1. Scores, Libraries, and Web-Based, Self-Publishing Composers
  2. Kent Underwood
  3. pp. 205-240
  4. DOI: 10.1353/not.2016.0115
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  1. Sketching the Symphonies: A Brief Report on Shostakovich’s Manuscripts in Moscow
  2. Laura E. Kennedy
  3. pp. 241-259
  4. DOI: 10.1353/not.2016.0116
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 2010–2015
  2. Kerri Scannell Baunach
  3. pp. 260-267
  4. DOI: 10.1353/not.2016.0117
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  1. Notes for Notes
  2. Donald Manildi, Mary Black Junttonen, Maristella Feustle, Deborah Campana
  3. pp. 268-270
  4. DOI: 10.1353/not.2016.0118
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  1. Folk City: New York and the American Folk Music Revival by Stephen Petrus and Ronald D. Cohen (review)
  2. Rachel Adelstein
  3. pp. 271-273
  4. DOI: 10.1353/not.2016.0119
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  1. Three Songs, Three Singers, Three Nations by Greil Marcus (review)
  2. Marci Cohen
  3. pp. 273-275
  4. DOI: 10.1353/not.2016.0120
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  1. Your Band Sucks: What I Saw at Indie Rock’s Failed Revolution (But Can No Longer Hear) by Jon Fine (review)
  2. Vincent J. Novara
  3. pp. 275-276
  4. DOI: 10.1353/not.2016.0121
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  1. The Voice in the Drum: Music, Language, and Emotion in Islamicate South Asia by Richard K. Wolf (review)
  2. Victoria M. Dalzell
  3. pp. 276-279
  4. DOI: 10.1353/not.2016.0122
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  1. Music and the Armenian Diaspora: Searching for Home in Exile by Sylvia Alajaji (review)
  2. Jeremy W. Foutz
  3. pp. 279-281
  4. DOI: 10.1353/not.2016.0123
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  1. Music in Cyprus ed. by Jim Samson and Nicoletta Demetriou (review)
  2. Ivan Moody
  3. pp. 281-283
  4. DOI: 10.1353/not.2016.0124
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  1. Between Nostalgia and Apocalypse: Popular Music and the Staging of Brazil by Daniel B. Sharp (review)
  2. Panayotis League
  3. pp. 283-285
  4. DOI: 10.1353/not.2016.0125
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  1. The Monstrous New Art: Divided Forms in the Late Medieval Motet by Anna Zayaruznaya (review)
  2. Bradford Lee Eden
  3. pp. 285-287
  4. DOI: 10.1353/not.2016.0126
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  1. Tactus, Mensuration, and Rhythm in Renaissance Music by Ruth I. DeFord (review)
  2. Kimberly Hieb
  3. pp. 287-289
  4. DOI: 10.1353/not.2016.0127
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  1. Music and the Exotic from the Renaissance to Mozart by Ralph P. Locke (review)
  2. Shay Loya
  3. pp. 289-292
  4. DOI: 10.1353/not.2016.0128
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  1. Counterpoint and Partimento: Methods of Teaching Composition in Late Eighteenth-Century Naples by Peter van Tour (review)
  2. Johnandrew Slominski
  3. pp. 292-295
  4. DOI: 10.1353/not.2016.0129
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  1. Masques, Mayings and Music-Dramas: Vaughan Williams and the Early Twentieth-Century Stage by Roger Savage (review)
  2. Julian Onderdonk
  3. pp. 295-297
  4. DOI: 10.1353/not.2016.0130
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  1. We’ll Have Manhattan: The Early Work of Rodgers and Hart by Dominic Symonds (review)
  2. Christopher Lynch
  3. pp. 298-300
  4. DOI: 10.1353/not.2016.0131
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  1. Hildegard of Bingen and Musical Reception: The Modern Revival of a Medieval Composer by Jennifer Bain (review)
  2. John MacInnis
  3. pp. 300-302
  4. DOI: 10.1353/not.2016.0132
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  1. Beethoven: Anguish and Triumph; A Biography by Jan Swafford (review)
  2. Mark Ferraguto
  3. pp. 302-304
  4. DOI: 10.1353/not.2016.0133
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  1. Gustav Mahler’s Symphonic Landscapes by Thomas Allan Peattie (review)
  2. John J. Sheinbaum
  3. pp. 304-306
  4. DOI: 10.1353/not.2016.0134
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  1. Béla Bartók by David Cooper (review)
  2. Tysen Dauer
  3. pp. 306-308
  4. DOI: 10.1353/not.2016.0135
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  1. British Musical Modernism: The Manchester Group and Their Contemporaries by Philip Rupprecht (review)
  2. Justin Vickers
  3. pp. 308-310
  4. DOI: 10.1353/not.2016.0136
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  1. Johanna Beyer by Amy C. Beal (review)
  2. Renée McBride
  3. pp. 310-313
  4. DOI: 10.1353/not.2016.0137
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  1. The Manual of Musical Instrument Conservation by Stewart Pollens (review)
  2. Robert Adelson
  3. pp. 313-315
  4. DOI: 10.1353/not.2016.0138
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  1. A Dictionary for the Modern Trumpet Player by Elisa Koehler (review)
  2. Jim Farrington
  3. pp. 315-316
  4. DOI: 10.1353/not.2016.0139
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 317-324
  4. DOI: 10.1353/not.2016.0140
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  1. Naxos Music Library World (review)
  2. Stephen Henry, Carlos E. Peña
  3. pp. 325-327
  4. DOI: 10.1353/not.2016.0141
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  1. Hit Songs Deconstructed (review)
  2. Zoë Rath
  3. pp. 327-330
  4. DOI: 10.1353/not.2016.0142
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  1. Antoine Forqueray, Jean-Baptiste Forqueray, Michel Forqueray, Nicolas-Gilles Forqueray ed. by Mary Cyr, and: Antoine Forqueray, Jean-Baptiste Forqueray, Michel Forqueray, Nicolas-Gilles Forqueray. ed. by Mary Cyr (review)
  2. Keith Cochran, Ann Shaffer
  3. pp. 331-334
  4. DOI: 10.1353/not.2016.0143
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  1. Sébastien de Brossard ed. by Jean Duron
  2. Michele Cabrini
  3. pp. 334-339
  4. DOI: 10.1353/not.2016.0144
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  1. Arias for Stefano Mandini, Mozart’s First Count Almaviva ed. by Dorothea Link (review)
  2. Magnus Tessing Schneider
  3. pp. 339-345
  4. DOI: 10.1353/not.2016.0145
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  1. Savoy Curtain-Raisers ed. by Christopher O’Brien (review)
  2. James Brooks Kuykendall
  3. pp. 345-349
  4. DOI: 10.1353/not.2016.0146
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  1. Communications
  2. Damien Colas, Patricia B. Brauner, Peter Bloom
  3. pp. 360-379
  4. DOI: 10.1353/not.2016.0148
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  1. Index to Advertisers
  3. pp. 381-399
  4. DOI: 10.1353/not.2016.0149
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  1. Music Received
  2. David Knapp
  3. pp. 350-358
  4. DOI: 10.1353/not.2016.0147
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