1. Don Quixote’s Ana Félix: The Virile Morisca Maiden and the Crisis of Imperial Masculinity
  2. Lucas A. Marchante-Aragón
  3. pp. 3-18
  4. DOI: 10.1353/hsf.2016.0000
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  1. Sobre la comicidad de El vergonzoso en palacio, de Tirso de Molina
  2. Yong-Wook Yoon, Song-Joo Na
  3. pp. 19-37
  4. DOI: 10.1353/hsf.2016.0001
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  1. Manuscritos, actores y amores teatrales: Lope de Vega, Lucía “la Loca” y el estreno de dos comedias del Fénix1
  2. Alejandro García-Reidy
  3. pp. 39-53
  4. DOI: 10.1353/hsf.2016.0002
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  1. Una écfrasis doble en Lope de Vega: “Al triunfo de Judit”
  2. Jesús Botello
  3. pp. 55-68
  4. DOI: 10.1353/hsf.2016.0003
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  1. Sexuality Uncensored: Subversion and Morality in the Poetry of Jaime Gil de Biedma
  2. Alana Reid
  3. pp. 69-85
  4. DOI: 10.1353/hsf.2016.0004
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  1. Narración, monstruosidad y la condición poshumana en El peso del corazón: la segunda novela de Bruna Husky
  2. Juan Carlos Martín Galván
  3. pp. 99-115
  4. DOI: 10.1353/hsf.2016.0006
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  1. Lessons Abroad: Cosmopolitanism in El Periquillo Sarniento
  2. Kristen M. Turpin
  3. pp. 117-135
  4. DOI: 10.1353/hsf.2016.0007
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  1. Cultura visual cotidiana y el consumo de imágenes de la patria en el Río de la Plata (1880–1910)
  2. William Acree
  3. pp. 137-158
  4. DOI: 10.1353/hsf.2016.0008
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  1. Luis Cardoza y Aragón’s Pequeña sinfonía del Nuevo Mundo in the Context of Cubism and Surrealism
  2. Brian Davisson
  3. pp. 159-174
  4. DOI: 10.1353/hsf.2016.0009
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  1. Escucha barroca y vanguardia latinoamericana en El pájaro verde de Juan Emar
  2. Malva Marina Vásquez
  3. pp. 175-190
  4. DOI: 10.1353/hsf.2016.0010
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  1. La isla trasplantada: poética y topográfica de Milena Rodríguez Gutiérrez y José Pérez Olivares1
  2. Emilio J. Gallardo-Saborido
  3. pp. 191-206
  4. DOI: 10.1353/hsf.2016.0011
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  1. Objects of Culture in the Literature of Imperial Spain ed. by Mary E. Barnard,Frederick A. de Armas (review)
  2. José Manuel Hidalgo
  3. pp. 207-208
  4. DOI: 10.1353/hsf.2016.0012
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  1. Diario de juventud. Escritos, Traducciones by Zenobia Camprubí (review)
  2. María A. Salgado
  3. pp. 209-210
  4. DOI: 10.1353/hsf.2016.0013
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  1. Late Book Culture in Argentina by Craig Epplin (review)
  2. Zac Zimmer
  3. pp. 212-214
  4. DOI: 10.1353/hsf.2016.0015
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  1. La musa refractada: literatura y óptica en la España del Barroco by Enrique García Santo-Tomás (review)
  2. Carmen Y. Hsu
  3. pp. 215-216
  4. DOI: 10.1353/hsf.2016.0016
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  1. In the Shadow of Cortés: Conversations along the Route of Conquest by Kathleen Ann Myers (review)
  2. Allison Margaret Bigelow
  3. pp. 218-220
  4. DOI: 10.1353/hsf.2016.0018
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  1. Heroic Forms: Cervantes and the Literature of War by Stephen Rupp (review)
  2. Grant Gearhart
  3. pp. 220-222
  4. DOI: 10.1353/hsf.2016.0019
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  1. Screening Neoliberalism: Transforming Mexican Cinema 1988–2012 by Ignacio Sánchez Prado (review)
  2. Vinodh Venkatesh
  3. pp. 222-224
  4. DOI: 10.1353/hsf.2016.0020
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  1. Survival Songs: Conchita Piquer’s Coplas and Franco’s Regime of Terror by Stephanie Anne Sieburth (review)
  2. Kate Good
  3. pp. 224-225
  4. DOI: 10.1353/hsf.2016.0021
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  1. Queering Acts of Mourning in the Aftermath of Argentina’s Dictatorship: The Performances of Blood by Cecilia Sosa (review)
  2. David William Foster
  3. pp. 226-227
  4. DOI: 10.1353/hsf.2016.0022
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