1. Dying for Love: Eros and Violence in Lopean Drama
  2. João Sedycias
  3. pp. 1-17
  4. DOI: 10.1353/boc.2016.0015
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Juana de Austria como modelo de feminidad regia en La hija de Carlos Quinto de Mira de Amescua
  2. Carmen Saen de Casas
  3. pp. 19-38
  4. DOI: 10.1353/boc.2016.0005
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Some Stylistic Hallmarks in the Dramatic Works of Juan Ruiz de Alarcón
  2. John T. Cull
  3. pp. 39-64
  4. DOI: 10.1353/boc.2016.0010
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. La comedia del marqués de los Vélez: La representación de la guerra de secesión catalana
  2. Conxita Domènech
  3. pp. 65-84
  4. DOI: 10.1353/boc.2016.0008
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. La firmeza en el ausencia de Leonor de la Rúa Cueva y Silva: De profeminismo a speculum principum
  2. A. Robert Lauer, Sharon D. Voros
  3. pp. 85-101
  4. DOI: 10.1353/boc.2016.0004
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Piedad, Rigor, and Kabbalah in Calderón’s La vida es sueño and Los cabellos de Absalón
  2. Emily Foss
  3. pp. 131-158
  4. DOI: 10.1353/boc.2016.0012
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. “La verdad que adoro es la que niego”: Symbolism and Sophistry in Calderón’s La cisma de Inglaterra
  2. Roy Norton
  3. pp. 159-177
  4. DOI: 10.1353/boc.2016.0013
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. La mojiganga dramática en el contexto de la fiesta barroca
  2. Tania de Miguel Magro
  3. pp. 179-195
  4. DOI: 10.1353/boc.2016.0007
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. The Teatro Cervantes in Alcalá: CHAPTER 3 The 1990s:Recovery and Restoration
  2. John J. Allen
  3. pp. 197-222
  4. DOI: 10.1353/boc.2016.0002
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Unruly Women: Performance, Penitence, and Punishment in Early Modern Spain by Margaret E. Boyle (review)
  2. Rosie Seagraves
  3. pp. 223-225
  4. DOI: 10.1353/boc.2016.0014
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Amar por arte mayor by Tirso de Molina (review)
  2. Dian Fox
  3. pp. 226-228
  4. DOI: 10.1353/boc.2016.0000
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. ¡Fiesta!
  2. Emily Tobey
  3. pp. 235-237
  4. DOI: 10.1353/boc.2016.0017
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. 2015 International Siglo de Oro Drama Festival Coordinated by Anna-Lisa Halling
  2. Anna-Lisa Halling
  3. pp. 235-253
  4. DOI: 10.1353/boc.2016.0003
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. El Buscón
  2. Electra Gamón Fielding
  3. pp. 238-240
  4. DOI: 10.1353/boc.2016.0018
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. El coloquio de los perros
  2. Jared S. White
  3. pp. 241-234
  4. DOI: 10.1353/boc.2016.0019
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. El amor enamorado
  2. Judith Caballero
  3. pp. 243-247
  4. DOI: 10.1353/boc.2016.0020
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Villa y Corte—The Music of Goya
  2. Benjamin Gunter
  3. pp. 248-253
  4. DOI: 10.1353/boc.2016.0016
  5. restricted access
    • View HTML View
    • Download PDF Download
    contents
  1. Editor’s Note
  2. p. ix
  3. DOI: 10.1353/boc.2016.0011
  4. restricted access
    • View HTML View
    • Download PDF Download
    contents