1. How and What to Recollect: Political and Curative Storytelling in Silko’s Ceremony
  2. Jin Man Jeong
  3. pp. 1-17
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  1. Robby the Robot and Robotic Persistence
  2. J. P. Telotte
  3. pp. 19-37
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  1. Third Culture Time and Place: Michael Ondaatje’s The Cat’s Table
  2. Antje M. Rauwerda
  3. pp. 39-53
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  1. “Un tissu de mots”: Writing Human and Animal Life in Olivia Rosenthal’s Que font les rennes après Noël ?
  2. Joseph Mai
  3. pp. 55-70
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  1. The Ancient Egyptian Context of The Alexandria Quartet
  2. Bruce Redwine
  3. pp. 71-90
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  1. Eleanor Catton’s The Rehearsal: Theatrical Fantasy and the Gaze
  2. Graham Wolfe
  3. pp. 91-108
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  1. The Vietnamese American “Model Orphan” in Aimee Phan’s We Should Never Meet
  2. Emily Cheng
  3. pp. 109-125
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  1. The Morgan Loans, Baku Oil, and Woodrow Wilson: How Valid Were John Dos Passos’s Claims in 1919?
  2. Milton A. Cohen
  3. pp. 127-141
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  1. What Counts: Social Drama and Connectedness in Flannery O’Connor’s “The River” and “Revelation”
  2. Irene Visser
  3. pp. 143-158
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  1. Bakhtinian Polyphony in Godard’s King Lear
  2. Keith Harrison
  3. pp. 159-178
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  1. Introduction
  2. Dawne McCance
  3. pp. v-vi
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