark Berry
  3. pp. 524-527
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  1. On Sondheim: An Opinionated Guide by Ethan Mordden (review)
  2. Stephen Banfield
  3. pp. 527-529
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  1. Listening to War: Sound, Music, Trauma, and Survival in Wartime Iraq by J. Martin Daughtry (review)
  2. Gavin Williams
  3. pp. 529-532
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  1. Popular Music Matters: Essays in Honour of Simon Frith ed. by Lee Marshall, Dave Laing (review)
  2. Ross Cole
  3. pp. 532-534
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  1. The Hip Hop and Obama Reader ed. by Travis L. Gosa, Erik Nielson (review)
  2. Laura Speers
  3. pp. 534-535
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  1. Music and the Armenian Diaspora: Searching for Home in Exile by Sylvia Angelique Alajaji (review)
  2. Jim Samson
  3. pp. 535-537
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  1. Performing al-Andalus: Music and Nostalgia across the Mediterranean by Jonathan Holt Shannon (review)
  2. Matthew Machin-Autenrieth
  3. pp. 537-539
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  1. The Westrup Prize
  3. p. 540
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  1. Recipients of ‘Music & Letters’ Awards
  3. p. 540
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  1. ‘Music & Letters’ Awards
  3. p. 543
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  1. Authors of Articles in this issue
  3. p. 543
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  1. Books Received
  3. pp. 544-545
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