1. Butch Bodies, Big Drums: Queering North American Taiko
  2. Angela K. Ahlgren
  3. pp. 1-26
  4. DOI: 10.1353/wam.2016.0001
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  1. Vivaldi, Gasparini, Mary Magdalene, and the Women of the Pietà
  2. Robert Kintzel, Charles E. Muntz
  3. pp. 27-56
  4. DOI: 10.1353/wam.2016.0002
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  1. “Mother Superior”: Maternity and Creativity in the Work of Yoko Ono
  2. Elizabeth Ann Lindau
  3. pp. 57-76
  4. DOI: 10.1353/wam.2016.0003
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  1. Sounding Out Parameters of Intimate Publics
  2. Holly Ingleton
  3. pp. 77-87
  4. DOI: 10.1353/wam.2016.0004
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  1. Twice Erased: The Silencing of Feminisms in Her Noise
  2. Lina Džuverović
  3. pp. 88-95
  4. DOI: 10.1353/wam.2016.0005
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  1. Why Not Our Voices?
  2. Cathy Lane
  3. pp. 96-110
  4. DOI: 10.1353/wam.2016.0006
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  1. Illicit Worlds of Indian Dance: Cultures of Exclusion by Anna Morcom (review)
  2. Rumya S. Putcha
  3. pp. 111-114
  4. DOI: 10.1353/wam.2016.0007
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  1. A Feminist Ethnomusicology: Writings on Music and Gender by Ellen Koskoff (review)
  2. Sonja Lynn Downing
  3. pp. 114-118
  4. DOI: 10.1353/wam.2016.0008
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  1. Gender, Age and Musical Creativity ed. by Catherine Haworth and Lisa Colton (review)
  2. Alexandra M. Apolloni
  3. pp. 122-126
  4. DOI: 10.1353/wam.2016.0010
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  1. Letter from the Editor
  2. Ellie M. Hisama
  3. p. vii
  4. DOI: 10.1353/wam.2016.0000
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