1. Shakespeare and the Auteurs: Rethinking Adaptation through the Director’s Cinema
  2. Greg M. Colón Semenza
  3. pp. 353-371
  4. DOI: 10.1353/shb.2016.0031
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. The Greatest Shakespeare Film Never Made: Textualities, Authorship, and Archives
  2. Anthony Guneratne
  3. pp. 391-412
  4. DOI: 10.1353/shb.2016.0033
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. The Auteur Affect: ‘Forces of Encounter’ between Shakespeare and Kurosawa in The Bad Sleep Well
  2. Felicity Gee
  3. pp. 413-432
  4. DOI: 10.1353/shb.2016.0034
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. “An élan of the soul”?: Counter-cinema and Deepa Mehta’s Water
  2. Courtney Lehmann
  3. pp. 433-450
  4. DOI: 10.1353/shb.2016.0035
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Shakespeare and the Indie Auteur: Michael Almereyda and James Gray
  2. Douglas M. Lanier
  3. pp. 451-468
  4. DOI: 10.1353/shb.2016.0036
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. The Shakespearean Auteur and the Televisual Medium
  2. Ramona Wray
  3. pp. 469-485
  4. DOI: 10.1353/shb.2016.0037
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Laurence Olivier
  2. Jennifer Barnes
  3. pp. 487-491
  4. DOI: 10.1353/shb.2016.0038
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Orson Welles
  2. Katharine P. Ormsby
  3. pp. 491-495
  4. DOI: 10.1353/shb.2016.0039
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Akira Kurosawa
  2. Eric C. Brown
  3. pp. 496-499
  4. DOI: 10.1353/shb.2016.0040
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Vishal Bhardwaj
  2. Amy Rodgers
  3. pp. 500-504
  4. DOI: 10.1353/shb.2016.0041
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Julie Taymor
  2. Niamh J. O’Leary
  3. pp. 504-509
  4. DOI: 10.1353/shb.2016.0042
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Merchant and Jew at the Royal Shakespeare Company
  2. Laura Grace Godwin
  3. pp. 511-520
  4. DOI: 10.1353/shb.2016.0043
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Macbeth by Berkeley Repertory Theatre at the Roda Theatre (review)
  2. Carla Della Gatta
  3. pp. 521-524
  4. DOI: 10.1353/shb.2016.0044
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. American Moor by Keith Hamilton Cobb at the Phoenix Theater (review)
  2. Kim F. Hall
  3. pp. 524-528
  4. DOI: 10.1353/shb.2016.0045
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. King Lear by Sydney Theatre Company at the Roslyn Packer Theatre (review)
  2. Jennifer Mae Hamilton
  3. pp. 528-533
  4. DOI: 10.1353/shb.2016.0046
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. The Two Gentlemen of Verona by salon:collective at the Cockpit Theatre (review)
  2. Joseph M. Ortiz
  3. pp. 533-537
  4. DOI: 10.1353/shb.2016.0047
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. John Bell, Shakespeare and the Quest for a New Australian Theatre by Adrian Kiernander (review)
  2. Victoria Bladen
  3. pp. 547-550
  4. DOI: 10.1353/shb.2016.0050
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Interlinguicity, Internationality, and Shakespeare ed. by Michael Saenger (review)
  2. Mary Elaine Vansant
  3. pp. 550-552
  4. DOI: 10.1353/shb.2016.0051
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents