African Arts

In this Issue

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STEAMed Up: Or, A Defense of the Humanities through African Art History

Victoria L. Rovine

pp. 1-4

Erratum

p. 4

New Meanings and Historical Messages in the Larabanga Mosque

Michelle Moore Apotsos

pp. 8-23

Internal Meanings: Computed Tomography Scanning of Koma Figurines from Ghana

Timothy Insoll, Benjamin Kankpeyeng, Sharon Fraser

pp. 24-33

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Drums, Dance, Dreams, and Remittance: Transnational Interconnections in Ivorian Immigrant Mask Performance in the USA

Daniel B. Reed

pp. 34-47

Dress Politics and Framing Self in Ghana: The Studio Photographs of Felicia Abban

Laurian R. Bowles

pp. 48-57

“This House Is Not for Sale”: Nollywood’s Spatial Politics and Concepts of “Home” in Zina Saro-Wiwa’s Art

Nomusa Makhubu

pp. 58-69

Rïm’s Unrest: Issues of Secrecy and the Multivalent Use of a Nalú Traditional Shrine Piece

Brandon D. Lundy

pp. 70-79

Kongo: Power and Majesty (review)

Carlee S. Forbes

pp. 80-82

Hunting and Collecting—Sammy Baloji (review)

Caroline Jacobs, Tristan Mertens

pp. 83-85

Beauté Congo—1926–2015—Congo Kitoko (review)

Elaine Sullivan, Nicolas Dewalque

pp. 85-89

Beauté Congo—1926–2015—Congo Kitoko (review)

Nicolas Dewalque

pp. 87-89

Shaping Power: Luba Masterworks from the Royal Museum for Central Africa (review)

Juliet Moss

pp. 90-91

Victor Forestier Sow: A Pioneer Malian Painter ed. by Pascal James Imperato, Austin C. Imperato (review)

Blaise Gundu Gbaden

pp. 91-92

In Step with the Times: Mapiko Masquerades of Mozambique by Paolo Israel (review)

Anitra Nettleton

pp. 92-93

Biko’s Ghost: The Iconography of Black Consciousness by Shannen Hill (review)

Ciraj Rassool

pp. 94-95

Djenné-Jeno: 1,000 Years of Terracotta Statuary in Mali by Bernard de Grunne (review)

Pascal James Imperato

pp. 95-96

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Volume 49, Number 3, Autumn 2016

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Volume 50, Number 1, Spring 2017

Additional Information
ISSN	1937-2108
Print ISSN	0001-9933
Launched on MUSE	2016-11-24
Open Access	No

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African Arts

In this Issue

Volume 49, Number 4, Winter 2016

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Table of Contents

STEAMed Up: Or, A Defense of the Humanities through African Art History

Erratum

New Meanings and Historical Messages in the Larabanga Mosque

Internal Meanings: Computed Tomography Scanning of Koma Figurines from Ghana

Drums, Dance, Dreams, and Remittance: Transnational Interconnections in Ivorian Immigrant Mask Performance in the USA

Dress Politics and Framing Self in Ghana: The Studio Photographs of Felicia Abban

“This House Is Not for Sale”: Nollywood’s Spatial Politics and Concepts of “Home” in Zina Saro-Wiwa’s Art

Rïm’s Unrest: Issues of Secrecy and the Multivalent Use of a Nalú Traditional Shrine Piece

Kongo: Power and Majesty (review)

Hunting and Collecting—Sammy Baloji (review)

Beauté Congo—1926–2015—Congo Kitoko (review)

Beauté Congo—1926–2015—Congo Kitoko (review)

Shaping Power: Luba Masterworks from the Royal Museum for Central Africa (review)

Victor Forestier Sow: A Pioneer Malian Painter ed. by Pascal James Imperato, Austin C. Imperato (review)

In Step with the Times: Mapiko Masquerades of Mozambique by Paolo Israel (review)

Biko’s Ghost: The Iconography of Black Consciousness by Shannen Hill (review)

Djenné-Jeno: 1,000 Years of Terracotta Statuary in Mali by Bernard de Grunne (review)

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