Features

  1. Funding: More Than Just Money
  2. Nicholas Hanson
  3. pp. 5-6
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  1. On the Drama of Canadian Public Arts Funding: An Analysis of Justin Trudeau’s Mandate Letter to Mélanie Joly
  2. Fannina Waubert de Puiseau
  3. pp. 7-11
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  1. New Pie and More Pie—Funding for Canada Council for the Arts: An Interview with Guylaine Normandin and Geneviève Vallerand
  2. Darrah Teitel
  3. pp. 12-15
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  1. Addressing the Cost Barrier: Downstage’s Pay-It-Forward Program
  2. Simon Mallett, Ellen Close
  3. pp. 16-21
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  1. Risk and Resilience: Models for Personal Finance and the Arts
  2. Natasha Mytnowych
  3. pp. 22-25
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  1. Our Heart and Soul: Social Value and the St. John’s Funding Cuts
  2. Johanna Lawrie
  3. pp. 26-30
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  1. The Numbers Game
  2. Brad Lepp
  3. pp. 31-33
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  1. Including the Inclusive: An Online Conversation with Col Cseke, Hope McIntyre, Majdi Bou-Matar, and Kate Rubin
  2. Col Cseke, Hope McIntyre, Majdi Bou-Matar, Kate Rubin
  3. pp. 34-39
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  1. Vancouverism and Its Cultural Amenities: The View from Here
  2. Peter Dickinson
  3. pp. 40-47
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  1. Job Opportunity: Director of Development, Fundraising, Marketing, Communications, Corporate Sponsorship, and Government Relations
  2. Canadian Shield Theatre
  3. pp. 48-49
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  1. A Magic Wand
  2. Carly Maga
  3. pp. 50-53
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  1. The Newfoundland and Labrador Folk Festival, a Case Study of Growth, Staging Place, and the Not-for-Profit Reality
  2. Maile Graham-Laidlaw
  3. pp. 54-58
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Script

  1. The Money Tree
  2. Robert Watson
  3. pp. 60-73
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Views and Reviews

  1. Editorial
  2. J. Paul Halferty
  3. pp. 74-75
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  1. Dance Dramaturgy: Expanding the Discourse
  2. Synne Behrndt
  3. pp. 76-78
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  1. Questions That Emerge in Dramaturgy in Motion
  2. DD Kugler
  3. pp. 79-81
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  1. Performing the Global City
  2. Alison L. Bain
  3. pp. 82-84
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  1. A Collaborative Director Prepares: Ric Knowles’s Fundamentals of Directing
  2. Emily A. Rollie
  3. pp. 85-88
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Online Feature

From coast to coast to coast, our nation’s theatre artists are facing increasingly precarious living and working conditions. Nevertheless, artists and arts organizations are demonstrating imagination and innovation in the conception and implementation of new ways to pay the bills. The online slideshow documents some of the inventive methods used by artists and organizations to fund their projects despite challenging financial circumstances. Organized in three parts, the slideshow celebrates the artist-activists who’ve protested funding cutbacks and theatre closings, highlights creative approaches to the operation of performance venues, and shares some novel project-based fundraising techniques. http://www.utpjournals.press/toc/ctr/167