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In this Issue

Table of Contents

Articles

  1. Curse and Modernity: A Brief Introduction
  2. Elisabeth Strowick
  3. pp. 571-578
  4. DOI: https://doi.org/10.1353/mln.2016.0039
  5. restricted access
  1. La Malédiction: The Sentencing of Lacoue-Labarthe
  2. Avital Ronell
  3. pp. 579-600
  4. DOI: https://doi.org/10.1353/mln.2016.0040
  5. restricted access
  1. Goethe’s Archaeology of the Modern Curse (Orest, Faust, Manfred)
  2. Frauke Berndt, Sebastian Meixner, Anthony Mahler
  3. pp. 601-629
  4. DOI: https://doi.org/10.1353/mln.2016.0041
  5. restricted access
  1. Aporien von Eid und Fluch: Unmögliche Versprechen in Goethes Faust
  2. Georg Mein
  3. pp. 630-655
  4. DOI: https://doi.org/10.1353/mln.2016.0042
  5. restricted access
  1. The Curse of Technics: A Gloss on the World-Curse in Goethe’s Faust
  2. Helmut Müller-Sievers
  3. pp. 656-661
  4. DOI: https://doi.org/10.1353/mln.2016.0043
  5. restricted access
  1. Arachnid Aesthetics: Gotthelf’s Die schwarze Spinne
  2. Martha B. Helfer
  3. pp. 662-678
  4. DOI: https://doi.org/10.1353/mln.2016.0044
  5. restricted access
  1. Freuds Fluch
  2. Elisabeth Strowick
  3. pp. 679-700
  4. DOI: https://doi.org/10.1353/mln.2016.0045
  5. restricted access
  1. Fluch des Verfahrens: Karl Kraus und der “Fall Kerr”
  2. Katrin Trüstedt
  3. pp. 701-723
  4. DOI: https://doi.org/10.1353/mln.2016.0046
  5. restricted access
  1. The Irony Monster: First and Last Deity
  2. Silke-Maria Weineck
  3. pp. 724-737
  4. DOI: https://doi.org/10.1353/mln.2016.0047
  5. restricted access

Other Articles

  1. Blumenberg in Davos: The Cassirer—Heidegger Controversy Reconsidered*
  2. Anselm Haverkamp
  3. pp. 738-753
  4. DOI: https://doi.org/10.1353/mln.2016.0048
  5. restricted access
  1. The Artwork without Cardinal Direction: Notes on Orientation in Adorno
  2. Gerhard Richter
  3. pp. 754-769
  4. DOI: https://doi.org/10.1353/mln.2016.0049
  5. restricted access
  1. Hölderlin and the Romantics: The Paradigm of Writerly Necessity in Philippe Lacoue-Labarthe and Jean-Luc Nancy’s The Literary Absolute
  2. Jacob Bittner
  3. pp. 770-790
  4. DOI: https://doi.org/10.1353/mln.2016.0050
  5. restricted access
  1. Embodied Nothings: Paul Celan’s Creaturely Inclinations
  2. Natalie Lozinski-Veach
  3. pp. 791-816
  4. DOI: https://doi.org/10.1353/mln.2016.0051
  5. restricted access

Reviews

  1. The Science of Literature: Essays on an Incalculable Difference by Helmut Müller-Sievers (review)
  2. Leif Weatherby
  3. pp. 817-821
  4. DOI: https://doi.org/10.1353/mln.2016.0052
  5. restricted access
  1. The Practices of the Enlightenment: Aesthetics, Authorship and the Public by Dorothea E. von Mücke (review)
  2. Anne Fleig
  3. pp. 821-824
  4. DOI: https://doi.org/10.1353/mln.2016.0053
  5. restricted access
  1. Poetry as a Way of Life: Aesthetics and Askesis in the German Eighteenth Century by Gabriel Trop (review)
  2. Martha B. Helfer
  3. pp. 824-827
  4. DOI: https://doi.org/10.1353/mln.2016.0054
  5. restricted access
  1. Benjamin’s Passages: Dreaming, Awakening by Alexander Gelley (review)
  2. Maya Nitis
  3. pp. 827-830
  4. DOI: https://doi.org/10.1353/mln.2016.0055
  5. restricted access
  1. Wiederaufgelegt: Zur Appropriation von Texten und Büchern in Büchern ed. by Annette Gilbert, and: Reprint: Appropriation (&) Literature, Appropriationen von 1960 bis heute ed. by Annette Gilbert (review)
  2. Patrick Greaney
  3. pp. 831-832
  4. DOI: https://doi.org/10.1353/mln.2016.0056
  5. restricted access
  1. Contributors
  3. pp. 833-837
  4. DOI: https://doi.org/10.1353/mln.2016.0057
  5. restricted access