In this Issue

Table of Contents

Bodies in a Car Park; Or, Une Comédie Charcutière: Resuscitating Shakespearian Authorship in Contemporary French Street Theatre

Nicole Fayard
pp. 145-163
DOI: https://doi.org/10.1353/cdr.2016.0015
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Putting the Fun Back into Funerals: Dealing/Dallying With Death in Romeo and Juliet

Kiki Lindell
pp. 165-181
DOI: https://doi.org/10.1353/cdr.2016.0016
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In Accents Yet Unknown: Reenacting Caesar’s Death in a Roman Prison

Maria Valentini
pp. 183-194
DOI: https://doi.org/10.1353/cdr.2016.0017
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“Thou livest and breathest, yet art thou slain in him”: The Absence of Power in Richard II

Imke Lichterfeld
pp. 195-207
DOI: https://doi.org/10.1353/cdr.2016.0018
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“Many a time and oft had I broken my Neck for their amusement”: The Corpse, the Child, and the Aestheticization of Death in Shakespeare’s Richard III and King John

Gemma Miller
pp. 209-232
DOI: https://doi.org/10.1353/cdr.2016.0019
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“An infant of the house of York”: Medea and Absyrtus in Shakespeare’s First Tetralogy

Katherine Heavey
pp. 233-248
DOI: https://doi.org/10.1353/cdr.2016.0020
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“And do not say ’tis superstition”: Shakespeare, Memory, and the Iconography of Death

Lawrence Green
pp. 249-270
DOI: https://doi.org/10.1353/cdr.2016.0021
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Missing a Horse: Richard and White Surrey

Erica Sheen
pp. 271-288
DOI: https://doi.org/10.1353/cdr.2016.0022
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Images

pp. i-ii
DOI: https://doi.org/10.1353/cdr.2016.0013
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Introduction: Over Our Dead Bodies

Nicole Fayard, Erica Sheen
pp. 135-143
DOI: https://doi.org/10.1353/cdr.2016.0014
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Contributors

pp. 289-290
DOI: https://doi.org/10.1353/cdr.2016.0023
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