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Saints, Scandals, and the Politics of Love: Simone Weil, Ingrid Bergman, Roberto Rossellini

Lisabeth During

pp. 16-32

DOI: https://doi.org/10.1353/sub.2016.0026

Anti-Oedipus: The Ethics of Performance and Misrecognition in Matsumoto Toshio’s Funeral Parade of Roses

James Phillips

pp. 33-48

DOI: https://doi.org/10.1353/sub.2016.0027

Dirty Harry Ethics

Christopher Falzon

pp. 49-65

DOI: https://doi.org/10.1353/sub.2016.0028

Unethical Morality in “Documenting” Terrorism: Terror at the Mall, Nowhere to Run, Wolves of Westgate

David H. Fleming

pp. 66-83

DOI: https://doi.org/10.1353/sub.2016.0030

Le Fils and the Limits of Philosophical Ethics

Damian Cox

pp. 84-97

DOI: https://doi.org/10.1353/sub.2016.0029

Belief in this World: The Dardenne brothers’ The Son and Søren Kierkegaard’s Fear and Trembling

Lisa Trahair

pp. 98-119

DOI: https://doi.org/10.1353/sub.2016.0031

Living our Skepticism of Others through Film: Remarks In Light of Cavell 1

David Macarthur

pp. 120-136

DOI: https://doi.org/10.1353/sub.2016.0032

The Problem of Wild Minds: Knowing Animals in Grizzly Man and Ming of Harlem

Mathew Abbott

pp. 137-154

DOI: https://doi.org/10.1353/sub.2016.0033

The Ethics and Politics of Negation: the Postdramatic on Screen

Angelos Koutsourakis

pp. 155-173

DOI: https://doi.org/10.1353/sub.2016.0034

Once More, with Feeling: Cinema and Cinesthesia

Gregory Flaxman

pp. 174-189

DOI: https://doi.org/10.1353/sub.2016.0035

Introduction: Film and / as Ethics

Robert Sinnerbrink, Lisa Trahair

pp. 3-15

DOI: https://doi.org/10.1353/sub.2016.0025

Contributors

pp. 190-191

DOI: https://doi.org/10.1353/sub.2016.0036

Previous Issue

Volume 45, Number 2, 2016 (Issue 140)

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Volume 46, Number 1, 2017 (Issue 142)

Additional Information
ISSN	1527-2095
Print ISSN	0049-2426
Launched on MUSE	2016-10-25
Open Access	No

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Volume 45, Number 3, 2016 (Issue 141)

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Table of Contents

Saints, Scandals, and the Politics of Love: Simone Weil, Ingrid Bergman, Roberto Rossellini

Anti-Oedipus: The Ethics of Performance and Misrecognition in Matsumoto Toshio’s Funeral Parade of Roses

Dirty Harry Ethics

Unethical Morality in “Documenting” Terrorism: Terror at the Mall, Nowhere to Run, Wolves of Westgate

Le Fils and the Limits of Philosophical Ethics

Belief in this World: The Dardenne brothers’ The Son and Søren Kierkegaard’s Fear and Trembling

Living our Skepticism of Others through Film: Remarks In Light of Cavell 1

The Problem of Wild Minds: Knowing Animals in Grizzly Man and Ming of Harlem

The Ethics and Politics of Negation: the Postdramatic on Screen

Once More, with Feeling: Cinema and Cinesthesia

Introduction: Film and / as Ethics

Contributors

Previous Issue

Next Issue

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