restricted access   Volume 73, Number 2, December 2016

Table of Contents

Articles

Scores, Libraries, and Web-Based, Self-Publishing Composers

pp. 205-240
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Sketching the Symphonies: A Brief Report on Shostakovich’s Manuscripts in Moscow

pp. 241-259
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Prices of Music Monographs and Scores as Reflected in Notes, 2010–2015

pp. 260-267
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Notes for Notes

pp. 268-270
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Book Reviews
Edited by Liza Vick

American Music

Folk City: New York and the American Folk Music Revival by Stephen Petrus and Ronald D. Cohen (review)

pp. 271-273
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Three Songs, Three Singers, Three Nations by Greil Marcus (review)

pp. 273-275
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Your Band Sucks: What I Saw at Indie Rock’s Failed Revolution (But Can No Longer Hear) by Jon Fine (review)

pp. 275-276
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Ethnomusicology

The Voice in the Drum: Music, Language, and Emotion in Islamicate South Asia by Richard K. Wolf (review)

pp. 276-279
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Music and the Armenian Diaspora: Searching for Home in Exile by Sylvia Alajaji (review)

pp. 279-281
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Music in Cyprus ed. by Jim Samson and Nicoletta Demetriou (review)

pp. 281-283
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Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil by Daniel B. Sharp (review)

pp. 283-285
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Medieval and Renaissance

The Monstrous New Art: Divided Forms in the Late Medieval Motet by Anna Zayaruznaya (review)

pp. 285-287
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Tactus, Mensuration, and Rhythm in Renaissance Music by Ruth I. DeFord (review)

pp. 287-289
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Exoticism and the Eighteenth Century

Music and the Exotic from the Renaissance to Mozart by Ralph P. Locke (review)

pp. 289-292
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Counterpoint and Partimento: Methods of Teaching Composition in Late Eighteenth-Century Naples by Peter van Tour (review)

pp. 292-295
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Music for the Stage

Masques, Mayings and Music-Dramas: Vaughan Williams and the Early Twentieth-Century Stage by Roger Savage (review)

pp. 295-297
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We’ll Have Manhattan: The Early Work of Rodgers and Hart by Dominic Symonds (review)

pp. 298-300
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Composers

Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer by Jennifer Bain (review)

pp. 300-302
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Beethoven: Anguish and Triumph; A Biography by Jan Swafford (review)

pp. 302-304
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Gustav Mahler’s Symphonic Landscapes by Thomas Allan Peattie (review)

pp. 304-306
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Béla Bartók by David Cooper (review)

pp. 306-308
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British Musical Modernism: The Manchester Group and Their Contemporaries by Philip Rupprecht (review)

pp. 308-310
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Johanna Beyer by Amy C. Beal (review)

pp. 310-313
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Instruments

The Manual of Musical Instrument Conservation by Stewart Pollens (review)

pp. 313-315
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A Dictionary for the Modern Trumpet Player by Elisa Koehler (review)

pp. 315-316
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Books Recently Published

Books Recently Published

pp. 317-324
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New Media Reviews
Edited by Stephen Henry

Naxos Music Library World (review)

pp. 325-327
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Hit Songs Deconstructed (review)

pp. 327-330
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Music Reviews
Edited by Keith Cochran

Music by the Forqueray Family

Antoine Forqueray, Jean-Baptiste Forqueray, Michel Forqueray, Nicolas-Gilles Forqueray ed. by Mary Cyr, and: Antoine Forqueray, Jean-Baptiste Forqueray, Michel Forqueray, Nicolas-Gilles Forqueray. ed. by Mary Cyr (review)

pp. 331-334
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Brossard’s Dramatic Works

Sébastien de Brossard ed. by Jean Duron

pp. 334-339
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Arias for a singer from Mozart’s Vienna

Arias for Stefano Mandini, Mozart’s First Count Almaviva ed. by Dorothea Link (review)

pp. 339-345
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Music from the Savoy Theatre

Savoy Curtain-Raisers ed. by Christopher O’Brien (review)

pp. 345-349
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Music Received

pp. 350-358
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Communications

pp. 360-379
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Index to Advertisers

pp. 381-399
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