1. Caesar as Comic Antichrist: Shakespeare’s Julius Caesar and the Medieval English Stage Tyrant
  2. Patrick Gray
  3. pp. 1-31
  4. DOI: 10.1353/cdr.2016.0010
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  1. From Many Lives a Single Play: The Case of Saint Margaret and the Dragon
  2. Vicki L. Hamblin
  3. pp. 33-61
  4. DOI: 10.1353/cdr.2016.0012
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  1. Stage Prayer in Marlowe and Jonson
  2. John D. Cox
  3. pp. 63-80
  4. DOI: 10.1353/cdr.2016.0001
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  1. Among Actions, Objects, and Ideas: The Telescope in Thomas Tomkis’s Albumazar
  2. Vivian Appler
  3. pp. 81-105
  4. DOI: 10.1353/cdr.2016.0003
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  1. Commedia dell’Arte and the Mediterranean: Charting Journeys and Mapping “Others.” by Erith Jaffe-Berg (review)
  2. Linda L. Carroll
  3. pp. 107-110
  4. DOI: 10.1353/cdr.2016.0005
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  1. Staging England in the Elizabethan History Play: Performing National Identity by Ralf Hertel (review)
  2. Kristen Deiter
  3. pp. 110-113
  4. DOI: 10.1353/cdr.2016.0007
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  1. Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power by Frode Helland (review)
  2. Amy Holzapfel
  3. pp. 114-117
  4. DOI: 10.1353/cdr.2016.0009
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  1. All Dressed Up: Modern Irish Historical Pageantry by Joan Fitzpatrick Dean (review)
  2. Michael P. Jaros
  3. pp. 117-120
  4. DOI: 10.1353/cdr.2016.0011
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  1. Shakespeare’s Curse: The Aporias of Ritual Exclusion in Early Modern Royal Drama by Björn Quiring (review)
  2. Emily King
  3. pp. 120-123
  4. DOI: 10.1353/cdr.2016.0000
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  1. Controversy in French Drama: Molière’s Tartuffe and the Struggle for Influence by Julia Prest (review)
  2. Daniel Smith
  3. pp. 125-128
  4. DOI: 10.1353/cdr.2016.0004
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  1. Brief Notices
  2. pp. 129-131
  3. DOI: 10.1353/cdr.2016.0006
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  1. Contributors
  2. pp. 133-134
  3. DOI: 10.1353/cdr.2016.0008
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