In this Issue

Table of Contents

How and What to Recollect: Political and Curative Storytelling in Silko’s Ceremony

Jin Man Jeong
pp. 1-17
DOI: https://doi.org/10.1353/mos.2016.a630341
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Robby the Robot and Robotic Persistence

J. P. Telotte
pp. 19-37
DOI: https://doi.org/10.1353/mos.2016.a630342
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Third Culture Time and Place: Michael Ondaatje’s The Cat’s Table

Antje M. Rauwerda
pp. 39-53
DOI: https://doi.org/10.1353/mos.2016.a630343
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“Un tissu de mots”: Writing Human and Animal Life in Olivia Rosenthal’s Que font les rennes après Noël ?

Joseph Mai
pp. 55-70
DOI: https://doi.org/10.1353/mos.2016.a630344
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The Ancient Egyptian Context of The Alexandria Quartet

Bruce Redwine
pp. 71-90
DOI: https://doi.org/10.1353/mos.2016.a630345
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Eleanor Catton’s The Rehearsal: Theatrical Fantasy and the Gaze

Graham Wolfe
pp. 91-108
DOI: https://doi.org/10.1353/mos.2016.a630346
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The Vietnamese American “Model Orphan” in Aimee Phan’s We Should Never Meet

Emily Cheng
pp. 109-125
DOI: https://doi.org/10.1353/mos.2016.a630347
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The Morgan Loans, Baku Oil, and Woodrow Wilson: How Valid Were John Dos Passos’s Claims in 1919?

Milton A. Cohen
pp. 127-141
DOI: https://doi.org/10.1353/mos.2016.a630348
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What Counts: Social Drama and Connectedness in Flannery O’Connor’s “The River” and “Revelation”

Irene Visser
pp. 143-158
DOI: https://doi.org/10.1353/mos.2016.a630349
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Bakhtinian Polyphony in Godard’s King Lear

Keith Harrison
pp. 159-178
DOI: https://doi.org/10.1353/mos.2016.a630350
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Introduction

Dawne McCance
pp. v-vi
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