In this Issue

Table of Contents

Music, Meditation, and Martyrdom in a Seventeenth-Century English Seminary

Andrew Cichy
pp. 205-220
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Handel, Walsh, and the Publication of ‘Messiah’

Donald Burrows
pp. 221-248
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Beethoven within Grasp: The Nineteenth-Century Reception of ‘Adelaide’

Jennifer Ronyak
pp. 249-276
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Francis Poulenc’s ‘Dialogues des Carmélites’: Faith, Ideology, Love

Steven Huebner
pp. 277-315
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‘Furchtlos Weiter’: Stockhausen’s Written Legacy

Paul V. Miller
pp. 316-326
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Music and Riddle Culture in the Renaissance by Katelijne Schiltz (review)

Jason Stoessel
pp. 327-329
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Motets and Anthems by Richard Dering (review)

Peter Leech
pp. 329-332
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Johann Mattheson’s Pièces de clavecin and Das neu-eröffnete Orchestre by Margaret Seares (review)

John McKean
pp. 332-333
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Mozart Studies 2 ed. by Simon P. Keefe (review)

David Schroeder
pp. 333-335
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Beethoven’s Theatrical Quartets: Opp. 59, 74, and 95 by Nancy November (review)

Stephen Rumph
pp. 335-337
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Schubert’s Beethoven Project by John M. Gingerich (review)

Anne M. Hyland
pp. 337-340
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The Player Piano and the Edwardian Novel by Cecilia Björkén-Nyberg, and: Music in the Georgian Novel by Pierre Dubois (review)

Lawrence Woof
pp. 340-344
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Women and the Nineteenth-Century Lied ed. by Aisling Kenny and Susan Wollenberg (review)

Marcia J. Citron
pp. 344-347
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Michael Costa: England’s First Conductor. The Revolution in Musical Performance in England, 1830–1880 by John Goulden (review)

Peter Holman
pp. 347-349
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Liszt’s Final Decade by Dolores Pesce (review)

Joanne Cormac
pp. 349-351
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Wagner in Russia, Poland and the Czech Lands: Musical, Literary, and Cultural Perspectives ed. by Stephen Muir and Anastasia Belina-Johnson (review)

Tamsin Alexander
pp. 351-353
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The Operas of Giuseppe Verdi by Abramo Basevi (review)

Chloe Valenti
pp. 353-355
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Bizet by Hugh Macdonald, and: The Bizet Catalogue by Hugh Macdonald (review)

Clair Rowden
pp. 355-356
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Camille Saint-Saëns et le politique de 1870 à 1921: Le drapeau et la lyre by Stéphane Leteuré (review)

Sabina Teller Ratner
pp. 356-358
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The Music of Frank Bridge by Fabian Huss (review)

Ben Earle
pp. 358-360
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Music behind Barbed Wire. A Diary of Summer 1940 by Hans Gál (review)

Florian Scheding
pp. 360-362
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Musical Witness and Holocaust Representation by Amy Lynn Wlodarski (review)

Nick Strimple
pp. 362-364
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Classical Music in the German Democratic Republic: Production and Reception ed. by Kyle Frackman and Larson Powell (review)

Elaine Kelly
pp. 364-366
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Music in America’s Cold War Diplomacy by Danielle Fosler-Lussier, and: Virtuosi Abroad: Soviet Music and Imperial Competition during the Early Cold War, 1945–1958 by Kiril Tomoff (review)

Pauline Fairclough
pp. 366-373
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Claude Vivier: A Composer’s Life by Bob Gilmore (review)

Jonathan Goldman
pp. 373-375
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Korea and the Western Drumset: Scattering Rhythms by Simon Barker (review)

Shzr Ee Tan
pp. 375-376
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‘Music & Letters’ Awards

p. 379
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Authors of Articles in this Issue

p. 379
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Books Received

pp. 380-382
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