In this Issue

Table of Contents

Mirror, Mirror, on the Wall: The Mirror Effect in Jean Anouilh’s Le voyageur sans bagage

Hope Christiansen
pp. 267-284
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Meta-Melodrama: Branden Jacobs-Jenkins Appropriates Dion Boucicault’s The Octoroon

Verna A. Foster
pp. 285-305
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Compromised Epistemologies: The Ethics of Historiographic Metatheatre in Tom Stoppard’s Travesties and Arcadia

Phillip Zapkin
pp. 306-326
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Broken Glass: Fifty Years Forward to the Past

Terry Otten
pp. 327-342
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Freedom as Praxis: Migdalia Cruz’s Fur and the Emancipation of Caliban’s Woman

Armando García
pp. 343-362
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Uncanny Repetitions in Lillian Hellman’s The Children’s Hour

Neil Cocks
pp. 363-379
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Playing God: The Bible on the Broadway Stage by Henry Bial (review)

Rebecca Kastleman
pp. 380-382
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British Drama of the Industrial Revolution by Frederick Burwick (review)

Alex Eric Hernandez
pp. 382-385
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Sharon Pollock: First Woman of Canadian Theatre ed. by Donna Coates (review)

Rosalind Kerr
pp. 385-387
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Contemporary Black British Playwrights: Margins to Mainstream by Lynette Goddard (review)

Nicola Abram
pp. 387-390
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Radical Contemporary Theatre Practices by Women in Ireland eds. by Miriam Haughton and Mária Kurdi (review)

Elizabeth Mannion
pp. 390-393
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After Live: Possibility, Potentiality, and the Future of Performance by Daniel Sack (review)

Jennifer Parker-Starbuck
pp. 393-396
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Ibsen’s Houses: Architectural Metaphor and the Modern Uncanny by Mark B. Sandberg (review)

Sos Eltis
pp. 396-398
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Editor’s Note

p. iv
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