In this Issue

Table of Contents

Highland Afro-Ecuadorian Bomba and Identity along the Black Pacific at the Turn of the Twenty-First Century

Francisco Lara, Diana Ruggiero
pp. 135-164
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“Somos la mezcla perfecta, la combinación más pura, cubanos, la más grande creación”: Grooves, Pleasures, and Politics in Today’s Cuba

Kjetil Klette Boehler
pp. 165-207
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Músicos y tambores en la etnomusicología de la transculturación: Fernando Ortiz, los tamboreros de Regla y la etnografía afrocubana

Jorge Pavez Ojeda
pp. 208-238
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Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean by Timothy Rommen and Daniel T. Neely (review)

Hannah Rogers
pp. 239-240
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Sounds of the Citizens: Dancehall and Community in Jamaica by Anne M. Galvin (review)

Wayne Marshall
pp. 240-242
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Carlos Aldama’s Life in Batá: Cuba, Diaspora, and the Drum by Umi Vaughn and Carlos Aldama (review)

Kenneth Schweitzer
pp. 243-244
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The Militant Song Movement in Latin America: Chile, Uruguay, and Argentina ed. by Pablo Vila (review)

Julianne Graper
pp. 244-246
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El Sistema: Orchestrating Venezuela’s Youth by Geoffrey Baker (review)

Ludim R. Pedroza
pp. 246-249
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Roy Cape: A Life on the Calypso and Soca Bandstand by Jocelyne Guilbault and Roy Cape (review)

Amelia K. Ingram
pp. 249-251
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Spinning Mambo into Salsa: Caribbean Dance in Global Commerce by Juliet McMains (review)

Sarah Town
pp. 251-253
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Songs That Make the Road Dance: Courtship and Fertility Music of the Tz’utujil Maya by Linda O’Brien-Rothe (review)

Andrés R. Amado
pp. 253-256
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Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil by Daniel B. Sharp (review)

Tom Moore
pp. 256-258
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Musical Life in Guyana: History and Politics of Controlling Creativity by Vibert C. Cambridge (review)

Kenneth Bilby
pp. 258-259
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Chilean New Song: The Political Power of Music, 1960s–1973 by J. Patrice McSherry (review)

Luis Achondo
pp. 259-261
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In Memoriam: Leonardo Acosta (1933–2016)

pp. v-vi
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Contributors

pp. 262-263
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