1. Highland Afro-Ecuadorian Bomba and Identity along the Black Pacific at the Turn of the Twenty-First Century
  2. Francisco Lara, Diana Ruggiero
  3. pp. 135-164
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  1. Músicos y tambores en la etnomusicología de la transculturación: Fernando Ortiz, los tamboreros de Regla y la etnografía afrocubana
  2. Jorge Pavez Ojeda
  3. pp. 208-238
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  1. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean by Timothy Rommen and Daniel T. Neely (review)
  2. Hannah Rogers
  3. pp. 239-240
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  1. Sounds of the Citizens: Dancehall and Community in Jamaica by Anne M. Galvin (review)
  2. Wayne Marshall
  3. pp. 240-242
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  1. Carlos Aldama’s Life in Batá: Cuba, Diaspora, and the Drum by Umi Vaughn and Carlos Aldama (review)
  2. Kenneth Schweitzer
  3. pp. 243-244
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  1. The Militant Song Movement in Latin America: Chile, Uruguay, and Argentina ed. by Pablo Vila (review)
  2. Julianne Graper
  3. pp. 244-246
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  1. El Sistema: Orchestrating Venezuela’s Youth by Geoffrey Baker (review)
  2. Ludim R. Pedroza
  3. pp. 246-249
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  1. Roy Cape: A Life on the Calypso and Soca Bandstand by Jocelyne Guilbault and Roy Cape (review)
  2. Amelia K. Ingram
  3. pp. 249-251
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  1. Spinning Mambo into Salsa: Caribbean Dance in Global Commerce by Juliet McMains (review)
  2. Sarah Town
  3. pp. 251-253
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  1. Songs That Make the Road Dance: Courtship and Fertility Music of the Tz’utujil Maya by Linda O’Brien-Rothe (review)
  2. Andrés R. Amado
  3. pp. 253-256
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  1. Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil by Daniel B. Sharp (review)
  2. Tom Moore
  3. pp. 256-258
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  1. Musical Life in Guyana: History and Politics of Controlling Creativity by Vibert C. Cambridge (review)
  2. Kenneth Bilby
  3. pp. 258-259
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  1. Chilean New Song: The Political Power of Music, 1960s–1973 by J. Patrice McSherry (review)
  2. Luis Achondo
  3. pp. 259-261
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  1. In Memoriam: Leonardo Acosta (1933–2016)
  2. pp. v-vi
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  1. Contributors
  2. pp. 262-263
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