1. Choreography, Aesthetics, and State Violence
  2. Mark Franko
  3. pp. 1-2
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  1. German Gymnastics, Modern German Dance, and Nazi Aesthetics
  2. Marion Kant
  3. pp. 3-25
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  1. Wigman’s Witches: Reformism, Orientalism, Nazism
  2. Alexandra Kolb
  3. pp. 26-43
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  1. Dancing Argentine Modernity: Imagined Indigenous Bodies on the Buenos Aires Concert Stage (1915–1966)
  2. Victoria Fortuna
  3. pp. 44-60
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  1. Dance as Documentary: Conflictual Images in the Choreographic Mirror (On Archive by Arkadi Zaides)
  2. Frédéric Pouillaude
  3. pp. 80-94
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  1. To Be Continued: An Exchange on Tiffany Barber’s “Ghostcatching and After Ghostcatching, Dances in the Dark”
  2. Alessandra Nicifero
  3. pp. 95-98
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  1. Letter to the Editor
  2. Paul Kaiser
  3. pp. 99-100
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  1. Response to Paul Kaiser’s Letter to the Editor
  2. Tiffany E. Barber, Carter G. Woodson
  3. pp. 100-102
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  1. French Interwar Dance Theory
  2. Mark Franko
  3. pp. 103-110
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  1. Indian Modern Dance, Feminism, and Nationalism by Prarthana Purkayastha (review)
  2. Anurima Banerji
  3. pp. 111-116
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  1. Dancing Genius: The Stardom of Vaslav Nijinsky by Hanna Järvinen (review)
  2. Carrie Gaiser Casey
  3. pp. 116-119
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  1. Multiplicity, Embodiment and the Contemporary Dancer: Moving Identities by Jennifer Roche (review)
  2. Vida Midgelow
  3. pp. 119-121
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  1. Motion and Representation: The Language of Human Movement by Nicolas Salazar Sutil (review)
  2. Eric Mullis
  3. pp. 121-124
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