1. On Shared Heritage and Its (False) Promises
  2. Hein Vanhee
  3. pp. 1-7
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  1. “The Models for Africa”: Accra’s Independence-Era Fashion Culture and the Creations of Chez Julie
  2. Christopher Richards
  3. pp. 8-21
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  1. The Kongo Cross Across Centuries
  2. Geoffroy Heimlich
  3. pp. 22-31
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  1. The Materiality of Cement in the Cultural Matrix of the Middle Cross River Region
  2. Gitti Salami
  3. pp. 32-47
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  1. Okpo Ekak: Paradox of Passion and Individuality among the Efik
  2. Onyile Bassey Onyile
  3. pp. 48-61
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  1. By Iron Possessed: Fabrice Monteiro’s Maroons: The Fugitive Slaves
  2. Mark Auslander
  3. pp. 62-67
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  1. The African Art Collection at the Samuel P. Harn Museum of Art, University of Florida
  2. Susan Cooksey
  3. pp. 68-83
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  1. All the World’s Futures: The 55th Venice Biennale (review)
  2. Mary Jo Arnoldi
  3. pp. 84-85
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  1. All the World’s Futures: The 55th Venice Biennale (review)
  2. Trevor Stark
  3. pp. 86-87
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  1. Anya Fulu Ugo: Exhibition in Honor of El Anatsui and Obiora Udechukwu (review)
  2. Trevor Vermont Morgan
  3. pp. 87-89
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  1. Royals & Regalia: Inside the Palaces of Nigeria’s Monarchs: Recent Photographs by George Osodi (review)
  2. Isabel Stainow Wilcox
  3. pp. 90-92
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  1. Zulu Beer Vessels in the Twentieth Century: Their History, Classification, and Geographical Distribution by Frank Jolles (review)
  2. Sandile Radebe
  3. pp. 94-95
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  1. La dynamique des masques en Afrique occidentale/Dynamics of Masks in West Africa ed. by Anne-Marie Bouttiaux (review)
  2. Javier López Piñón
  3. pp. 95-96
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