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In this Issue

Table of Contents

  1. The Widder Mercer
  2. Davis McCombs
  3. pp. 1-2
  4. restricted access
  1. Found Downriver
  2. Davis McCombs
  3. pp. 3-4
  4. restricted access
  1. Exquisite, Exemplary
  2. Christopher Merkner
  3. pp. 5-17
  4. restricted access
  1. Groomed Water Descending in Prisms
  2. Diane Mehta
  3. p. 18
  4. restricted access
  1. The War Reporter Paul Watson Rewinds the Film
  2. Dan O’Brien
  3. pp. 19-20
  4. restricted access
  1. The War Reporter Paul Watson and the Girl and the Mountain of Nothing
  2. Dan O’Brien
  3. p. 21
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  1. Palatino
  2. Christian Prigent, Claire Eder
  3. pp. 22-23
  4. restricted access
  1. Cappella Sistina
  2. Christian Prigent, Claire Eder
  3. pp. 24-29
  4. restricted access
  1. Void if
  2. Laura Bylenok
  3. p. 30
  4. restricted access
  1. Bettina Bergery: The Archivist of the Ephemeral
  2. Mary Blume
  3. pp. 31-48
  4. restricted access
  1. Phloem Poem
  2. Luke Daly
  3. pp. 49-50
  4. restricted access
  1. When Presidents Surf Porn Theorem
  2. David McDannald
  3. pp. 51-52
  4. restricted access
  1. The Red Bird
  2. Ed Skoog
  3. pp. 53-56
  4. restricted access
  1. Cravings
  2. David Thacker
  3. p. 57
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  1. Consistencia, and: Accuracy
  2. Santiago Vizcaíno, Alexis Levitin
  3. pp. 58-61
  4. restricted access
  1. El Carbón Del Fuego, and: Embers
  2. Santiago Vizcaíno, Alexis Levitin
  3. pp. 62-63
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  1. Peonies
  2. Jamie Fisher
  3. pp. 64-79
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  1. Evidence
  2. Brittany Cavallaro
  3. p. 80
  4. restricted access
  1. Frame It
  2. Alice Friman
  3. p. 81
  4. restricted access
  1. When Did We First
  2. Alice Friman
  3. pp. 82-83
  4. restricted access
  1. New Neighbors
  2. Ryan Ruff Smith
  3. pp. 84-98
  4. restricted access
  1. Lucky Me (A Love Song)
  2. Jon Loomis
  3. pp. 99-100
  4. restricted access
  1. Legoland
  2. Jon Loomis
  3. pp. 101-102
  4. restricted access
  1. Poem in Which Nothing is Left but Survivor’s Guilt
  2. Matthew Westbrook
  3. p. 103
  4. restricted access
  1. Cottonmouths
  2. Brian Barker
  3. p. 104
  4. restricted access
  1. Daddy Longlegs
  2. Brian Barker
  3. p. 105
  4. restricted access
  1. A Poem for Sally
  2. Alan Michael Parker
  3. pp. 106-107
  4. restricted access
  1. After a Time, Time
  2. Susan Comninos
  3. pp. 108-109
  4. restricted access
  1. What the Grea T-Grandmother Believes in
  2. Judy Brackett
  3. pp. 110-111
  4. restricted access
  1. Friends
  2. Youmi Park
  3. pp. 112-121
  4. restricted access
  1. From Letanía Enel Huerto, and: From Litany in the Garden
  2. Pura López Colomé, Dan Bellm
  3. pp. 122-127
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  1. Portrait of the Artist as the Local Punk Band, the Snotty Cocks, at Their First Real Gig
  2. Patrick Whitfill
  3. pp. 128-129
  4. restricted access
  1. If These Should Hold Their Peace
  2. Derick Mattern
  3. p. 130
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  1. The World Will Not Break My Heart
  2. Andrew Grace
  3. pp. 131-132
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  1. Homophonies (XXXV–LI)
  2. David Welch
  3. pp. 133-135
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  1. From Hoy: CIV
  2. Juan Gelman, Lisa Rose Bradford
  3. pp. 136-137
  4. restricted access
  1. From Hoy: LXXXVIII
  2. Juan Gelman, Lisa Rose Bradford
  3. pp. 138-139
  4. restricted access
  1. After Balthus’ the Street
  2. Adam Vines
  3. p. 140
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  1. Two Bananas
  2. Thomas Pierce
  3. pp. 141-151
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  1. Visitation
  2. Mary Austin Speaker
  3. pp. 152-153
  4. restricted access
  1. The Falling-Down Dance
  2. Mary Austin Speaker
  3. p. 154
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  1. Closet Play
  2. Rebecca Lilly
  3. p. 155
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  1. W Ciemnych Grzywach Koni, and: In the Horses’ Dark Manes
  2. Lidia Kosk, Danuta Kosk-Kosicka
  3. pp. 156-159
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  1. הנזירה רקפת, and: The Nun Called Cyclamen
  2. Moshe Dor, Barbara Goldberg, Moshe Dor
  3. pp. 160-161
  4. restricted access
  1. אבן, and: Stone
  2. Moshe Dor, Barbara Goldberg, Moshe Dor
  3. pp. 162-163
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  1. The Trial: Circuit Court of Baltimore City
  2. Hilary Jacqmin
  3. pp. 164-165
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  1. Extra
  2. Emma Smith-Stevens
  3. pp. 166-168
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  1. Live Through This
  2. Emma Smith-Stevens
  3. pp. 169-173
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  1. 13 Ways of Looking at Wang Wei
  2. Sidney Wade
  3. pp. 174-178
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  1. The Marathons
  2. Amy Scharmann
  3. p. 183
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  1. Notes on Contributors
  2. pp. 180-182
  3. restricted access