1. STEAMed Up: Or, A Defense of the Humanities through African Art History
  2. Victoria L. Rovine
  3. pp. 1-4
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  1. Erratum
  2. p. 4
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  1. New Meanings and Historical Messages in the Larabanga Mosque
  2. Michelle Moore Apotsos
  3. pp. 8-23
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  1. Internal Meanings: Computed Tomography Scanning of Koma Figurines from Ghana
  2. Timothy Insoll, Benjamin Kankpeyeng, Sharon Fraser
  3. pp. 24-33
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  1. Drums, Dance, Dreams, and Remittance: Transnational Interconnections in Ivorian Immigrant Mask Performance in the USA
  2. Daniel B. Reed
  3. pp. 34-47
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  1. Dress Politics and Framing Self in Ghana: The Studio Photographs of Felicia Abban
  2. Laurian R. Bowles
  3. pp. 48-57
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  1. “This House Is Not for Sale”: Nollywood’s Spatial Politics and Concepts of “Home” in Zina Saro-Wiwa’s Art
  2. Nomusa Makhubu
  3. pp. 58-69
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  1. Rïm’s Unrest: Issues of Secrecy and the Multivalent Use of a Nalú Traditional Shrine Piece
  2. Brandon D. Lundy
  3. pp. 70-79
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  1. Kongo: Power and Majesty (review)
  2. Carlee S. Forbes
  3. pp. 80-82
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  1. Hunting and Collecting—Sammy Baloji (review)
  2. Caroline Jacobs, Tristan Mertens
  3. pp. 83-85
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  1. Beauté Congo—1926–2015—Congo Kitoko (review)
  2. Elaine Sullivan, Nicolas Dewalque
  3. pp. 85-89
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  1. Beauté Congo—1926–2015—Congo Kitoko (review)
  2. Nicolas Dewalque
  3. pp. 87-89
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  1. Shaping Power: Luba Masterworks from the Royal Museum for Central Africa (review)
  2. Juliet Moss
  3. pp. 90-91
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  1. Victor Forestier Sow: A Pioneer Malian Painter ed. by Pascal James Imperato, Austin C. Imperato (review)
  2. Blaise Gundu Gbaden
  3. pp. 91-92
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  1. In Step with the Times: Mapiko Masquerades of Mozambique by Paolo Israel (review)
  2. Anitra Nettleton
  3. pp. 92-93
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  1. Biko’s Ghost: The Iconography of Black Consciousness by Shannen Hill (review)
  2. Ciraj Rassool
  3. pp. 94-95
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  1. Djenné-Jeno: 1,000 Years of Terracotta Statuary in Mali by Bernard de Grunne (review)
  2. Pascal James Imperato
  3. pp. 95-96
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