1. Publish and Perish: Freud’s Claim to Literary Fame
  2. Liran Razinsky
  3. pp. 1-18
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  1. Contesting the Unconscious: Frederic W. Myers and Vladimir Nabokov’s Speak, Memory: An Autobiography Revisited
  2. Sara-Louise Cooper
  3. pp. 19-32
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  1. The Failure of the Parental Metaphor: A Lacanian Reading of James Joyce’s “Eveline”
  2. Josephine Sharoni
  3. pp. 33-48
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  1. Her “Bisexycle,” Her Body, and Her Self-Propulsion in Finnegans Wake
  2. Julie McCormick Weng
  3. pp. 49-66
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  1. How Disgust Works: Truman Capote’s “La Côte Basque”
  2. Douglas Dowland
  3. pp. 67-84
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  1. The Scandal of Jewish Rage in William Styron’s Sophie’s Choice
  2. Michael Lackey
  3. pp. 85-103
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  1. “Forever Just Occurring”: Postwar Belatedness in W.G. Sebald’s Austerlitz
  2. Stefanie Boese
  3. pp. 104-121
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  1. Readers Would Seek Grief: Dionne Brand’s thirsty and the Textual Legibility of Trauma
  2. Tesla Schaeffer
  3. pp. 122-138
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  1. Alison Bechdel and Crip-Feminist Autobiography
  2. Cynthia Barounis
  3. pp. 139-161
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  1. Temple Grandin’s Squeeze Machine as Prosthesis
  2. Maria Almanza
  3. pp. 162-175
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  1. Modernist Violence
  2. Marian Eide
  3. pp. 176-179
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  1. The Varieties of Impersonal Experience
  2. Robert Volpicelli
  3. pp. 180-186
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  1. Productive Dialogues across Disciplines: Literature and Empathy Studies
  2. Janina Levin
  3. pp. 187-192
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  1. Editor’s Introduction: Trauma & Psychology
  2. Jean-Michel Rabaté
  3. pp. v-vii
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