1. Encountering the Archive in Katja Petrowskaja’s Vielleicht Esther
  2. Dora Osborne
  3. pp. 255-272
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  1. Thomas Mann im Fernsehen der DDR: Peter Vogels Verfilmung des Kleinen Herrn Friedemann
  2. Yahya Elsaghe
  3. pp. 273-293
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  1. The Absurd and Storytelling in Uwe Timm’s Johannisnacht and Rot
  2. Gary L. Baker
  3. pp. 294-307
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  1. Subverting Injurious Language: How Ilse Aichinger’s Narratological Strategies Liberate the Protagonist of “Spiegelgeschichte”
  2. Claire E. Scott
  3. pp. 308-325
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  1. The Tragedy of Fatherhood: King Laius and the Politics of Paternity in the West by Silke-Maria Weineck (review)
  2. Claudia Nitschke
  3. pp. 332-334
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  1. Mysticism and Reform, 1400–1750 eds. by Sara S. Poor and Nigel Smith (review)
  2. Barbara Newman
  3. pp. 334-337
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  1. Das Artikulierte und das Inartikulierte. Eine Archäologie strukturalistischen Denkens by Markus Wilczek (review)
  2. Gesa Frömming
  3. pp. 337-340
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  1. The Fleeting Promise of Art: Adorno’s Aesthetic Theory Revisited by Peter Uwe Hohendahl (review)
  2. Karin Bauer
  3. pp. 341-343
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  1. Germany: Memories of a Nation by Neil MacGregor, and: Germany: Memories of a Nation by Neil MacGregor (review)
  2. Daniela Roth, James M. Skidmore
  3. pp. 343-346
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  1. The Counter-Cinema of the Berlin School by Marco Abel (review)
  2. Angelica Fenner
  3. pp. 346-349
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  1. The Autobiographical Turn in Germanophone Documentary and Experimental Film eds. by Robin Curtis and Angelica Fenner (review)
  2. Helen Hughes
  3. pp. 349-351
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