1. Editor’s Note
  2. Carolyn Kuebler
  3. pp. 6-7
  4. DOI: 10.1353/ner.2016.0058
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  1. Allegory of Art
  2. Ricardo Pau-Llosa
  3. p. 8
  4. DOI: 10.1353/ner.2016.0059
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  1. The Hardy Tree
  2. Linda Bierds
  3. pp. 9-11
  4. DOI: 10.1353/ner.2016.0060
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  1. All the Fierce Tethers
  2. Lia Purpura
  3. pp. 12-17
  4. DOI: 10.1353/ner.2016.0061
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  1. Follow-Up
  2. Chelika Yapa
  3. pp. 18-22
  4. DOI: 10.1353/ner.2016.0062
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  1. Lost Then Found Photograph of My Parents
  2. Stanley Plumly
  3. p. 23
  4. DOI: 10.1353/ner.2016.0063
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  1. Intentionally Left Blank
  2. Marie Luise Knott, Margitt Lehbert
  3. pp. 24-37
  4. DOI: 10.1353/ner.2016.0064
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  1. Crossing Through the Present
  2. Ellen Hinsey, Marie Luise Knott
  3. p. 38
  4. DOI: 10.1353/ner.2016.0065
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  1. Winter
  2. Sarah Kirsch, Anne Stokes
  3. p. 39
  4. DOI: 10.1353/ner.2016.0066
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  1. angel story
  2. Andreas Altmann, Birgit Bunzel Linder
  3. p. 40
  4. DOI: 10.1353/ner.2016.0067
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  1. Artichokes, and One of Many Moments
  2. Durs Grünbein, Karen Leeder
  3. pp. 41-42
  4. DOI: 10.1353/ner.2016.0068
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  1. Bee-Folk or the Good State, and And in the Beginning There Are Pictures
  2. Daniela Danz, Harry Roddy
  3. pp. 43-44
  4. DOI: 10.1353/ner.2016.0069
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  1. Nicosia, and Hamburg–Berlin
  2. Jan Wagner, Iain Galbraith
  3. pp. 45-46
  4. DOI: 10.1353/ner.2016.0070
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  1. [Disturbed lands]
  2. Esther Kinsky, Iain Galbraith
  3. p. 47
  4. DOI: 10.1353/ner.2016.0071
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  1. Return of Ecstasy, and Doubts about Trams, and Zakid’s Delicatessen, Bremen
  2. Peter Waterhouse, Iain Galbraith
  3. pp. 48-50
  4. DOI: 10.1353/ner.2016.0072
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  1. homeward
  2. Lutz Seiler, Alexander Booth
  3. p. 51
  4. DOI: 10.1353/ner.2016.0073
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  1. on classification in language, a feeble reader
  2. Uljana Wolf, Sophie Seita
  3. pp. 52-53
  4. DOI: 10.1353/ner.2016.0074
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  1. [Through one of the many yellow], and [Old sleep]
  2. Christine Lavant, David Chorlton
  3. pp. 54-55
  4. DOI: 10.1353/ner.2016.0075
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  1. [lullaby for all]
  2. Ulrike Almut Sandig, Karen Leeder
  3. p. 56
  4. DOI: 10.1353/ner.2016.0076
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  1. Historical Consciousness, and Legacies
  2. Günter Kunert, Gerald Chapple
  3. pp. 57-58
  4. DOI: 10.1353/ner.2016.0077
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  1. Moving Target
  2. Marius von Mayenburg, Maja Zade
  3. pp. 59-95
  4. DOI: 10.1353/ner.2016.0078
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  1. Portrait of the Sister as Phantom Limb, and Portrait of Grief as Rocking Chair
  2. Julie Marie Wade
  3. pp. 96-99
  4. DOI: 10.1353/ner.2016.0079
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  1. Shotgun Elegy
  2. Henry Kearney IV
  3. pp. 100-101
  4. DOI: 10.1353/ner.2016.0080
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  1. Crooners
  2. Ron Carlson
  3. pp. 102-111
  4. DOI: 10.1353/ner.2016.0081
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  1. Russians at the Gates
  2. Durs Grünbein, Karen Leeder
  3. pp. 112-120
  4. DOI: 10.1353/ner.2016.0082
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  1. Welcome to Mali
  2. Peter Chilson
  3. pp. 121-131
  4. DOI: 10.1353/ner.2016.0083
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  1. Irregular Plurals, and Elegy with Pyre, Match, and Father
  2. James Allen Hall
  3. pp. 132-134
  4. DOI: 10.1353/ner.2016.0084
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  1. Steyr Mannlicher
  2. Tamas Dobozy
  3. pp. 135-153
  4. DOI: 10.1353/ner.2016.0085
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  1. Blameless
  2. Leah McCormack
  3. pp. 154-168
  4. DOI: 10.1353/ner.2016.0086
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  1. Selections from World of Made and Unmade
  2. Jane Mead
  3. pp. 169-177
  4. DOI: 10.1353/ner.2016.0087
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  1. A Late Elegy for Jimmy
  2. David Mura
  3. pp. 178-179
  4. DOI: 10.1353/ner.2016.0088
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  1. Three German Cities
  2. Joseph Pearson
  3. pp. 180-185
  4. DOI: 10.1353/ner.2016.0089
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  1. Walter Bagehot (1826–1877)
  2. Stephen Donadio
  3. p. 186
  4. DOI: 10.1353/ner.2016.0090
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  1. On the Metaphysical Basis of Toleration
  2. Walter Bagehot
  3. pp. 187-189
  4. DOI: 10.1353/ner.2016.0091
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  1. Contributors’ Notes
  2. pp. 190-197
  3. DOI: 10.1353/ner.2016.0092
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