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Table of Contents

  1. Rogues in the Postcolony: Chris Abani’s GraceLand and the Petro-Picaresque1
  2. Stacey Balkan
  3. pp. 18-37
  4. DOI: https://doi.org/10.2979/globalsouth.9.2.02
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  1. “The Sea Spits Out Corpses”: Peripherality, Genre, and Affect in the Cosmopolitan Mediterranean
  2. Gretchen Head
  3. pp. 38-59
  4. DOI: https://doi.org/10.2979/globalsouth.9.2.03
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  1. Phú Mỹ HӇng and the Contradictions of the Urban Media Ecology
  2. Anne Cong-Huyen
  3. pp. 60-84
  4. DOI: https://doi.org/10.2979/globalsouth.9.2.04
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  1. Calcutta and the Modern Woman: Reading the Films Mahanagar and Kahaani
  2. Mary N. Woods
  3. pp. 85-102
  4. DOI: https://doi.org/10.2979/globalsouth.9.2.05
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  1. The Frivolous Scene: Cosmopolitan Amusements in Mexico City’s 1920s
  2. Paulina Suárez-Hesketh
  3. pp. 103-130
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  1. Introduction: New Images of the City
  2. Leigh Anne Duck, Sabine Haenni
  3. pp. 1-17
  4. DOI: https://doi.org/10.2979/globalsouth.9.2.01
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