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Table of Contents

  1. Berlin’s “First Responder” Artists, 1945–1946: Theatre and Politics from the Rubble
  2. Rebecca Rovit
  3. pp. 7-38
  4. DOI: https://doi.org/10.1353/ths.2016.0003
  5. restricted access
  1. “Would You Die for the Fatherland?”: Disciplining the German Commemorative Body
  2. Scott Venters
  3. pp. 39-71
  4. DOI: https://doi.org/10.1353/ths.2016.0000
  5. restricted access
  1. Shocking the System: The Arts Council, the British Council, and the Paradox of Cherub Theatre Company
  2. Brian E. G. Cook
  3. pp. 73-94
  4. DOI: https://doi.org/10.1353/ths.2016.0004
  5. restricted access
  1. The Long View of World Theatre History
  2. Steve Tillis
  3. pp. 95-121
  4. DOI: https://doi.org/10.1353/ths.2016.0005
  5. restricted access
  1. Poisoning the Mother/Land: An Ecofeminist Dramaturgy in José Rivera’s Marisol and Cherríe Moraga’s Heroes and Saints
  2. Arden Elizabeth Thomas
  3. pp. 143-160
  4. DOI: https://doi.org/10.1353/ths.2016.0007
  5. restricted access
  1. Making a Spectacle: Motherhood in Contemporary British Theatre and Performance
  2. Jozefina Komporaly
  3. pp. 161-178
  4. DOI: https://doi.org/10.1353/ths.2016.0008
  5. restricted access
  1. Un/Natural Motherhood in Marina Carr’s The Mai, Portia Couglan, and By the Bog of Cats . . .
  2. Karin Maresh
  3. pp. 179-196
  4. DOI: https://doi.org/10.1353/ths.2016.0009
  5. restricted access
  1. Flying Babies and Pregnant Men: Staging Motherhood in Marina Carr’s Low in the Dark
  2. Jennifer Douglas
  3. pp. 197-218
  4. DOI: https://doi.org/10.1353/ths.2016.0010
  5. restricted access
  1. Mothers, Daughters, Identity, and Impossibilities
  2. Rhona Justice-Malloy
  3. pp. 219-232
  4. DOI: https://doi.org/10.1353/ths.2016.0011
  5. restricted access
  1. “She Was Always Sad”: Remembering Mother in Caryl Churchill’s Not Enough Oxygen and A Number
  2. Margaret Savilonis
  3. pp. 233-253
  4. DOI: https://doi.org/10.1353/ths.2016.0012
  5. restricted access
  1. “Who Let in One of Them Mothers?”: Maternal Perversity on the American Musical Stage
  2. Jennifer Worth
  3. pp. 255-267
  4. DOI: https://doi.org/10.1353/ths.2016.0013
  5. restricted access
  1. Decolonizing Motherhood: Images of Mothering in First Nations Theatre
  2. Ann Haugo
  3. pp. 269-284
  4. DOI: https://doi.org/10.1353/ths.2016.0014
  5. restricted access
  1. The Robert A. Schanke Award-Winning Essay Whispers from a Silent Past: Inspiration and Memory in Natasha Trethewey’s Native Guard
  2. Chandra Owenby Hopkins
  3. pp. 287-300
  4. DOI: https://doi.org/10.1353/ths.2016.0015
  5. restricted access
  1. Keynote Address Delivered at the Mid-America Theatre Conference En Ser Inspirado | On Being Inspired
  2. Irma Mayorga
  3. pp. 301-320
  4. DOI: https://doi.org/10.1353/ths.2016.0016
  5. restricted access
  1. Preaching to Convert: Evangelical Outreach and Performance Activism in a Secular Age by John Fletcher (review)
  2. Jay Ball
  3. pp. 323-325
  4. DOI: https://doi.org/10.1353/ths.2016.0017
  5. restricted access
  1. Imagining Human Rights in Twenty-First-Century Theater: Global Perspectives ed. by Florian N. Becker, Paola S. Hernández, and Brenda Werth (review)
  2. Amanda Boyle
  3. pp. 325-328
  4. DOI: https://doi.org/10.1353/ths.2016.0018
  5. restricted access
  1. Making Make-Believe Real: Politics as Theater in Shakespeare’s Time by Garry Wills (review)
  2. Alex Cahill
  3. pp. 328-331
  4. DOI: https://doi.org/10.1353/ths.2016.0019
  5. restricted access
  1. Violence Against Women in Early Modern Performance: Invisible Acts by Kim Solga (review)
  2. Rachel Price Cooper
  3. pp. 331-333
  4. DOI: https://doi.org/10.1353/ths.2016.0020
  5. restricted access
  1. Theatre/Performance Historiography: Time, Space, Matter ed. by Rosemarie K. Bank and Michal Kobialka (review)
  2. Danny Devlin
  3. pp. 333-336
  4. DOI: https://doi.org/10.1353/ths.2016.0021
  5. restricted access
  1. A History of Collective Creation and Collective Creation in Contemporary Performance ed. by Kathryn Mederos Syssoyeva and Scott Proudfit (review)
  2. Sara Freeman
  3. pp. 336-340
  4. DOI: https://doi.org/10.1353/ths.2016.0022
  5. restricted access
  1. Women’s Voices on American Stages in the Early Twenty-First Century: Sarah Ruhl and Her Contemporaries by Leslie Atkins Durham (review)
  2. Jennifer Goff
  3. pp. 341-343
  4. DOI: https://doi.org/10.1353/ths.2016.0023
  5. restricted access
  1. Bigger, Brighter, Louder: 150 Years of Chicago Theater As Seen by “Chicago Tribune” Critics by Chris Jones (review)
  2. Stuart J. Hecht
  3. pp. 343-345
  4. DOI: https://doi.org/10.1353/ths.2016.0024
  5. restricted access
  1. Embodied Consciousness: Performance Technologies ed. by Jade Rosina McCutcheon and Barbara Sellers-Young (review)
  2. Scott C. Knowles
  3. pp. 346-348
  4. DOI: https://doi.org/10.1353/ths.2016.0025
  5. restricted access
  1. Audience Participation in Theatre: Aesthetics of the Invitation by Gareth White (review)
  2. Patrick M. Konesko
  3. pp. 348-350
  4. DOI: https://doi.org/10.1353/ths.2016.0026
  5. restricted access
  1. Eugene O’Neill: A Life in Four Acts by Robert M. Dowling, and: Eugene O’Neill: The Contemporary Reviews ed. by Jackson R. Bryer and Robert M. Dowling (review)
  2. Felicia Hardison Londré
  3. pp. 351-353
  4. DOI: https://doi.org/10.1353/ths.2016.0027
  5. restricted access
  1. Celebration, Entertainment, and Theatre in the Ottoman World ed. by Suraiya Faroqhi and Arzu Ozturkmen (review)
  2. Duygu Erdogan Monson
  3. pp. 354-356
  4. DOI: https://doi.org/10.1353/ths.2016.0028
  5. restricted access
  1. Paratexts in English Printed Drama to 1642 ed. by Thomas L. Berger and Sonia Massai (review)
  2. Patrick J. Murray
  3. pp. 357-359
  4. DOI: https://doi.org/10.1353/ths.2016.0029
  5. restricted access
  1. Tennessee Williams: A Literary Life by John S. Bak (review)
  2. Wes D. Pearce
  3. pp. 359-362
  4. DOI: https://doi.org/10.1353/ths.2016.0030
  5. restricted access
  1. Ira Aldridge: The Early Years, 1807–1833 by Bernth Lindfors, and: Ira Aldridge: The Vagabond Years, 1833–1852 by Bernth Lindfors, and: Ira Aldridge: Performing Shakespeare in Europe, 1852–1855 by Bernth Lindfors (review)
  2. Kate Roark
  3. pp. 362-366
  4. DOI: https://doi.org/10.1353/ths.2016.0031
  5. restricted access
  1. International Women Stage Directors ed. by Anne Fliotsos and Wendy Vierow (review)
  2. Emily A. Rollie
  3. pp. 366-369
  4. DOI: https://doi.org/10.1353/ths.2016.0032
  5. restricted access
  1. Theatre & Violence by Lucy Nevitt (review)
  2. Michelle Salerno
  3. pp. 369-371
  4. DOI: https://doi.org/10.1353/ths.2016.0033
  5. restricted access
  1. Shakespeare’s Medieval Craft: Remnants of the Mysteries on the London Stage by Kurt A. Schreyer (review)
  2. Claire Syler
  3. pp. 371-374
  4. DOI: https://doi.org/10.1353/ths.2016.0034
  5. restricted access
  1. Illustrations
  3. p. ix
  4. DOI: https://doi.org/10.1353/ths.2016.0002
  5. restricted access
  1. Introduction
  2. Sara Freeman
  3. pp. 1-3
  4. DOI: https://doi.org/10.1353/ths.2016.0001
  5. restricted access
  1. Introduction to Part II
  2. Karen Bamford, Sheila Rabillard
  3. pp. 125-142
  4. DOI: https://doi.org/10.1353/ths.2016.0006
  5. restricted access
  1. Books Received
  3. pp. 375-376
  4. DOI: https://doi.org/10.1353/ths.2016.0035
  5. restricted access
  1. Contributors
  3. pp. 377-381
  4. DOI: https://doi.org/10.1353/ths.2016.0036
  5. restricted access

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