1. Saints, Scandals, and the Politics of Love: Simone Weil, Ingrid Bergman, Roberto Rossellini
  2. Lisabeth During
  3. pp. 16-32
  4. DOI: 10.1353/sub.2016.0026
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  1. Anti-Oedipus: The Ethics of Performance and Misrecognition in Matsumoto Toshio’s Funeral Parade of Roses
  2. James Phillips
  3. pp. 33-48
  4. DOI: 10.1353/sub.2016.0027
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  1. Dirty Harry Ethics
  2. Christopher Falzon
  3. pp. 49-65
  4. DOI: 10.1353/sub.2016.0028
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  1. Unethical Morality in “Documenting” Terrorism: Terror at the Mall, Nowhere to Run, Wolves of Westgate
  2. David H. Fleming
  3. pp. 66-83
  4. DOI: 10.1353/sub.2016.0030
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  1. Le Fils and the Limits of Philosophical Ethics
  2. Damian Cox
  3. pp. 84-97
  4. DOI: 10.1353/sub.2016.0029
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  1. Belief in this World: The Dardenne brothers’ The Son and Søren Kierkegaard’s Fear and Trembling
  2. Lisa Trahair
  3. pp. 98-119
  4. DOI: 10.1353/sub.2016.0031
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  1. Living our Skepticism of Others through Film: Remarks In Light of Cavell1
  2. David Macarthur
  3. pp. 120-136
  4. DOI: 10.1353/sub.2016.0032
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  1. The Problem of Wild Minds: Knowing Animals in Grizzly Man and Ming of Harlem
  2. Mathew Abbott
  3. pp. 137-154
  4. DOI: 10.1353/sub.2016.0033
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  1. The Ethics and Politics of Negation: the Postdramatic on Screen
  2. Angelos Koutsourakis
  3. pp. 155-173
  4. DOI: 10.1353/sub.2016.0034
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  1. Once More, with Feeling: Cinema and Cinesthesia
  2. Gregory Flaxman
  3. pp. 174-189
  4. DOI: 10.1353/sub.2016.0035
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  1. Introduction: Film and / as Ethics
  2. Robert Sinnerbrink, Lisa Trahair
  3. pp. 3-15
  4. DOI: 10.1353/sub.2016.0025
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  1. Contributors
  2. pp. 190-191
  3. DOI: 10.1353/sub.2016.0036
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