1. Counselling the Counsellors: Sir David Lyndsay’s Ane Satyre of the Thrie Estaitis
  2. Doyeeta Majumder
  3. pp. 1-18
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  1. Burns’s Tales of ‘Aloway Kirk’ and Romantic Short Fiction
  2. Gerard Lee McKeever
  3. pp. 19-35
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  1. James Hogg’s The Profligate Princes: An unconventional treatment of Scottish female sexuality in Romantic writing for the theatre
  2. Barbara Leonardi
  3. pp. 37-53
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  1. The Mother’s Word: Maternity and Writing in Walter Scott
  2. Anna Fancett
  3. pp. 55-72
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  1. A Man of Many Depths – Hugh Miller and The Cruise of the Betsey
  2. Alexander Hay
  3. pp. 73-91
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  1. Looking Both Ways – A Lefebvrian Investigation of Catherine Carswell’s Open the Door!
  2. Claudia Rosenhan
  3. pp. 93-111
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  1. O. Douglas and the Aesthetics of the Ordinary
  2. Juliet Shields
  3. pp. 113-131
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  1. The First Irish Edition of Robert Burns: A Reexamination
  2. Patrick Scott, Craig Lamont
  3. pp. 133-140
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  1. Lewis Grassic Gibbon: Revolutionary Writer by William K. Malcolm, and: Lewis Grassic Gibbon: The Reader by ed. William K. Malcolm (review)
  2. Margery Palmer McCulloch
  3. pp. 143-145
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  1. The International Companion to Lewis Grassic Gibbon ed. by Scott Lyall (review)
  2. Dougal McNeill
  3. pp. 146-148
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  1. The Maitland Quarto: A New Edition of Cambridge, Magdalene College, Pepys Library MS 1408 ed. by Joanna M. Martin (review)
  2. Lucy R. Hinnie
  3. pp. 149-151
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  1. The Literary Culture of Early Modern Scotland: Manuscript Production and Transmission, 1560–1625 by Sebastiaan Verweij (review)
  2. Deirdre Serjeantson
  3. pp. 152-154
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  1. James Orr, Poet and Irish Radical by Carol Baraniuk (review)
  2. Crawford Gribben
  3. pp. 155-156
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  1. Literature After Euclid: The Geometric Imagination in the Long Scottish Enlightenment by Matthew Wickman (review)
  2. Robert Irvine
  3. pp. 157-159
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  1. Playing Games of Sense in Edwin Morgan’s Writing by Monika Kocot (review)
  2. David Kinloch
  3. pp. 160-161
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  1. Barbour’s Bruce and its Cultural Contexts: Politics, Chivalry and Literature in Late Medieval Scotland ed. by Steve Boardman and Susan Foran (review)
  2. Sergi Mainer
  3. pp. 162-164
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  1. Écrire la frontière, Walter Scott, ou les chemins de I’errance by Céline Sabiron (review)
  2. Janette McLeman-Carnie
  3. pp. 167-169
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  1. James Hogg and British Romanticism. A Kaleidoscopic Art by Meiko O’Halloran (review)
  2. Silvia Mergenthal
  3. pp. 170-172
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  1. Robert Louis Stevenson by David Robb (review)
  2. Duncan Milne
  3. pp. 173-175
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  1. Crimelights: Scottish Crime Writing – Then and Now ed. by Frauke Reitemeier and Kirsten Sandrock (review)
  2. Anne Schwan
  3. pp. 176-178
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  1. Culloden by Murray Pittock (review)
  2. Daniel Szechi
  3. pp. 179-181
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  1. Scottish Culture: Dialogue and Self-Expression ed. by Aniela Korzeniowska and Izabela Szymañska (review)
  2. Kate Turner
  3. pp. 182-184
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  1. The International Companion to Edwin Morgan ed. by Alan Riach, and: The Midnight Letterbox: Selected Correspondence, 1950–2010 Edwin Morgan (review)
  2. Attila Dósa
  3. pp. 185-188
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  1. Scottish Literary Review
  2. Gerard Carruthers
  3. pp. v-vi
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  1. The Culture Series of Iain M. Banks: A Critical Introduction by Simone Caroti (review)
  2. Caroline McCracken-Flesher
  3. pp. 165-166
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  1. Notes on Contributors
  3. pp. 189-190
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