1. The Inaugural Issue of Chiricú Journal
  2. John Nieto-Phillips
  3. pp. 1-6
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  1. Taking Stock: Recent and Emerging Lines of Study in U.S.–Latina/o Cinema
  2. Jonathan Risner
  3. pp. 7-16
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  1. Fearless Speech and the Discourse of Civility in Salt of the Earth
  2. Scott Henkel, Vanessa Fonseca
  3. pp. 19-38
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  1. No Longer Hidden: Bless Me, Última and Recent Chicana/o–Latina/o Cinema
  2. A. Gabriel Meléndez
  3. pp. 39-52
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  1. Interconectividad cinematográfica: Lourdes Portillo, su proyecto ético-estético y una entrevista renarrada
  2. Romana Radlwimmer
  3. pp. 53-73
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  1. Immigration, Transnationalism, and Transmigration in Grandma Has a Video Camera
  2. Antonio Luciano Tosta
  3. pp. 74-92
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  1. Sci-Fi-ing Immigration and the U.S.-Mexico Border: An Interview with Filmmaker Alex Rivera
  2. Javier Ramirez
  3. pp. 95-105
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  1. Things and Images: Essay, Photos, and Film
  2. Edmundo Desnoes, Jennifer Boles
  3. pp. 106-123
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  1. Uncle Rod Watches Man On Fire, and: Narcissus On El Santo
  2. Nandi Comer
  3. pp. 124-128
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  1. The Sound & the Image: An Interview with Filmmaker Natalia Almada
  2. Tamara Mitchell, Brittany D. Friesner
  3. pp. 129-134
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  1. The Lone Ranger Unmasked: Zorro and the Whitewashing of the American Superhero
  2. John J. Valadez
  3. pp. 135-151
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  1. East Side Sushi by Anthony Lucero, and: The Hand that Feeds by Robin Blotnick and Rachel Lears (review)
  2. Laura Isabel Serna
  3. pp. 155-158
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  1. Crimson Peak by Guillermo del Toro (review)
  2. Bonnie Rose Opliger
  3. pp. 158-160
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  1. Borderland Films: American Cinema, Mexico, and Canada during the Progressive Era by Dominique Brégent-Heald (review)
  2. Thomas N. Phillips II
  3. pp. 163-165
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  1. Mexico on Main Street: Transnational Film Culture in Los Angeles before World War II by Colin Gunckel (review)
  2. Cynthia Martínez
  3. pp. 165-168
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