1. Lawful Espials?: Edward Snowden’s Hamlet
  2. Paul Rae
  3. pp. 335-355
  4. DOI: 10.1353/tj.2016.0070
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  1. Missing in Action: Embodied Experience and Virtual Reality
  2. Sita Popat
  3. pp. 357-378
  4. DOI: 10.1353/tj.2016.0071
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  1. A Constellation of Imagined Theatres: Technology and Performance
  2. Daniel Sack, Christopher Grobe, Minou Arjomand, Broderick D. V. Chow, Natalie Alvarez, Ju Yon Kim, Ant Hampton, Peggy Phelan, Una Chaudhuri, Caden Manson, Jemma Nelson, W. B. Worthen, Claudia La Rocco, Joe Kelleher, Joshua Chambers-Letson, Joshua Rains, Isaiah Matthew Wooden, Annie Dorsen
  3. pp. 379-403
  4. DOI: 10.1353/tj.2016.0072
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  1. Convergence and Contingency: The Early Media Work of Reid Farrington
  2. Steve Luber
  3. pp. 405-426
  4. DOI: 10.1353/tj.2016.0073
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  1. Postdigital Performance
  2. Matthew Causey
  3. pp. 427-441
  4. DOI: 10.1353/tj.2016.0074
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  1. Germinal by Halory Goerger and Antoine Defoort, and: Yesterday Tomorrow by Annie Dorsen (review)
  2. Kyle Gillette
  3. pp. 443-446
  4. DOI: 10.1353/tj.2016.0075
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  1. The Extra People by Ant Hampton (review)
  2. Rachel Anderson-Rabern
  3. pp. 446-448
  4. DOI: 10.1353/tj.2016.0076
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  1. The Room by Harold Pinter (review)
  2. Sarah Kozinn
  3. pp. 448-450
  4. DOI: 10.1353/tj.2016.0077
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  1. At the End of My Hands by Equal Voices Arts (review)
  2. Alys Moody
  3. pp. 450-453
  4. DOI: 10.1353/tj.2016.0078
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  1. God Bless Baseball by Toshiki Okada (review)
  2. Soo Ryon Yoon
  3. pp. 453-454
  4. DOI: 10.1353/tj.2016.0079
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  1. Ameryka dir. by Nancy Keystone (review)
  2. Karen Jean Martinson
  3. pp. 454-456
  4. DOI: 10.1353/tj.2016.0080
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  1. Hamilton: An American Musical dir. by Thomas Kail (review)
  2. Shannon Walsh
  3. pp. 457-459
  4. DOI: 10.1353/tj.2016.0081
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  1. Eclipsed by Danai Gurira (review)
  2. Katherine Jean Nigh
  3. pp. 459-461
  4. DOI: 10.1353/tj.2016.0082
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  1. A Sudden Spontaneous Event by David Lee Nelson (review)
  2. Vivian Appler
  3. pp. 461-463
  4. DOI: 10.1353/tj.2016.0083
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  1. Pig Girl by Colleen Murphy (review)
  2. Penny Farfan
  3. pp. 463-464
  4. DOI: 10.1353/tj.2016.0084
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  1. The Reenactors by Juliana Francis Kelly (review)
  2. Theresa Smalec
  3. pp. 465-466
  4. DOI: 10.1353/tj.2016.0085
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  1. Waste by Harley Granville Barker (review)
  2. Anna Andes
  3. pp. 466-468
  4. DOI: 10.1353/tj.2016.0086
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  1. The Brothers Karamazov by Fyodor Dostoyevsky (review)
  2. Steve Earnest
  3. pp. 468-469
  4. DOI: 10.1353/tj.2016.0087
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  1. Beyond Borders: Twenty-Eighth Annual Dance Umbrella (review)
  2. Loren Kruger
  3. pp. 470-472
  4. DOI: 10.1353/tj.2016.0088
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  1. The Political Trajectories of Contemporary Irish Performance
  2. Brian Singleton
  3. pp. 473-481
  4. DOI: 10.1353/tj.2016.0089
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  1. Voice and New Writing, 1997–2007: Articulating the Demos by Maggie Inchley (review)
  2. David Ian Rabey
  3. pp. 483-484
  4. DOI: 10.1353/tj.2016.0090
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  1. The Theatre of Caryl Churchill by R. Darren Gobert (review)
  2. Benjamin Gillespie
  3. pp. 484-485
  4. DOI: 10.1353/tj.2016.0091
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  1. The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes by Anne García-Romero (review)
  2. Trevor Boffone
  3. pp. 485-486
  4. DOI: 10.1353/tj.2016.0092
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  1. Evita, Inevitably: Performing Argentina’s Female Icons Before and After Eva Perón by Jean Graham-Jones (review)
  2. Cláudia Tatinge Nascimento
  3. pp. 486-488
  4. DOI: 10.1353/tj.2016.0093
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  1. Food and Theatre on the World Stage ed. by Dorothy Chansky and Ann Folino White (review)
  2. Sarah Blissett
  3. pp. 488-489
  4. DOI: 10.1353/tj.2016.0094
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  1. Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre by Dorothy Chansky (review)
  2. Kim Solga
  3. pp. 489-490
  4. DOI: 10.1353/tj.2016.0095
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  1. Rooms in Dramatic Realism by Fred Miller Robinson (review)
  2. Nevena Stojanovic
  3. pp. 490-492
  4. DOI: 10.1353/tj.2016.0096
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  1. Ibsen’s Houses: Architectural Metaphor and the Modern Uncanny by Mark B. Sandberg (review)
  2. Penny Farfan
  3. pp. 492-493
  4. DOI: 10.1353/tj.2016.0097
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  1. On the Performance Front: Us Theatre and Internationalism by Charlotte M. Canning (review)
  2. Ann Folino White
  3. pp. 493-494
  4. DOI: 10.1353/tj.2016.0098
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  1. The Censorship of British Drama 1900–1968, Volume Two: 1933–1952 by Steve Nicholson, and: The Censorship of British Drama 1900–1968, Volume Three: the Fifties by Steve Nicholson, and: The Censorship of British Drama 1900–1968, Volume Four: the Sixties by Steve Nicholson (review)
  2. Melissa Dana Gibson
  3. pp. 494-496
  4. DOI: 10.1353/tj.2016.0099
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  1. Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors by Shauna Vey (review)
  2. Jeanne Klein
  3. pp. 496-497
  4. DOI: 10.1353/tj.2016.0100
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  1. In Praise of Theatre by Alain Badiou and Nicolas Truong (review)
  2. Zachary Tavlin
  3. pp. 498-499
  4. DOI: 10.1353/tj.2016.0101
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  1. Tragic Modernities by Meriam Leonard, and: Adorno and Modern Theatre: The Drama of the Damanged Self in Bond, Rudkin, Barker, and Kane by Karoline Gritzner (review)
  2. David Krasner
  3. pp. 499-501
  4. DOI: 10.1353/tj.2016.0102
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  1. Editorial Comment
  2. Jen Parker-Starbuck
  3. pp. xi-xiv
  4. DOI: 10.1353/tj.2016.0069
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