In this Issue

Table of Contents

From the Editor

Kathy Foley
p. v
DOI: https://doi.org/10.1353/atj.2016.0043
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In Memoriam

Celebration of Life for James R. Brandon

Elizabeth Wichmann-Walczak
pp. 259-263
DOI: https://doi.org/10.1353/atj.2016.0048
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Asep Sunandar Sunarya: Dalang of Wayang Golek Sunda (1955–2014)

Arthur S. Nalan
pp. 264-269
DOI: https://doi.org/10.1353/atj.2016.0053
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Translation

Timizi nu in (The Bond of Water in Hands): An Early Modern Ryūkyūan Kumi Odori, as Staged by the National Theatre Okinawa

James Rhys Edwards, James Rhys Edwards, Nakazato Masao
pp. 270-309
DOI: https://doi.org/10.1353/atj.2016.0029
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TIMIZI NU IN (The Bond of Water in Hands): A Kumi odori attributed to Heshikiya Chōbin

James Rhys Edwards, Nakazato Masao
pp. 282-309
DOI: https://doi.org/10.1353/atj.2016.0055
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Articles

Authenticity and Usability, or “Welding the Unweldable”: Meyerhold’s Refraction of Japanese Theatre

Min Tian
pp. 310-346
DOI: https://doi.org/10.1353/atj.2016.0033
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S. I. Hsiung: New Discourse and Drama in Early Modern Chinese Theatrical Exchange

Weihong Du
pp. 347-368
DOI: https://doi.org/10.1353/atj.2016.0037
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Korean Trojan Women: Performing Wartime Sexual Violence

Elizabeth W. Son
pp. 369-394
DOI: https://doi.org/10.1353/atj.2016.0041
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Emerging Scholars

Reorienting the Gaze in Mei Lanfang’s Lyrical Theatre: Performing Female Interiority

Sophia Tingting Zhao
pp. 395-419
DOI: https://doi.org/10.1353/atj.2016.0046
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Color Insert

pp. Color Insert 1-Color Insert 4
DOI: https://doi.org/10.1353/atj.2016.0036
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Adapting Brecht’s The Good Person of Szechwan: Innovative Chuanju and Yueju in China’s Transition

Wei Zhang
pp. 420-431
DOI: https://doi.org/10.1353/atj.2016.0051
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Founders of the Field

Elizabeth Wichmann-Walczak

Xing Fan
pp. 432-445
DOI: https://doi.org/10.1353/atj.2016.0027
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Phillip B. Zarrilli

Sunhee Kim
pp. 446-458
DOI: https://doi.org/10.1353/atj.2016.0031
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Diane Daugherty

Kathy Foley
pp. 459-473
DOI: https://doi.org/10.1353/atj.2016.0035
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Judy Mitoma: Dancing on the Rim of the Pacific

Kathy Foley
pp. 474-490
DOI: https://doi.org/10.1353/atj.2016.0039
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Performance Reports and Reviews

Where Rivers Meet

Linda C. Ehrlich
pp. 491-498
DOI: https://doi.org/10.1353/atj.2016.0044
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Made in Bangladesh (review)

Syed Jamil Ahmed
pp. 499-503
DOI: https://doi.org/10.1353/atj.2016.0049
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Book Reviews

China

The Metamorphosis of Tianxian Pei: Local Opera Under the Revolution (1946–1956) by Wilt L. Idema (review)

Josh Stenberg
pp. 504-506
DOI: https://doi.org/10.1353/atj.2016.0054
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Urban Politics and Cultural Capital: The Case of Chinese Opera by Ma Haili (review)

Zheng Guohe
pp. 507-509
DOI: https://doi.org/10.1353/atj.2016.0030
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The Rise of Cantonese Opera by Wing Chung Ng (review)

Zheng Guohe
pp. 510-512
DOI: https://doi.org/10.1353/atj.2016.0034
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India

Acting Up: Gender and Theatre in India, 1979 Onwards by A. Mangai (review)

Sharvari Sastry
pp. 513-515
DOI: https://doi.org/10.1353/atj.2016.0038
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Indonesia

Saraswati in Bali: A Temple, A Museum, and A Mask by Ron Jenkins (review)

Kathy Foley
pp. 516-517
DOI: https://doi.org/10.1353/atj.2016.0042
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Japan

Wondrous Brutal Fictions: Eight Buddhist Tales from the Early Japanese Puppet Theater trans. by R. Keller Kimbrough (review)

Lorie Brau
pp. 518-521
DOI: https://doi.org/10.1353/atj.2016.0047
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Transnational

The Racial Mundane: Asian American Performance and the Embodied Everyday by Ju Yon Kim (review)

Jenna Gerdsen
pp. 522-525
DOI: https://doi.org/10.1353/atj.2016.0052
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Akram Khan: Dancing New Interculturalism by Royona Mitra (review)

Mrunal Chavda
pp. 525-528
DOI: https://doi.org/10.1353/atj.2016.0028
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Performing Asian Transnationalisms: Theatre, Identity, and the Geographies of Performance by Amanda Rogers (review)

Philip Smith
pp. 528-531
DOI: https://doi.org/10.1353/atj.2016.0032
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