In this Issue

Table of Contents

Caesar as Comic Antichrist: Shakespeare’s Julius Caesar and the Medieval English Stage Tyrant

Patrick Gray
pp. 1-31
DOI: https://doi.org/10.1353/cdr.2016.0010
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From Many Lives a Single Play: The Case of Saint Margaret and the Dragon

Vicki L. Hamblin
pp. 33-61
DOI: https://doi.org/10.1353/cdr.2016.0012
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Stage Prayer in Marlowe and Jonson

John D. Cox
pp. 63-80
DOI: https://doi.org/10.1353/cdr.2016.0001
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Among Actions, Objects, and Ideas: The Telescope in Thomas Tomkis’s Albumazar

Vivian Appler
pp. 81-105
DOI: https://doi.org/10.1353/cdr.2016.0003
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Commedia dell’Arte and the Mediterranean: Charting Journeys and Mapping “Others.” by Erith Jaffe-Berg (review)

Linda L. Carroll
pp. 107-110
DOI: https://doi.org/10.1353/cdr.2016.0005
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Staging England in the Elizabethan History Play: Performing National Identity by Ralf Hertel (review)

Kristen Deiter
pp. 110-113
DOI: https://doi.org/10.1353/cdr.2016.0007
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Ibsen in Practice: Relational Readings of Performance, Cultural Encounters and Power by Frode Helland (review)

Amy Holzapfel
pp. 114-117
DOI: https://doi.org/10.1353/cdr.2016.0009
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All Dressed Up: Modern Irish Historical Pageantry by Joan Fitzpatrick Dean (review)

Michael P. Jaros
pp. 117-120
DOI: https://doi.org/10.1353/cdr.2016.0011
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Shakespeare’s Curse: The Aporias of Ritual Exclusion in Early Modern Royal Drama by Björn Quiring (review)

Emily King
pp. 120-123
DOI: https://doi.org/10.1353/cdr.2016.0000
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King John (Mis)Remembered: The Dunmow Chronicle, the Lord Admiral’s Men, and the Formation of Cultural Memory by Igor Djordjevic (review)

Tom Rutter
pp. 123-125
DOI: https://doi.org/10.1353/cdr.2016.0002
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Controversy in French Drama: Molière’s Tartuffe and the Struggle for Influence by Julia Prest (review)

Daniel Smith
pp. 125-128
DOI: https://doi.org/10.1353/cdr.2016.0004
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Brief Notices

pp. 129-131
DOI: https://doi.org/10.1353/cdr.2016.0006
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Contributors

pp. 133-134
DOI: https://doi.org/10.1353/cdr.2016.0008
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