Editorial

  1. Salut au Monde!
  2. Jürgen Claus
  3. p. 378
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Leonardo Gallery

  1. Simultaneous Echoes
  2. Youngsil Sohn
  3. pp. 381-382
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  1. Drama no. 5
  2. Yongseok Oh
  3. p. 383
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  1. Early Spring Drawing—Four Seasons 2
  2. Leenam Lee
  3. p. 384
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  1. Set (American Wooden House)
  2. Mioon
  3. p. 385
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  1. Euphoric Drive
  2. Biho Ryu
  3. p. 386
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  1. Urbanwave-Fountain
  2. Jongsuk Lee
  3. p. 387
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  1. Dreaming
  2. Sangbin IM
  3. p. 388
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  1. Baum
  2. Ho-Yeol Ryu
  3. p. 389
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  1. Star Pattern Shirt
  2. Kyungwoo Han
  3. p. 390
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  1. Making Songdo
  2. Junebum Park
  3. p. 391
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  1. Cave Into The Cave: A Wild Rumor
  2. Ye Seung Lee
  3. p. 392
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Artists’ Article

  1. Soma: Live Musical Performance in Which Congruent Visual, Auditory and Proprioceptive Stimuli Fuse to Form a Combined Aesthetic Narrative
  2. Ilias Bergstrom, R. Beau Lotto
  3. pp. 397-404
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  1. Color Plate A: Soma
  2. p. 393
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Artist’s Note

  1. Intrinsic Art: A Cultural Capsule
  2. Sherban Epuré
  3. pp. 406-411
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  1. Color Plate B: Intrinsic Art
  2. p. 394
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General Articles

  1. Sciencestore: An Art Space Designed for Science
  2. Jorge Pérez-Gallego
  3. pp. 412-420
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  1. Quicker Than the Eye?
  2. Colin Williamson
  3. pp. 421-437
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  1. Color Plate C: Quicker Than The Eye?
  2. p. 395
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General Note

  1. “Progress through Novelty”: The Kavli Frontiers of Science Symposium
  2. Andrew Yang
  3. pp. 428-430
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Technical Note

  1. Application of Cellular Automata for a Generative Art System
  2. Jae Kyun Shin
  3. pp. 430-396
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  1. Color Plate D: Application of Cellular Automata For a Generative art System
  2. p. 396
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Statements

  1. Mediations on a Digital Workforce
  2. Xtine Burrough
  3. pp. 436-437
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  1. Opticks and Visual Moonbounce in Live Performance
  2. Daniela de Paulis
  3. pp. 438-439
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  1. Interactive Musical Display of Quantum Dot Emission Spectra
  2. Eathan Janney, Guillermo Muñoz-Matutano
  3. pp. 440-441
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  1. Art/Science & Big Data: Parts 1, 2 and 3
  2. Gordon Knox
  3. pp. 442-443
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Special Section of Leonardo Statements

  1. Arts, Humanities and Complex Networks
  2. Maximilian Schich, Isabel Meirelles
  3. p. 445
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  1. Mapping Paris: Social And Artistic Networks, 1855–1889
  2. Claire L. Kovacs
  3. p. 446
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  1. Idiographic Network Visualizations
  2. Giorgio Caviglia, Nicole Coleman
  3. p. 447
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  1. Network Landscape of Western Classical Music
  2. Arram Bae, Doheum Park, Juyong Park, Yong-Yeol Ahn
  3. p. 448
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  1. Echoing Narcissus: Bio-Adaptive, Game-Based Networked Performance
  2. Heidi Boisvert
  3. p. 449
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  1. The Pain of Complexity
  2. Dmitry Zinoviev
  3. p. 450
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Special Section

  1. Highlights from the IEEE VIS 2013 Arts Program (VISAP’13): Part 3
  2. Angus Forbes
  3. p. 451
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  1. Art and Science as Creative Catalysts
  2. Eleanor Gates-Stuart, Chuong Nguyen, Matt Adcock, Jay Bradley, Matthew Morell, David Lovell
  3. pp. 452-453
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  1. Representing Abstraction: Information Visualization in the Middle Ages
  2. Francis T. Marchese
  3. pp. 454-455
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Special Section: Leonardo Abstracts Service

  1. Top-Rated LABS Abstracts 2015
  2. Sheila Pinkel
  3. p. 457
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  1. On Computational Ecosystems in Media Arts
  2. Rui Filipe Antunes
  3. p. 457
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  1. Symbiogenic Experience and the Emergent Arts: Cybernetics, Art and Existential Phenomenology
  2. Carlos Castellanos
  3. p. 459
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  1. Motion Within Motion: Investigating Digital Video in Light of Substantial Motion
  2. Azadeh Emadi
  3. p. 459
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  1. Supporting Music Composition with Interactive Paper
  2. Jérémie Garcia
  3. p. 460
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  1. Communicating Science: Explorations through Science and Art
  2. Eleanor Gates-Stuart
  3. p. 460
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  1. The Artists’ Footprint: Investigating the Distinct Contributions of Artists Engaging the Public with Climate Data
  2. Rachel Jacobs
  3. p. 461
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  1. Outline of a Subversive Technopoetic: For a Libertarian Pedartgogy
  2. Francesco Monico
  3. p. 461
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  1. Exploring Naming Behavior in Personal Digital Image Collections: The Iconology and Language Games of Pinterest
  2. Tami Sutcliffe
  3. p. 462
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Leonardo Reviews

  1. Camouflage Cultures: Beyond The Art of Disappearance ed. by Ann Elias, Ross Harley, Nicholas Tsoutas (review)
  2. Michael Punt, Hannah Drayson, Dene Grigar, Mike Leggett
  3. pp. 463-464
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  1. Simple Thoughts by Peter Beyls (review)
  2. Brian Reffin Smith
  3. pp. 464-465
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  1. Life’s Engines: How Microbes Made Earth Habitable by Paul G. Falkowski (review)
  2. Cecilia Wong
  3. pp. 466-467
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  1. Mathematics and Art: A Cultural History by Lynn Gamwell (review)
  2. Phil Dyke
  3. pp. 467-468
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  1. Softimage: Towards a New Theory of the Digital Image by Ingrid Hoelzl, Rémi Marie (review)
  2. Jan Baetens
  3. pp. 468-469
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  1. The Storm of Creativity by Kyna Leski (review)
  2. Rob Harle
  3. pp. 469-470
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  1. Make It New: The History of Silicon Valley Design by Barry M. Katz (review)
  2. Jussi Parikka
  3. pp. 470-471
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  1. Past Futures: Science Fiction, Space Travel, and Postwar Art of the Americas ed. by Sarah J. Montross (review)
  2. Malgorzata Sugiera
  3. pp. 471-472
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  1. Art and Science: Works from the Collection of the Museu Nacional de Arte Antiga by Paolo Pereira (review)
  2. Jan Baetens
  3. pp. 472-473
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  1. The Experience Machine: Stan VanDerBeek’s Movie-Drome and Expanded Cinema by Gloria Sutton (review)
  2. Stephen Petersen
  3. pp. 473-474
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  1. The Leonardo Series: Drawings by Anthony Panzera Based on Leonardo da Vinci’s Work on Human Proportion by Anthony Panzera (review)
  2. Giovanna L. Costantini.
  3. pp. 475-476
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  1. Processing: A Programming Handbook for Visual Designers and Artists, Second Edition by Casey Reas, Ben Fry (review)
  2. Mike Mosher
  3. pp. 476-477
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  1. Leonardo Reviews Online
  2. p. 477
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  1. Leonardo Network News
  2. pp. 478-479
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Endnote

  1. Ars and Organological Inventions in Societies of Hyper-Control
  2. Bernard Stiegler, Colette Tron, Daniel Ross
  3. pp. 480-484
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