From: Southern Cultures

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  Volume 22, Number 3, Fall 2016

Table of Contents

Front Porch

pp. 1-5
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DOI: 10.1353/scu.2016.0026
Harry L. Watson
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Lines Drawn

Lesser-Known 21st-Century Southern Writers

pp. 6-13
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DOI: 10.1353/scu.2016.0027
Daniel Wallace
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Reading 21st-Century Southern Fiction

pp. 14-19
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DOI: 10.1353/scu.2016.0028
Patrick E. Horn
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Fiction

Dreadful Crash

pp. 20-39
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DOI: 10.1353/scu.2016.0029
Robert Gipe
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Mrs. DeVry, Why Do You Cry?

pp. 40-46
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DOI: 10.1353/scu.2016.0030
Julia Ridley Smith
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Special Insert: Roundtable

Twenty, Twenty-One

pp. Insert-1-Insert-24
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DOI: 10.1353/scu.2016.0031
Dorothy Allison, Megan Mayhew Bergman, Nic Brown, Marianne Gingher, Allan Gurganus, Silas House, David Joy, Randall Kenan, Michael Knight, Jill McCorkle, Michael Parker, Dolen Perkins-Valdez, Jamie Quatro, George Singleton, Katy Simpson Smith, Monique Truong
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Fiction

Oretha

pp. 47-56
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DOI: 10.1353/scu.2016.0032
Crystal Wilkinson
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The Girl Who Went Away

pp. 57-61
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DOI: 10.1353/scu.2016.0025
Minrose Gwin
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Sipsipica

pp. 62-71
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DOI: 10.1353/scu.2016.0033
Mesha Maren
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So Bored in Nashville

pp. 72-76
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DOI: 10.1353/scu.2016.0034
Odie Lindsey
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Romanticizing the Rough South: Contemporary Cultural Nakedness and the Rise of Grit Lit

pp. 77-94
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DOI: 10.1353/scu.2016.0035
Zackary Vernon
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“Queer Rednecks”: Padgett Powell’s Manly South

pp. 95-122
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DOI: 10.1353/scu.2016.0036
John Moran
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“One of Us”: Monique Truong’s Bitter in the Mouth and the Twenty-First-Century Southern Novel

pp. 123-134
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DOI: 10.1353/scu.2016.0037
Justin Mellette
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Mason–Dixon Lines

Call

p. 135
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DOI: 10.1353/scu.2016.0038
Atsuro Riley
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Artist’s Statement

p. 136
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DOI: 10.1353/scu.2016.0039
Jeffrey Dell
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Contributors

pp. 137-138
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DOI: 10.1353/scu.2016.0040
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