In this Issue

Table of Contents

Lawful Espials?: Edward Snowden’s Hamlet

Paul Rae
pp. 335-355
DOI: https://doi.org/10.1353/tj.2016.0070
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Missing in Action: Embodied Experience and Virtual Reality

Sita Popat
pp. 357-378
DOI: https://doi.org/10.1353/tj.2016.0071
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A Constellation of Imagined Theatres: Technology and Performance

Daniel Sack, Christopher Grobe, Minou Arjomand, Broderick D. V. Chow, Natalie Alvarez, Ju Yon Kim, Ant Hampton, Peggy Phelan, Una Chaudhuri, Caden Manson, Jemma Nelson, W. B. Worthen, Claudia La Rocco, Joe Kelleher, Joshua Chambers-Letson, Joshua Rains, Isaiah Matthew Wooden, Annie Dorsen
pp. 379-403
DOI: https://doi.org/10.1353/tj.2016.0072
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Convergence and Contingency: The Early Media Work of Reid Farrington

Steve Luber
pp. 405-426
DOI: https://doi.org/10.1353/tj.2016.0073
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Postdigital Performance

Matthew Causey
pp. 427-441
DOI: https://doi.org/10.1353/tj.2016.0074
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Germinal by Halory Goerger and Antoine Defoort, and: Yesterday Tomorrow by Annie Dorsen (review)

Kyle Gillette
pp. 443-446
DOI: https://doi.org/10.1353/tj.2016.0075
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The Extra People by Ant Hampton (review)

Rachel Anderson-Rabern
pp. 446-448
DOI: https://doi.org/10.1353/tj.2016.0076
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The Room by Harold Pinter (review)

Sarah Kozinn
pp. 448-450
DOI: https://doi.org/10.1353/tj.2016.0077
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At the End of My Hands by Equal Voices Arts (review)

Alys Moody
pp. 450-453
DOI: https://doi.org/10.1353/tj.2016.0078
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God Bless Baseball by Toshiki Okada (review)

Soo Ryon Yoon
pp. 453-454
DOI: https://doi.org/10.1353/tj.2016.0079
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Ameryka dir. by Nancy Keystone (review)

Karen Jean Martinson
pp. 454-456
DOI: https://doi.org/10.1353/tj.2016.0080
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Hamilton: An American Musical dir. by Thomas Kail (review)

Shannon Walsh
pp. 457-459
DOI: https://doi.org/10.1353/tj.2016.0081
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Eclipsed by Danai Gurira (review)

Katherine Jean Nigh
pp. 459-461
DOI: https://doi.org/10.1353/tj.2016.0082
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A Sudden Spontaneous Event by David Lee Nelson (review)

Vivian Appler
pp. 461-463
DOI: https://doi.org/10.1353/tj.2016.0083
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Pig Girl by Colleen Murphy (review)

Penny Farfan
pp. 463-464
DOI: https://doi.org/10.1353/tj.2016.0084
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The Reenactors by Juliana Francis Kelly (review)

Theresa Smalec
pp. 465-466
DOI: https://doi.org/10.1353/tj.2016.0085
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Waste by Harley Granville Barker (review)

Anna Andes
pp. 466-468
DOI: https://doi.org/10.1353/tj.2016.0086
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The Brothers Karamazov by Fyodor Dostoyevsky (review)

Steve Earnest
pp. 468-469
DOI: https://doi.org/10.1353/tj.2016.0087
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Beyond Borders: Twenty-Eighth Annual Dance Umbrella (review)

Loren Kruger
pp. 470-472
DOI: https://doi.org/10.1353/tj.2016.0088
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The Political Trajectories of Contemporary Irish Performance

Brian Singleton
pp. 473-481
DOI: https://doi.org/10.1353/tj.2016.0089
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Voice and New Writing, 1997–2007: Articulating the Demos by Maggie Inchley (review)

David Ian Rabey
pp. 483-484
DOI: https://doi.org/10.1353/tj.2016.0090
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The Theatre of Caryl Churchill by R. Darren Gobert (review)

Benjamin Gillespie
pp. 484-485
DOI: https://doi.org/10.1353/tj.2016.0091
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The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes by Anne García-Romero (review)

Trevor Boffone
pp. 485-486
DOI: https://doi.org/10.1353/tj.2016.0092
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Evita, Inevitably: Performing Argentina’s Female Icons Before and After Eva Perón by Jean Graham-Jones (review)

Cláudia Tatinge Nascimento
pp. 486-488
DOI: https://doi.org/10.1353/tj.2016.0093
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Food and Theatre on the World Stage ed. by Dorothy Chansky and Ann Folino White (review)

Sarah Blissett
pp. 488-489
DOI: https://doi.org/10.1353/tj.2016.0094
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Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre by Dorothy Chansky (review)

Kim Solga
pp. 489-490
DOI: https://doi.org/10.1353/tj.2016.0095
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Rooms in Dramatic Realism by Fred Miller Robinson (review)

Nevena Stojanovic
pp. 490-492
DOI: https://doi.org/10.1353/tj.2016.0096
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Ibsen’s Houses: Architectural Metaphor and the Modern Uncanny by Mark B. Sandberg (review)

Penny Farfan
pp. 492-493
DOI: https://doi.org/10.1353/tj.2016.0097
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On the Performance Front: Us Theatre and Internationalism by Charlotte M. Canning (review)

Ann Folino White
pp. 493-494
DOI: https://doi.org/10.1353/tj.2016.0098
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The Censorship of British Drama 1900–1968, Volume Two: 1933–1952 by Steve Nicholson, and: The Censorship of British Drama 1900–1968, Volume Three: the Fifties by Steve Nicholson, and: The Censorship of British Drama 1900–1968, Volume Four: the Sixties by Steve Nicholson (review)

Melissa Dana Gibson
pp. 494-496
DOI: https://doi.org/10.1353/tj.2016.0099
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Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors by Shauna Vey (review)

Jeanne Klein
pp. 496-497
DOI: https://doi.org/10.1353/tj.2016.0100
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In Praise of Theatre by Alain Badiou and Nicolas Truong (review)

Zachary Tavlin
pp. 498-499
DOI: https://doi.org/10.1353/tj.2016.0101
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Tragic Modernities by Meriam Leonard, and: Adorno and Modern Theatre: The Drama of the Damanged Self in Bond, Rudkin, Barker, and Kane by Karoline Gritzner (review)

David Krasner
pp. 499-501
DOI: https://doi.org/10.1353/tj.2016.0102
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Editorial Comment

Jen Parker-Starbuck
pp. xi-xiv
DOI: https://doi.org/10.1353/tj.2016.0069
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