In this Issue
- Volume 68, Number 3, September 2016
- Digital “Issues”: Rethinking Media in/and/as Performance
- Issue
For seven decades, Theatre Journal's broad array of scholarly articles and reviews has earned it an international reputation as one of the most authoritative and useful publications of theatre studies available today. Drawing contributions from noted practitioners and scholars, Theatre Journal features social and historical studies, production reviews, and theoretical inquiries that analyze dramatic texts and production. Theatre Journal is an official publication of the Association for Theatre in Higher Education (ATHE).
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Johns Hopkins University Pressviewing issue
Volume 68, Number 3, September 2016Table of Contents
-
Lawful Espials?: Edward Snowden’s
Hamlet - pp. 335-355
- DOI: 10.1353/tj.2016.0070
- Postdigital Performance
- pp. 427-441
- DOI: 10.1353/tj.2016.0074
-
The Extra People by Ant Hampton (review) - pp. 446-448
- DOI: 10.1353/tj.2016.0076
-
The Room by Harold Pinter (review) - pp. 448-450
- DOI: 10.1353/tj.2016.0077
-
God Bless Baseball by Toshiki Okada (review) - pp. 453-454
- DOI: 10.1353/tj.2016.0079
-
Ameryka dir. by Nancy Keystone (review) - pp. 454-456
- DOI: 10.1353/tj.2016.0080
-
Eclipsed by Danai Gurira (review) - pp. 459-461
- DOI: 10.1353/tj.2016.0082
-
Pig Girl by Colleen Murphy (review) - pp. 463-464
- DOI: 10.1353/tj.2016.0084
-
The Reenactors by Juliana Francis Kelly (review) - pp. 465-466
- DOI: 10.1353/tj.2016.0085
-
Waste by Harley Granville Barker (review) - pp. 466-468
- DOI: 10.1353/tj.2016.0086
-
The Censorship of British Drama 1900–1968, Volume Two: 1933–1952 by Steve Nicholson, and:The Censorship of British Drama 1900–1968, Volume Three: the Fifties by Steve Nicholson, and:The Censorship of British Drama 1900–1968, Volume Four: the Sixties by Steve Nicholson (review) - pp. 494-496
- DOI: 10.1353/tj.2016.0099
- Editorial Comment
- pp. xi-xiv
- DOI: 10.1353/tj.2016.0069
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