1. Humanism and Hellenism: Lucian and the Afterlives of Greek in More’s Utopia
  2. Jane Raisch
  3. pp. 927-958
  4. DOI: 10.1353/elh.2016.0035
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  1. Gertrude’s Shoes
  2. Lyell Asher
  3. pp. 959-987
  4. DOI: 10.1353/elh.2016.0036
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  1. Making “Anything of Anything” in the Age of Shakespeare
  2. Gerard Passannante
  3. pp. 989-1008
  4. DOI: 10.1353/elh.2016.0037
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  1. “Getting Fou”: Antiquarianism and Embodied Poetics in Robert Burns’s “Tam o’ Shanter”
  2. Sean Barry
  3. pp. 1009-1041
  4. DOI: 10.1353/elh.2016.0038
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  1. Wordsworth and Godwin in “Frozen Regions”
  2. Jacob Risinger
  3. pp. 1043-1073
  4. DOI: 10.1353/elh.2016.0039
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  1. Charlotte and Elizabeth: Multiple Modernities in Jane Austen’s Pride and Prejudice
  2. Melina Moe
  3. pp. 1075-1103
  4. DOI: 10.1353/elh.2016.0040
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  1. Percy Shelley’s Revolutionary Periods
  2. Yasmin Solomonescu
  3. pp. 1105-1133
  4. DOI: 10.1353/elh.2016.0041
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  1. Dramatic Monologue, Public Address, and the Ends of Character
  2. Justin Sider
  3. pp. 1135-1158
  4. DOI: 10.1353/elh.2016.0042
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  1. Remote Proximities: Aesthetics, Orientalism, and the Intimate Life of Japanese Objects
  2. Joseph Lavery
  3. pp. 1159-1183
  4. DOI: 10.1353/elh.2016.0043
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  1. “Nowhere’s Safe”: Ruinous Reconstruction in Muriel Spark’s The Girls of Slender Means
  2. Kelly M. Rich
  3. pp. 1185-1209
  4. DOI: 10.1353/elh.2016.0044
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